The

 

 Book of Oaths

 

 


 

 

 

PREFACE

 

     Lies do not matter: they perish by nature: magna est verites et praevalebit. And this is what I mean by saying that I am The Great Wild Beast 666: I mean that I am not a man, but M A N. I publish this Book of Oaths with the idea that every human being without exception (though he will doubtless be outraged by 99 per cent of what he finds) may be able to put his finger on at least one line somewhere, and say: This is the deepest truth for me, in the best expression thereof. I have never found it anywhere else.

 

     A large order!

 


 

Before Kissing the Book.

 

 

 

Apologia pro Juramentis suis.

 

“Swear not at all” the Saviour said.

(But what is one to do instead?)

 

It may be the Almighty loathes

My project of this Book of Oaths.

 

“Your Yea be Yea and your Nay Nay”?

I don’t see how to get away

 

With that—I’d feel myself a villain

To offer Collins or Macmillan

 

A manuscript composed of Naught

But those determinates of thought.

 

It scarcely would enlarge the scope

To introduce a ‘Yep’ or ‘Nope’.

 

By God, no! Oath on oath I lance

—And Nazareth must take its chance.

 


 

NOUMENA.

 

It does not matter in the least

What mind and body cloak the soul,

What masquerade of bird or beast

Amuses Jupiter on stroll,

What firm or flabby flesh is creased

Around the Necessary Whole.

 

I swear I will no more be fooled

By accidents of intellectual

Or physical appearance, schooled

By life to know them ineffectual.

I will not be confused or curbed

Or disappointed or disturbed

By thoughts that baffle men and blind ’em,

And shows that lure, bewitch, and bind ’em.

The truth I love lies far behind ’em.

I take my fancies as I find ’em.

 

My falsest friends conceals a Star:

God’s in his emptiest avatar:

My girls—I do not care one button

What meat is; an honest glutton

Devours alike beef, pork and mutton.

There’s one thing common to all women:

Just as all seas are good to swim in.

I don not bathe to please and flatter

The shores; the landscape doesn’t matter—

Swim when you feel dry land too cloddy

To cleanse and exercise the body!

 

It happens that this rare judicial

Impartiality aforesaid

Releases me from all official

Responsibility that bores head;

It makes my suitors less evasive

And calm, more eager and persuasive.

They come, like bitches, at my whistle,

And wag their tails and gambol gaily,

Properly grateful for the daily

Dole, the tough tenderness of gristle.

 


 

 

Scroll the First.

 


 

With the Monkey

on the Rock.

 


 

BABALON.

 

Do what thou wilt shall be the whole of the Law,

Rue not now guilt the Devil’s dagger who draw:

 

I swear towards the West

On BABALON’S bold breast.

I swear towards the South

On Her mad merry mouth.

I swear towards the East

On Her Cup fiery-fleeced.

I swear towards the North

On Her Disk savage-swarth.

I swear towards the Height

On Her five fingers’ Spite.

I swear towards the Deep

On Her soul’d smiling sleep.

I swear towards the Centre

By Her and Him that sent Her.

 

     I Swear this Oath

     Of Troth

     To BABALON—

     My own

     Sister, and Scarlet

     Harlot;

     I am Her Priest

     The BEAST,

     To bring to birth

     On earth

     My word of awe,

     The Law

     Of Will, above

     Its Love.

     To BABALON

     Alone

     This tempered Oath

     Of Troth

     In Her Chaste Cup

     Seal Up!

 


 

THE ROCK.

 

Seaward my terrace—seaward from the hill—

     Is open; iris and geranium

Fledge it; beyond, the wardens of my will

Stand olive, mulberry, almond; stern and still

     Cypress and ilex. Then uproars its dumb

     Portent the Rock, the town’s Palladium—

Callous to its man-vermin’s good or ill

     For æons past, for chiliads to come!

 

The sea’s eternal siege; the sky’s disdain,

     The earth’s convulsions have not stirred its base.

The generations in their senseless pain,

Their aimless effort, their blind dreams insane

     Have left but orts of rubble on its face.

     Was this a temple? That a market place?

Here fortress? Cistern there? Beshew thee, brain!

     Guess, fancy, rhetoric cannot cloud the case!

 

Men—cannot thou hold memory of man?

     Canst thou not read thine own sire’s testament?

Scornful I spurn the ruins, and I scan

Sea, sky, rock; I scrutinize the plan

     Of Nature—is some Titan hugely pent

     Under that bulk in rage by Vulcan rent?

Is it God’s throne? An Olympian

     Altar? Or all unplanned? Gross accident?

 

I search my heart, I count my life, scar by scar,

     Explore the ruins of age on age of thought

And act—a few years, but full—my fame, my star,

My love, a flame, my work, a tower—that are

     Yet extant. But their meaning? They are naught.

     I knew not what I did, nor what I sought.

Intelligence? Insuperable bar

     To the enjoyment of all manly sport!

 

Its ruins fret not, weary not the rock.

     Eternity ignores Time’s trickle of sands,

Space consumes all notion, pens the flock

Of stars in silence. The event will mock

     The agitation of the gods, whose hands

     Twist, untwist, tangle, disentangle strands

To end where they began—shock encounters shock,

     I build life and I wreck it. The soul stands!

 


 

THE OATH.

 

I swear I hardly dare to swear;

For I could never bear to swear

The kind of oath I care to swear,

In case it were unfair to swear.

But, fancy if I were to swear!

 


 

SUNSET AT CEFALÙ.

 

The Sun, our great High Priest and Hierophant

Offers a new oblation every night,

Transfiguring with transcendental might

His cloud-cathedrals that pulsate and pant

With rapture of the revel, that enchant

Earth till she dances dizzy with delight

To that majestic music, by whose might

Reels Madness in the chorus corybant.

 

Screened by the long low promontory

Our great High Priest goes forth in all his glory:

The altar-lights burn low, leap, flicker, fall!

The minster of my mind is vast and dim;

In silence still my Soul communeth Him

With whom her substance is identical!

 


 

A MADRIGAL.

 

My Lea is my mate,

     With might in her embrace

To raise me to the height of fate

     Set me before God’s face

     And from his eyes get grace

On her new words to create.

 

My Lea is my soul’s

     Twin sister, with the wit

To read and understand the scrolls

     My mind hath subtly wrote

     Finite and infinite—

With her my life-song trolls.

 

My Lea is the heart

     That did conceive me, bear me,

Suckle me, made me smile or smart,

     That did not shrink or spare me

     The truth, that I might dare me

The adventure perilous, Art!

 

My Lea is my child

     In my will’s image I gat her;

For I have quickened in her my wild

     Fancies, made madness matter,

     Wakened the sleeping satyr;

In her woods—my babe—she smiled!

 

For Lea is my Saint

     And Goddess, ever alert

To answer me ere I stagger and faint

     At her shrine, hold from hurt

     My head, my feet from dirt

Of life, and my soul from taint.

 

My Lea is all in all

     That my being feeleth or knoweth

Or loveth, and she on the royal thrall

     Her uttermost all bestoweth—

     So I am the God that goeth

Making this madrigal!

 


 

ALEXANDER SELKIRK II.

 

As heaven is perfect, it’s a bet

I do not want to go there yet.

I am down here in Cefalu,

The only oyster in the stew,

The only starfish on the shore,

The only brass plate on the door,

The one silk strand in all these bristles,

The one red rose among the thistles,

The only lobster at the lunch,

The First Prize Baby of the bunch.

The pain that one endures from others’

Inferiority one smothers

By contemplation of one’s own

Superiority of tone.

By leave, God, I’ll stay here and doss it

In Cefalù where I can boss it!

 


 

THE BOOMERANG.

 

I flung afar the stone, mine heart,

And lo! it blossomed with wild wings;

It made itself a counterpart

Of millions of delicious things.

 

I watched it go its flaming arc

Across the æons of the abyss:

And never once it missed the mark,

And never once disdained the kiss.

 

Then when the infinite inane

Had been consumed by it, beyond

The end—it sought my breast again,

A living laughing diamond!

 


 

AT DAGNINO’S.

 

Bring me strawberries and cream!

     Red and white in prime perfection

     Of alchemical projection!

How it crowns creation’s scheme.

     Nature through the animal builded

     Cream—those snowy domes sun-gilded

Quintessential and supreme—

     Through the vegetable fashiones

     Strawberries, the heart impassioned

Of Love’s archtypal dream!

     Here he mated Matter, Motion,

     Space, Time, Being, Form, an ocean

Married to the Eternal Beam.

     If on better food the speckless

     Gods feed, Nature’s getting reckless!

O thou poet, to thy theme

     Too inadequate, the waiter

     Looks a Ganymede; or greater

Bring me strawberries and cream!

 


 

THE HIEROPHANTRIA.*

 

I swear I like to see my harlot

Happy with hashish—O my queen!

I also like to see the scarlet

Break out ablossom through the green!

 

Ye literary lions, pray compare

The ‘bijou rose et noir’ of Baudelaire!

 

* The symbolic colours of the Hierophant in the Mysteries (of the Outer Order) are scarlet and green.

 


 

ENTERITIS.

 

Truth! Truth’s the Law that rules the Mind,

     Compels its mode, for god and brute

The same. Its compass is confined

     By reason that is absolute.

 

How shall I bridge its intervals,

     Useless, unreasonable, vain?

All incoherence must be false

     —I hear my Lea scream for pain.

 

Warning or punishment might serve

     Some turn, but this is idiot, blind,

Not whip to flesh, nor word to nerve,

     My soul abhors the undesigned.

 

Yet as her unreflecting arms

     Cling round my stalwart helplessness

So keen to espy and baffle harms,

     So impotent in this distress.

 

A chill, an inch of gut enflamed,

     If Truth be there, ’tis Truth blasphemed,

If reason, ’tis by Reason shamed!—

     She clung, and mastering her screams,

 

She said: “I love you, never yet

     Loved I so perfectly and purely.

Nor thought it possible to set

     My knowledge of myself so surely.”

 

Causal? Absurd! No simpler way

     To man’s heart? Impotent, I must

(The actor in the actor’s play,

     I am one) ‘register disgust’!

 

I know the arguments. (I made

     A lot of them myself, in youth)

But I shall never, I’m afraid,

     See what it has to do with Truth!

 


 

PROMETHEUS.

 

In exile, on this burning rock,

     I die by inches ; from the bleak

And bitter sky the vultures flock;

     My liver drips from every beak.

My lidless eyes behold the loose

Lewd sneer upon the lips of Zeus.

 

My parched and aching mouth is curled

     With an inalienable smile;

Beyond His shadow rolls the world

     Exempt from tyranny and guile;

Men warm them by the fire I stole:—

The vision satisfies my Soul.

 

Yea, though God’s vengeance brand (like Cain’s)

     My brow, and instigate His slaves

To scorn and shun me, though my pains

     Serve for the sport of fools and knaves,

I triumph, having that I would:

Their freedom, not their gratitude.

 

These blazing days, these icy nights,

     Are cooled by Love’s devoted fan

And warmed by Love’s intense delights

     —I would not change with any man

My fate; my poverty is worth

More than all wealth of Heaven and Earth.

 


 

AUGUST IN CEPHALOEDIUM.

 

It’s much too hot, my prostitute,

To cuddle close, God knows;

But I like to keep the edge of your foot

All night between my toes.

 


 

PANTHEA.

 

Year-long, the breezes bring to me

Murmured, the melancholy moan

     Of the Mediterranean.

The lamentation of the sea

Speaks of a sorrow not its own,

     The sorrow Uranian!

Myself, infinitesimal

Am not myself save in so far

     As I AM, one attitude

Of the Image—immanent in All—

So signal back to sea, my Star,

     This lyric beatitude!

 


 

TO LEAH, NURSING ME.

 

Big Lions often act distressing

To Monkeys when they’re convalescing;

But when the Big Lions get quite well

They eat those Monkeys all to Hell!

 


 

ODE TO FORTUNE.

 

How cynical-capricious

     The mood of Fate to plan

So dirtily delicious

     An ordeal for a man

As setting Fame to trumpet

     His name in every zone,

And then—the saucy strumpet!—

     To let him die alone.

 

She put a golden spoon in

     My mouth when I was born;

She brought success, high noon, in

     The mists of early morn;

That in my summer season

     I faint for lack of food,

And taste the wine of treason

     And bread of turpitude.

 

Jest on, thou foolish monkey!

     Be welcome to thy pleasures!

My heart hath only one key

     To its uncounted treasures!

My word is done, despite thee,

     My Will hath wrought its utter

Perfection—how, delight thee

     To throw me in the gutter!

 

In rags and dirt and hunger,

     I still am strong and healthy;

Age only makes me younger

     And poverty more wealthy.

It proves me loftier mounted

     Than ever I suspected,

That I should now be counted

     A thing to be neglected.

 

In this obscurely hidden

     Old cranny of the planet,

I eat the fruit forbidden

     That grows upon the granite.

I find the paths of Pan

     Most pleasant paths to follow,

And goodly for a man

     In Circe’s stye to wallow.

 

I do not envy those

     Who eat at Scott’s or Nichol’s,

And with dyspeptic throes

     Pay down the price of pickles;

Nor those who hang with silk

     And gems the limbs of ladies

Who long to do a bilk

     And wish their fops in Hades!

 

I eat—Isos theoisin—

     This honest country fare,

Digest it and rejoice in

     This fierce exciting air;

All night I romp and revel

     With her who loves me, loathes

All milliners—“The Devil

     Take all these stupid clothes!”

 

Fame’s virtue sleeps securely

     While Robert Bridges sips

His sherry-wine demurely

     And smacks his lackey’s lips.

I shall not tease her tresses,

     Her sheets I shall not soil,

So long as she caresses

     George Moore and Conan-Doyle.

 

I want no sword light flipped on

     My shoulder—while the purse

Has power to furnish Lipton

     With knighthood’s golden spurs,

While Sheeny lawyers belt them

     As earls and Welsh attorneys

Rule England—I have smelt them—

     I’ll go on my own journeys!

 

While folk still worship Jesus

     And Mary Baker Eddy,

’Twere folly should it please us

     To find them getting ready

To listen to my Word.

     What men delight in trusting

Is probably absurd,

     And certainly disgusting!

 

Then leave me in my nook,

     My merry maiden, Fortune,

’Twere better sport to look

     For one who would importune

Your merry, or bewail

     His luck, or curse, or trust his

Redeemer to prevail

     Against your harsh injustice.

 

For me, the afternoon

     Has passed in pleasant riming

This monologue, the tune

     Its cheerful cadence chiming.

I come of faery folk.

     I can—if one can, two can!—

Enjoy your little joke

     On me as much as you can.

 

My hand is on my rudder.

     I hear a merry note—

Milk foams from the black udder

     Of yonder grazing goat.

There’s some on waiting till I

     Have finished these satiric

Stanzas to ask me: Will I

     Compose a little lyric?

 

Farewell, Fate; better luck

     Attend your next endeavour!

My prowess and my pluck

     Are just as good as ever.

Your coiffing—well, who cares?

     This tress is just like that tress.

There’s my goat’s milk, and there’s

     My mistress on the mattress!

 


 

CEPHALOEDIUM: A YEAR IN RETROSPECT.

 

I swear I never found on earth,

For melancholy and for mirth,

To work in, love in, dream in,

(So much fresh milk with so much cream in)

A place as has so little tedium

And so much fun, as Cephaloedium.

 

I never saw elsewhere such wealth

Of beauty, such seductive stealth

Of seas, such skies serene and tender,

Such grace of mountain-sides, such splendour

Of sunsets, such romantic rigour

Of rocks, such rush of virile vigour

Of life, such hallowed hours of swoon

In chaste caresses of the moon.

King Day flings broadcast forth his treasures,

Prince Dawn and Princess Gloaming sigh

And smile their modest mastery;

Nature is nowhere God’s true medium

As she is here in Cephaloedium.

 

Here also I have known the limit

Of love and life and how to hymn it,

Here I have slept all night with Sorrow

And danced with Pleasure on the morrow;

Here have I loved and laughed and lusted,

Till joy jarred and delight disgusted;

Here have I hugged to heart the hated

Ape, the abortion animated

That fed her foulness on me, clawed

Her carrion till the withered bawd

Venus Aversa, leering, crept

Up to the dunghill where I slept

With fetid sorceries to bewitch

My brain, until the beastly bitch

That writhed within my arms, unsated

And glad to hold the man that hated

And loathed her, felt my soul revert

From its abhorrence, drawn to dirt

By her excess, heard words drip

Debauched from my apostate lip,

To tell her that I knew my loathing

Was stripped like a slut’s underclothing

From a slut’s soul, that now I kissed her

In utter love, my spouse and sister.

 

Here death wrenched out, and trod before me,

My heart, the baby that she bore me;

He struck again, he tore apart

Our son that lay beneath her heart.

Here in one year, no moment waste,

All life distils was mine to taste,

And I have drunk the dregs; I hold

Fearless the goblet of wrought gold

And arsenic to Fate fill it

Again to brim—I will not spill it!

Pleasure or pain—but never tedium!

Extremes; I hate the happy “medium”!

Here’s luck to life in Cephaloedium.

 


 

THE POET’S SEPULCHRE.

 

I’ll buy me a place of burial on the rock of Cefalù;

Flame-stars on green below me, and above gold stars on blue.

My spirit walk till cockcrow, till sun peep from the Straits

And rest until he pass below Panormus’ mountain Gates.

I’ll look to rest where the axle of the Pole-star rides the rim

O’ the world-wheel, and Diana sly dips a lissome limb

In the lime-stone. As her moonlight yet glimmers faery forth,

All this I’ll make my palace in the rock that rears to North,

But I’ll mostly turn me Southward, to the hills where oil and wine

From the misty slopes sweat gladness, and the earth’s requicken mine!

But I’ll let my wraith-eyes centre, I’ll refresh them and repose

On the white square house green-painted, with geranium and rose,

Iris and daisy, surfeit of glory and grace of flower

And herb and tree are about it, its terrace to embower.

For on that hill’s bosom, swollen as with milk, in that low hall

For a season Lea loved me, and nothing mattered at all.

The centuries reel in ruin, but the limestone stirs no jot;

It’s there my bones shall dry to dust what most resists the rot;

In the generation of liars once Lea loved me true,

And I’ll buy me a place of burial on the Rock of Cefalù!

 


 

SERVICE. (AL II 52)

 

I swear to work my work abhorred

Careless of all but one reward

The pleasure of the Devil, Our Lord.

 


 

 

IV.

 

FAUNA,

 

(Mammals not Indigenous to the British Isles)

 

 


 

VAMPIRE.

 

DIOGENES.

 

Don’t talk to me of pounds and pence! I’ll

Ride Rockefeller on a rail,

With my intelligence prehensile

Exactly like a monkey’s tail.

 


 

THE ORNITHORHYNCHUS OR

DUCK-BILLED PLATYPUS.

 

The Ornithorynchus

May sensibly think us

Ridiculous creatures

With fatuous features,

Exactly as we do

of him. Let me lead who

Would dominate luck, build

Success, to the Duck-Billed

Platypus; he can

Show us how we can

Travel beyond de-

feat like a John D.

(I lay special stress on

Your learning this lesson!)

How did the Astors

Make themselves masters?

What was the organ

Most useful to Morgan?

What proved that Schwab

Was the man for the job?

How did Carnegie

Catch hold of the leg he

Pulled so astutely,

Persistently? Mutely

I muse on the riddle:

What's in a fiddle

To help Mischa Elman

So well to compel him

To put him on Easy Street?

Why did Fortune's breezes treat

Yeaye with such tender-

ness? Why should such splendour

Envelope your life, etc-

etera, Heifetz?

What enriched Libby? An

Answer, amphibian!

Surely, let that tip us

Truly, thou Platypus!

Thou that dost snort with

Contempt, dost retort with

Asperity, when the

Zoologist men, the

Wiseacres, moan that

There's one thing alone that

Their anguish will pacify;

That is, to classify

Thee among regu-

lar fellows! We beg you,

Ornithorynchus,

Pray do not think us

Rude, but propriety

Limits variety!

 

Smiling, the Platyp-

us shakes the broad flat tip

Of the bill that experi-

ence sanctions. I fear he

's too stubborn to follow

The rule of sociolo-

gy. Having webbed feet, he

Feels equal to Beatty!

Miss Farrar! His furs are

As comfy as hers are!

The moral is this; it

Seems fairly explicit.

What people suppose is

Bad form—well, are noses

Alike? If a profit

Accrues to thee of it,

The boot is applied

To the critics back-side!

The Ornithorynchus

Should bid us bethink us

That mere eccentricity

Has brought his publicity,

A name of five sylla-

bles, sonant, to fill a

Whole line. He's obscure, he os-

tracises all curios-

ity-mongers, no shirk, at-

tends to his work at

His office; his limit

He knows. Let us init-

ate such an exempla-

ry animal, contempla-

te his patience & pluck, build

Our lives like the Duck-billed

Platypus. Let us

All dauntlessly set us

To labour unnoti-

-ced, but dour and devoted,

Unmoved by the criti-

cs that plague us with piti-

ful sneers; it may be that

One day men will see that

Our “eccentric and misund-

erstood work was this und-

iscered Pearl they neglected;

The stone they rejected,

The but of the scorner,

The head of the corner!

Thy poem, the deep occ-

ult Thought of the Epoch.

 


 

HIPPOPOTAMUS ABORTION.

 

(THE ABOMINABLE CONDUCT OF

PROFESSOR FUTVOYE* JR.)

 

I like a man who babbles of lactic

     Fluid when out for blood

In a Spirit of Perfect Love—the tactic

     Of Professor Norman Mudd.

 

His voice grates much like a rusty key

     In the lock of a dungeon: “Blast you,

“Dear Lord, you think like a W.C.

     “With the pipe stopped up—and my a—to you!

 

“My compliments to the bug your brother—

     “And you stink as much as you itch,

“And with all respect to your lady mother

     “You are a son of a bitch!

 

* “Abominable conduct”. Mr. Mudd, stung by his Under-Over, Oedipus, and other complexes accused me of “abominable conduct”. I replied by this oath. I called him Prof. Futvoye Jr. in allusion to the “Brass Bottle of Anstey”, where a similarly recalcitrant professor is transformed into a one-eyed mule, which is the normal appearance of Mr. Mudd.

 


 

THE ZEBRA.

 

The Zebra glories in his stripes.

The Highlander is partial to the pipes.

Oatmeal and whiskey constitute his diet.

He wants to live at ease and die in quiet.

He contemplates, with resignation meek-eyed,

The Zebra and the splendours of his sleek hide.

This admirable animal does not

(For his part) bear a grudge against the Scot.

Learn from this edifying course of conduct

The truth: that neither is duck swan nor swan duck; t-

-o value thine own virtue: equilibre

“Morale” is inculcated by the Zebra.

 


 

THE CAMEL.

 

The camel has been badly treated

By certain literary snobs.

I know four camels that competed

Successfully for cushy jobs:—

The first efficiently completed

A bomb so sad foetid

It massacred the Boche in mobs.

The second signally defeated

The Huns by hurling at them heated

Fragments of porcelain poker knobs.

The third so artfully secreted

Such pathos in the songs he bleated

That storming parties shock with sobs.

The fourth untiringly repeated

Stale jokes until he had unseated

The reason of the dirty swabs!

Apply a fresh coat of enamel

To the escutcheon of the camel.

 


 

CHIMAERA.

 

LENIN’S WEEK.

 

Monday, I’m murdered: Tuesday, I am booked

For a paralytic stroke: I die again

On Wednesday from my wounds: I go insane

On Thursdays: Friday, oh! my food is cooked

With arsenic: On Saturday, verflucht!

I marry: Sunday, softening of the brain.

The week will not be wasted: yet I fain

Fancy, there’s something I have overlooked.

 

What, in the name of Marx? Have I to speak

Somewhere? Or shoot myself? No! that’s next week.

I’ll have to ask my wife —— Ha!—that unlocks

My memory—where’s my note book? I must write

It down at once: for otherwise I might

Forget to ask her please to mend my socks.

 


 

HYENA.

 

THE SICK WOMAN OF EUROPE.

 

To all men Mussolini saith:

Choose between Castor Oil and Death!

Italia, in a sorrier crisis

—What between cholera and pthisis!

Faces the same decision—urge

The patient to accept the purge!

To see her need requires no Solon:

Sluice Mussolini from her colon!

 


 

HYENA.

 

M. MUSSOLINI SE VERRAIT CONFERER

LE TITRE DE DUC.

 

I always thought it was a pity:

“Le mance sono abolite”

A dukedom! That is better still

Than ten per cent upon the bill.

 


 

HYENA.

 

BILL SYKES GIVES FAGIN SHARES.

 

Bill Sykes gives Fagin shares—he shows good sense

Greed knows the value of experience.

And Mussolini is a clever man

To make a compact with the Vatican.

The brigand is but prudent to provide him

With nineteen centuries of craft to guide him.

Barabbas seems—to modern minds—a crude ass:

He nowadays seeks partnership with Judas.

 


 

HYENA.

 

THE REVIVAL OF SUPERSTITION.

 

There’s lots of things seem easy to fools

     That look not so to the wise

Mussolini “put God back into the schools”

     But, who’ll put him back in the skies?

 


 

HYENA.

 

REACTION.

 

A voice croaked from the Vatican:

“Children, make it clear that man

Must be a black-hearted brute

Or a prostrate prostitute:

Children, let the planet know

That to kiss my holy toe

Is the only guarantee

Against abject anarchy!

Science, smiles but offers his

Popeship not her toe to kiss

 


 

HYENA.

 

ITALIAN NATIONAL ANTHEM 1923.

 

Praise God from Whom all blessings flow,

And kiss the Father’s holy toe,

Check Tiber in his Christless course,

And do away with all divorce!

Teach youth about the Virgin Birth,

And that the sun goes round the earth!

Bid men to remember to applaud

The ferule: Freedom is a fraud.

Science is false, and black is white,

And Mussolini’s always right!

 


 

TWO-TOED SLOTH.

 

ABSENCE OF BRITISH CONSUL AT EL-OUED.

 

Lines written in a mournful mood at the absence

Of a British Consulate General at El-Oued.

 

Here men hath mules and camel at his call.

What need hath he of Consuls-General?

 


 

WOMBAT.

 

AUSTRALIA.

 

In all Australia’s immense isle

     I find no single noble trail

With my intelligence prehensile

     Exactly like a monkey’s tail

 


 

THE LEOPARD.

 

The man who does the leopard’s advertising

Confines his efforts to familiarizing

The public with on fact — he know what’s

What!—“My employer does not change his spots.”

Masked by this motto, camouflaged completely

Within this character, the leopard neatly,

Unostentateously, puts over diverse

Deals which would land less capable contrivers

Within the precincts of the penitentiary.

For something like a quarter of a century.

The magnate who succeeds by wise publicity

Of fixing on some harmless eccentricity

The world’s attention finds his dupes absurder

Than he—to let him get away with murder!

Tootle thy flute, thou advertizing shepherd!

Shew not thy shears! Thy business do not jeopard-

-ize by neglect to emulate the leopard!

 


 

THE MISSING LINK.

 

PROGRESS.

(Found only in Daytonville, Tennessee)

 

“Nature and Co. consider the time ripe

To issue (with wide margins and large type,

On the best wood-pulp paper, edges gilt,

The binding fit for any Vanderbilt,

To be subscribed on the installment plan)

The Modern Great Romantic Epic ‘Man’ ”

 

Commercial subterfuge. Despite the shape

And style, the book is the old classic “Ape”:

A bawdy satire, crime and superstition

And folly. Here’s the Critical Edition,

Enriched with notes, jocosely or morosely,

But the text follows the first folio closely.

 


 

THE DEMONSTRATRIX.

 

Her baby had four hands, six fingers each,

No feet, no eyes, and hydrocephalus,

A rabbit’s face. She said: “I wish to teach

What syphilis is apt to do for us.”

 

But I: “O infinite Isis, Thee I praise —

Such wondrous beauty in such wondrous ways?”

 

     Written on the way home from the Maison de Sante, Tunis, on being shown an abortion as per above, Feb. 1925 e.v.

 


 

 

V.

 

FAUNA.

 

MAMMALS INDIGENOUS TO THE

BRITISH ISLES.

 

 


 

THE RABBIT.

 

Children wonder whether rabbits

Were devised to edify them,

Whether their immoral habits

Warn us that we shouldn’t try them,

Lest our skins adorn the shabby

Throats of vulgar Mauds and Mabels,

And our flavourless and flabby

Flesh appear upon the tables

Of the lower middle classes.

We shall certainly be asses

If we miss this hieroglyphic:

“Does it pay to be prolific?”

 


 

THE WOLF.

 

The wolf notoriously lacks

Originality and force.

Instinctively he hunts in packs;

Proudly denominates this course

“Democracy”. The worst offence:

To weaken on the proposition.

He saves the trouble and expense

Of undertaker and physician

By eating the afflicted unit.

He claims that thus he keeps from spreading

Disease; the customs knits as few knit

Society. He argues (Heading

“Ethical Justice” in the “Praxis”

Of his most famous moralist)

“Efficiency and prophylaxis

Eliminate the Bolshevist.”

He chiefly fears Initiative,

Seeing to what wild music men dance;

And knows it fatal to forgive

The treason self-styled Independence.

The patriotic wolf regards

With uttermost contempt and loathing

The shameless blackleg who discards

The only uniform—“Sheep’s clothing”.

 


 

THE DOG.

 

It makes me ill.

It is humil-

-iating to

confess to you:

Philosophy is baffled by

The fact that Nat-

-ure is too great

For men to cir-

-cumscribe what Her

Least compass draws.

I squeal, because

I feel to-night

I cannot write

A monologue

Upon the Dog.

 

I watch my step!

With all these ep-

-igrams and pro-

-verbs treating of

The Dog, a pro-

-per grasp of op-

-portunity

Is clearly be-

-yond me—I con-

-centrate upon

The point that bus-

-iness always is

A many-dis-

-ed matter. I’d

Prefer to say

No more to-day.

 

 


 

THE ALLEY-CAT.

 

SUFFRAGE.

 

“Be good, sweet maid, and let who will be clever”

     Appears to be a counsel of Sour Grapes.

I’ve met the most intelligent, and never

     Found one with brains beyond the average ape’s.

 


 

ASSES.

 

NIKE APTEROS.

 

1.

John Adams was an Englishman, his senses all a-whirl

About the rare perfection of Emma Pease his gurl.

     John Adams had a noble heart, though common was his clay;

     And when the war broke out, he went and joined that very day.

 

John Adams thought: “Hits hup to me to syve from hinfamies

“Un’ eard of by these bloddy ‘Uns, yer virtue, Emma Pease.”

     John Adams up and went to Loos, a place for him too tight,

     While Emma Pease was virtuous with Mo Levy every night.

 

2.

The Rev’rend Forplush he reproved the atheistic trend

Of Science: “Now this wicked world is coming to an end,

     “Our God will fight for us”, he said, “and prove to every one

     “That he will send His angels to annihilate the Hun.

“For he is certainly by now exceedingly annoyed

“At the atrocious doctrines taught by Haeckel and by Freud.”

The Rev’rend Forplush he went East, got typhus, and went West.

His flock said: “If there is a God, He’s got things badly messed!”

 

3.

The Honourable Dacres had the bluest Norman blood;

He traced his noble ancestors far back beyond the flood.

     Brave men, chaste women were they all—feared the fierce atroc-

     -ious conduct of the bestial abominable Boche.

To keep his household honour safe he offered “Corps et âme”,

And left ‘cemin de fer’ to fight for the Chemin des Bames.

     The Honourable Dacres sleeps in an impromptu tomb,

     His mother and his sister with the chauffeur and the groom.

 

4.

Professor Balls, historian, hoped that our Haigs and Beatties

Would make the German hordes respect the sanctity of treaties.

     He proved in the ten volumes of his last most famous book

     That Wilhelm was a blackguard and Ludendorff a crook.

He called on time to witness the integrity of Britain—

Alas! the final chapter must for ever stay unwritten.

     He died before he could explain to critical canaille

     How right we are to saboter the Treaty of Versailles.

 

5.

Aroemus Yonkers, double blue, of Balliol, Rhodes scholar,

Indignantly denounced the Hun with all a sportsman’s choler.

     He went to war with no idea of earning rank and fame,

     But just to teach the blighters that they had to play the game.

He shot his officer because he thought the man an ass,

And gained distinction for his skill in handling poison gas.

     It would have killed him—had he lived—to entertain the thought

     That peace would push the amateur for ever out of sport.

 

6.

Fritz Rosenbaum that sturdy type of British merchant prince,

The thought of losing markets used to make him fairly wince.

     Prosperity for England was to him so truly dear

     That he sacrificed his fortune to become a profiteer.

Then to stabalize the market he rebuked financial sharks

By investing all his millions in a wad of German marks.

     This patriot saved our markets—had we anything to sell—

     But the markets and Fritz Rosenbaum have lately gone to hell.

 

7.

The Duke of Fitzcocotte was apprehensive of the mob.

He saw the opportunity of getting on the job.

     By slaughtering the masses by the million he could save

     The British Constitution and put Labour in the grave.

To him we credit D.O.R.A., the destruction of the ‘pubs’,

The economic ruin of the farmers and the clubs.

     He saved the Constitution in that terrifying hour

     So well that five years later we had Socialists in power.

 

8.

Sir Grabson Jobbs the lawyer with his known acumen saw

That the war would win to worship the authority of Law.

     He knew not that the horror and the hardships of the time

     Would make men coldly careless of the punishments of crime.

When Liberty no longer seemed worth trying to preserve

He furnished every scoundrel with the necessary nerve.

     He has pondered the position with bewilderment—in vain—

     Since the night that he was blackjacked on his doorstep in Park Lane.

 

9.

Old Doctor Batts the ethicist had frequently deplored

The way in which morality was going by the board.

     “A war” he eloquently urged, “is just the thing we lack

     “To rouse men's consciences and bring the old ideals back.”

Old Doctor Batts is paralyzed: a playful Zeppelin

Was bombing his vicinity—a splinter did him in.

     He notices with “sadness which is much akin to pain”

     That everyone is crazy for coition and cocaine.

 

10.

Lord Libbard Ramp had always been a staunch Imperialist,

A world-war was his only hope for Empire to resist

     Disintegrating forces (so unhappily beyond

     His own control), bind Anglo-Saxondom in blood-red bond.

“We’ve gained a lot of country uninhabited by man;

“We’ve only lost South Africa, Australia, Hindustan,

     “Egypt and Canada; and — yes! the little old Green Isle—

     “I don’t see why pro-German swine should wear that stupid smile!”

 

 

11.

Lieutenant-Colonel Bludgeon saw promotion in his grasp;

He practised giving orders with exaggerated rasp.

     He lost an arm at Soissons, and an eye at Chateau Thierry,

     And a leg at Salonika: and he thinks it rotten, very,

That a Briton should be fighting for “those bally Johnny Frogs”,

And he says “By Gad! the Service, sir, is going to the dogs.”

     His wife has her hair bleached and exquisitely bobbed

     For his General (an ex-golf-pro)—and he has been ‘demobbed’.

 


 

GAZELLE.

 

To the Belgian shop woman at Touggourt complaining

of the Arab: the Retort Courteous.

 

“The Arab is a lazy cuss,

A liar and a thief,”

“The Arab is in brief,

Par omnibus?”


 

GOAT.

 

CELINE-BAR.

Oct. 1925

 

Kill off mankind

     And give the Earth a chance!

She well might find

     For her inheritance

The seedlings of a race

     Less hideously base.

 


 

MOLES.

 

MEALS WITH THE MASTERS.

 

RATIONALIST PRESS ASSOCIATION.

 

I went to vall with Edward Clodd

And found him busy with a rod

Making strict measurements of God.

 

Observing him with lots and lots

Of interest, I saw Charles Watts:

Who said: “This Mary Queen of Scots

 

“Was just a crazy Catholic,

“Besides I simply cannot stick

“Her swank: the whole thing makes me sick”.

 

“Mary? The Reverend McCabe

(Joseph) woke angry and outgrabe

Against the Virgin and the Babe.

 

He said, “Such births are not legit-

-imate; I liked it not one bit

Even when I was a Jesuit.

 

“Oh Mene! Mene! Mene! Tekel

“Upharsin! Things of this sort make Hell

As incredible as old Ernst Haeckel.

 

“Philogenous or saprophytic,

“It matters little: every critic

“Agrees that risk of syphilitic

 

“Infection must invariably

“Follow misconduct!” “Very ably

“—as I might almost say, McCably—

 

“You put it”, answered Edward Clodd,

“But don’t distract me with these odd

“Ideas—I’m busy mapping God.”

 

The purr of fat E.S.P. Haynes

Thrilled the assembly: “Watts complains

“Of Mary Queen of Scot’s reign’s

 

“Too frequent incidents’s courses

“Of violence, the illegal forces

“She used instead of heat divorces.

 

“I could have fixed her up, poor kid,

“Finally (exactly as I did

“For Crowley, for say fifty quid.”

 

“I must admit, that Haynes can hustle

“But let us hope that all this fuss’ll

“Be over soon”, remarked Earl Russell.

 

“Oh hell! you’re simply wasting breath”,

(Said Haynes) “That show at Nazareth!

Why, it would tickle me to death.

 

“You know me—that I never boast—

“But I would simply love to roast

“That rotten egg the Holy Ghost”.

 

“I never, could approach the limen

(Sneered Robert Blatchford sourly) “Why men

“Make all this fuss about a hymen?

 

“It’s made precisely like a pie-crust.

“I’d sooner let my new push-bike rust

“Than let my good old marlinspike rust.”

 

At this indecent cynicism

Charles Watts saw gape the vast Abysm

Of Hell, and went and asked baptism,

 

From the old soapy Bishop Ingram

(Winnington). “Why, I’ve made my Jing ram”

(Blatchford continued) “every thing gram-

 

“iniverous, every female mammal

“From a black beetle to a camel

“That I could teach to spurn the trammel

 

“Of man-made morals”—“Here come off it!”

Cried Joe McCabbage: “Where’s the profit

“Of talk of this kind?” “Let him cough it

 

“Up” (interrupted Edward Clodd)

“Blatch has not reached the period

“Of culture when to measure God

 

“Suffices his instinctive craving

“For joy: he has to keep on raving

“About his gift for misbehaving.

 

At this, instead of cooling off,

Blatchford replied, “You bloody toff,

“I’ve half a mind to toss you off

 

“The carpet underneath the table,

“And then perhaps with luck McCabe’ll

“percieve the point of this old fable

 

“About the virgin in the stable”—

The talk became a roaring Babel.

I felt that I was quite unable

 

To stick it out; I donned my sable

Coat and my hat: “I’m on my way, bel-

-ov’d Brethren, to a girl called Mabel.

 


 

BATS.

 

POLIZEI.

 

The dullest Teuton brain can pull

The stuff to make the “Harness Bull”.

 


The lousiest Kike, the greasiest Wop

May make an excellent “Fly Cop”.

 


But for the higher ranks aerial

I don’t know where they find material.

 


 

RAT.

 

BENJAMIN CHARLES HAMMOND.

 

1.

Benjamin Charles Hammond, dost

Thou remember those august

Eyes that once did friendly glance

On thine insignificance?

Durst thou think with what sad scorn

They must now disdainful mourn

Thy most cowardly and sly

Malice and disloyalty?

 

2.

When thine angel shewed thee one

Brave and brilliant as the Sun,

Thou wast moved while to adore

Him that waged his dreadful war

On the hosts that overran

The fair halidom of man

With the tyranny and hate

That only freedom can abate.

Then couldst thou thyself behold

With a spirit clean and bold

 

3.

Leprous as thy body, dull

As thy mind, diffuse and null

As thy person was, no less

Stood thy soul for righteousness.

Thou hast now denied thy Lord:—

Hast thou joy of thy reward?

Well thou knowest, when his fame

Stands in heaven, His noble name

England’s glory, that thy seed

In these words their shame shall read,

Wishing their loathed selves were rather

Dear than got of such a father.

 

4.

Live thou, in thy sordid strife,

Self-debarred from light and life!

Live thou, itch that rots thy skin

Ease to viler itch within,

For thy children’s sake, ’twere best

If thy wretched life confessed

That the hangman them begot

In adultery, and not

Thou the traitor, the obscene

Leper! Go! Unclean! Unclean!

 


 

HOMO SAPIENS.

 

EDDIE SAAYMAN.

 

They go with gold and muscle tense

And precious little common sense

Proud of their manhood’s excellence.

 

They come with aimless vehemence,

And every symptom of immense

Rapture, regardless of expense.

 

They leave, devoid of pride and pence,

Perceiving life a lewd pretence,

And love a jungle dark and dense.

 

They end by purging their offense

At Venus’ altar with incense

Of sandalwood—proceeding thence

 

To Hermes’ shrine, two years to fence

Their blood from pallid virulence

Of Thine Avengers, Innocence

 

I murmur; Evolution! Whence

This Simian inconsequence

Of sapient intelligence?

 

(“Je vous assure donc qu’elle est belle!)

And thank you for your hospitable

Reception, Clodd. (Must go, can’t stay, bel-

 

“-lo caro mio!) Hope you’re able

“To stick the very last new label

“On God—I’m made of penetrable

“Stuff just like Hamlet’s mother—gay belle!—

“Bye-bye! When next you need me, cable!”

 


 

OX.

 

OATH THE LAST.

 

I could have sung much more than I have sung

But—“a big ox has trodden on my tongue”.

 


 

 

Scroll the Fourth.

 

With the Monkey in the Oasis.

 

 


 

MY CYNOCEPHALUS.

 

I swore a mighty Oath

To love my Ape of Thoth;

And still I watch the growth

Of our eternal troth.

The Gods have blessed us both

With life that is not loath

To sink in silly sloth,

Or burst like Behemoth

In brutal bliss—Great Thoth!

Fortify Thou mine Oath!

 


 

EREMITES.

 

This is the Wisdom of the Wilderness

That all the ghosts that haunt the minds of men

May not endure the Silence, and the stress

Of vastness, and the chaste kiss of the Wind.

In these huge wastes of Sun and Sand, Life knows

Naught besides Death, and Love, his procuress.

The Soul immune from all the Shadow-Shows

Goes on its unmapped way, affirms its Yes

By deep indifference, and solemn deed.

In utter darkness, utterly content,

Casting forth freely its mysterious seed,

Careless, contemptuous of the Event.

To work thy will, unmindful of success:

This is the Wisdom of the Wilderness.

 

     Oct. 13/23 e.v.

 


 

AT NEFTA.

 

I swear I never want to go

Back to the slime of sordid sham

Of cities: here a man may know

Himself: that ‘I am that I am’.

If I possessed Fifth Avenue

It would be only one more curse

While here, possessing naught, I view

And love and own the Universe.

Here nothing is of wealth or worth

To one, and therefore all enjoy

The whole vast realm of heaven and earth

That none may ravish or destroy.

Here each man, being king and priest,

Is free to love and comprehend

Life as a proud perpetual feast

Where every guest is found a friend.

Love is the solemn sacrament

Wherein man ministers to Death

And life—in every element

The two-fold God that witnesseth

In Nature that the Truth is one,

An hidden spring of living Law,

The frame whereon the silk is spun

By fate to thrill with joy and awe.

The soul that stirs not, neither strives

Aught to attain, in all that is

Assured of its achievement, thrives

By virtue of Truth’s emphasis,

I swear I would not abdicate

This throne of timeless empery

This sovran sphere immune to fate

For menial mortality.

The sordid throng, the stupid strife,

The tasteless triumphs, the deceits

Venomed, the sanctuary of life

Profaned by foul and futile feet.

I would no more be jostled by

The hurrying mob with insane lust

Scrambling for gold that presently

Turns at their touch to bitter dust.

My lips shall be defiled no more

By kisses venal—venemous,

Mine eyes by priests that keep the door

Of heaven—the surpliced Cerberus—

Mine ears by songs of liveried snobs;

Smooth sayings of false prophets, laws

Well-oiled, smug lies to dupe the mobs,

Dire fears and shames, the worm that gnaws

Its bloated bowels, my hands with clasp

Of felon friendship, or my tongue

With the quintessence of the asp

And professed fealty to dung.

My soul shall no more soil its Truth

At the contagion of the stews,

Society—its ageless Youth

Shall no more suffer the abuse

Of hags and hypocrites, but turn

To the vast empire of the sand

Whose naked breasts, gold-glittering, burn

With lust for the Sun’s flame to brand

Its Soul, beget in that wild womb

The terror-Truth of Death: to her

I yearn, and take of him the doom

Of savage love and sinister.

Life is a gamble against Fate—

A Greek who plays with loaded dice.

To you it may seem desperate:

I can afford to pay the price,

But not the loud cheap counterfeit,

The insignificant success,

The steady drainage of deceit.

I’ll homeward—to the Wilderness!

Stark Love and splendid Death for me!

And nothing less to dwarf their stature!

Eventful in Eternity,

And mine as I myself am Nature.

 


 

THE BEAN PEDDLAR.

 

O do not envy any man;

     But if I did, ’twere him whose will is

To take an old petroleum can

     And a supply of beans and chillies,

And set a trellis-work of palm

     Beside the public way, and squat there

All day in charitable calm

     For passers by to sniff the pot there

Boiling and steaming, as they stop,

     Salaam, and pass the time o’day,

And gorge a plateful while they chop

     Small talk, and go their lazy way,

A sou the poorer. Happy man!

     He guesses not what harsh and knavish

Woes that went to make that old tin can

     Among those mercenary slavish

Mongrels across the Atlantic waves

     Before it reached his green oasis

Where Frenchmen are the only slaves,

     Thanks to the bureaucratic basis!

Allah! I crave an old tin can

     And a supply of beans and chillies,

And I shall be a happy man

     Whose way is even as will is.

 


 

THE SICK MONKEY.

 

I swear to give my whole attention

     To looking after Leah.

I mean to use my monkey-wrench on

     The nose of mother Rhea,

Till Zeus himself, de guerre las,

     Say: “Aleister, you ass,

“Quit! I will mention it to Hermes.

     To give the worm ease—

 

“Leah shall eat a dozen steaks,

     Two dozen cutlets,

Three dozen eggs, till something breaks—

     —You know what gut lets!

 

“Leah shall drink a dozen bocks,

     Two dozen highballs,

Three dozen brandies, till she shocks

     Folk with rolled eyeballs.

 

“Leah shall walk a dozen leagues,

     Run two dozen miles,

Conduct three fierce intrigues

     In four dozen styles.

 

“Leah shall type a dozen novels,

     Pose two dozen sketches,

Be Abbess of three dozen hovels

     With four dozen wretches.

 

“Leah shall gain a dozen kilos,

     Stretch two dozen inches;

Her breasts shall look like three dozen pillows—

     Need four dozen cinches.
 

“Leah shall sleep a dozen hours,

     Dream two dozen dreams

Of boundless bliss in three dozen bowers

     By four dozen streams.

 

“Anything else that I can do

     Joyous and juiceful,

Count me as always only too

     Glad to be useful”

 

I do not swear to copy fair

     This plan in every detail.

I simply swear to take good care

Of Leah’s welfare everywhere

     — Her sweet head to her sweet tail!

 


 

LEAH AT BREKKER.

 

Who goes to brekker with an Angel

     Should use a fork of special shape:

But I can always find a strange el-

     -egance in my blue-bottomed ape,

Who goes to brekker with an Angel.

 

My beautiful blue-bottomed Ape

     Is coffee, crumpets, eggs and bacon

In one to me; I breast the tape

     Of dawn in order to awaken

My beautiful blue-bottomed Ape.

 


 

THE SOFT SPOT.

 

There is a soft place near my shoulder

     Which seems to have been made on purpose

For Leah’s head—all night I hold her,

     While Aphrodire’s sparrows chirp us

Their impudently merry chorus

Whose timeless twitters never bore us.

 

Her funny fuzzy hair with henna

     Is stained a tawny orange colour.

It burns and tickles like Gehenna.

     My epidermis and medullar

Means of perceiving the non-Ego

Tell me ’twere useless to cry ‘Leggo!’

 

O soft plump spot below my clavicle!

     ‘Clavicula Salomonis Regis!

Contains less magick. The fierce Slavic Hell

     Is not so hot, nor Liber Legis

More savagely inflammatory

Than Leah’s hair in sunset glory!

 


 

LEAH AT TEA.

 

Who goes to take tea with a Magus

     Need not consider being deaf a loss.

But my remarks—men say “You plague us!”—

     Please my cobalt-sterned cynocephalos

Who goes to take tea with a Magus.

 

My queer cobalt-sterned cynocephalos

     Pretends to listen—I take my hat off.

I’d think the loss of my French chef a loss

     More easily repaired than that of

My queer cobalt-sterned cynocephalos.

 


 

LEAH AT DINNER.

 

Who goes to dinner with the Godhead

     Will often flounder like a flunkey,

But she would hardly deign to nod head;

     My beautiful blue-crappered monkey

Who goes to dinner with the Godhead.

 

My beautiful blue-crappered monkey

     From the hors d’ouvre to the cognac

Eats with an appetite as spunky

     As a rock-python or full-grown yak—

My beautiful blue-crappered monkey.

 


 

WHAT—CICADA? POOH.

(Browning)

 

If I could pinch a diamond

     Of perfect water, big enough,

I would immediately abscond

     With the proceeds, I’d swill and stuff

Here in the Desert far beyond

     Civilization’s blatant bluff;

     And listen all day to the tough

Old bull-frogs flopping in the pond.

 


 

WHY DARWIN SHOULD BE DAMNED.

 

I wish I had a curly tail

     To swing myself from bough to bough

With sleek companions fair and frail

     To share my daily chow.

 

Had I four hands instead of two,

     What fun inventing an excuse

Just as ample as I do

     For letting them hang loose!

 

I would I had an orange fur,

     And two big bare blue moons behind,

Both cosier and comelier

     Than my unhappy kind.

 

What boon has man to brag about

     Of evolution—bay the moon!

No boon is blessed—never doubt!

     As being a baboon.

 


 

LEAH AT SUPPER.

 

Who sits at supper with the Devil

     Can hardly use too long a spoon.

But I enjoy a constant revel

     With my belov’d blue-apsed Baboon

Who sits at supper with the Devil.

 

My beautiful blue-apsed Baboon

     Is hotter than you can imagine.

But I’m the Sun and she’s the moon.

     Pilgrims; who dares to make his hajj in

My beautiful blue-apsed Baboon?

 


 

THE MONKEY’S MOP.

 

My monkey’s fur is stiff and fuzzy,

     A besom to sweep cobwebs out

Of consciousness—I know the huzzy

Is wondering at this moment “Does he

     Love me as much as he makes out?

 

It glows ecstatic as Agave

     In sacred sunlight—as I stroke it,

With half-closed eyelids, murmur: Ave!

     Evoe, Iacche! and invoke it.

 

Its snaky fibre-flames are vows

     Spent in the shrine of Ra Hoor Khuit,

Upon thy beauty I carouse!

     The thrills of rapture throb and shoot

 

Through my soul’s sanctuary—Sword

     Of His High-Priestess, strike thy steel

Into my spirit, that my Lord,

     Freed of his fleshly fetters, reel

 

Blind into Bacchic rage! Her hair’s

     Crimson cascade of a serpent flashes

Drenches the heart that wills and dares

     To burn the Universe to ashes.

 


 

THE ETERNAL RECTANGLE.

 

I scribble sonnetts, while my gem

     Of girls invites the soft and coy

     Caresses of my Arab boy,

My dainty darling Belgasem!

 

I do not waste a thought on them!

     I do not grieve that they enjoy

     The lazy pleasures that annoy

The Pharisees of Bethlehem.

 

O that the world would realize

The simple system of the wine:

     To love things for the things they are.

I live and let live! They have had

A lovely time—and I am glad.

     Clouds cannot gather round a Star!

 


 

ASTRAEA REDUX.

 

The love of my lewd little Leah

Is a sound and a shrewd Panacea.

Whatever my mood may be, she a-

-Wakes curly-cued an idea

All brilliantly-hued, born to be a

Theme mightily-thewed; it makes me a

Priest-prophet renewed of Astraea!

 


 

THE MEDICINE MAN.

 

I gave my concubine a dollop

Of Laudanum: but what the trollop

Needs most of all is a big wallop.

 


 

PARSE ‘LEAH’.

 

My monkey tells me that he face is “tense”

     I ask her which. With gentle laughter rocks

     Her body as she smiles her paradox:

“Present and Perfect too!” Experience

     Warns me that further questions surely give

     The “active voice” and mood—“imperative”.

 

     P.S. She answers my unspoken jest—“To suit your proposal—the conjunctive and the future.”

 


 

LEAH INSPIRATION.

 

My monkey has a curly tail

So strong I never knew her to fail

(Provided that the bough was tough

Enough)

By their black hair to hoick up Pale

People with Pink Pills (that’s the stuff!)

And crack their heads like coconuts

(Without exactly being tough

Or gruff)

 

And suck their brains (like snobs with butts

Of gaspers) thinking, while she swings,

Deliciously immoral things.

'Twas she that made me swear it: “Hence I'll

Make my intelligence prehensile.”

 


 

ANOTHER ZIGZAG.

 

I tease my girl, as is my wont.

“You contradict me!” “No, I don’t.”

“You see, you do!” “Oh, go to hell!”

“You know no answer possible.”

True, I am a Master of Zigzagginess—

As you of scrawniness and scragginess!

 


 

O.K.

 

Old King Crowley was a merry old soul, he

     Was, he was, he was;

And a merry old soul was he

     Because, because

When he called for his pipe, and he called for his pot,

He did not, he did not

     Have to call for his fiddlers three.

 

For his fiddlers three they dwell in his heart:

     They do indeed!

Their names are Beauty and Love and Art;

     And he does not need

Any alien aid to fill the bowl

Of his sunlit soul

     With music and laughter and glee—

     All three.

 

Old King Crowley is happy and holy;

     And holy and happy is he;

And he calls for his pipe and he calls for his pot

     And he calls for his l’il Monkey.

For he isn’t alone on his golden throne;

     For a golden throne has he

In the heart of a rum little yum-yum-yum,

     And he’s got all he wants in She!

 


 

Scroll the Fifth.

 

The IBIS in the Lagoon.

 

 


 

SERVICE.

(AL II - 52)

 

I swear to work my Work abhorred

Careless of all but one reward,

The pleasure of The Devil Our Lord.

 


 

THE ELEVENTH MUSE.

 

Pan! give my pen one lyric line

     To tell the world when I am passed

Beyond its sullen shores, that thine

     Was all my fervour, first and last;

That exaltation wild and vast,

     Intensity of glee divine

Thrilled me, and throbbed in me, and cast

My soul to Thee, and made thee mine —

     And hectatomb of protoplasm

Lapped in omniscient orgasm!

 


 

A CONJURATION OF THE ELEMENTS.

(Written during Dawn Meditation. 20.10.25)

(Marsailles)

 

Aiwaz! confirm my throth with Thee!

     my will inspire

With secret sperm of subtle, free,

     creating Fire!

Mould Thou my very flesh as Thine,

     renew my birth

In childhood merry as divine en-

     chanted Earth!

Dissolve my rapture in Thine own, a

     sacred slaughter

Whereby to capture and atone the

     soul of Water!

Fill Thou my mind with gleaming thought

     intense and rare

To One refined, outflung to Naught,

     the Word of Air!

Most, bridal bound; my quintessential

     form thus freeing

From self, be found One Selfhood blent

     in Spirit-Being!

 

The previous day and night I nearly died from ptomaine poisoning; or lack of the secret of 4; or both. This was in Cassis; I got into Marseilles by a miracle of will-power. I came slowly round, went to the American Express Company and found a letter promising £70. I found myself flooded with energy and wrote 55 pp. of letters!! Then went to sleep, in aspiration to Aiwaz; and woke at 3 a.m. to find myself in Shavasana, but with my finger tips on my breast. I instantly fell into meditation on the meaning of this will to perfect Union with Him in each of the Five Elements. Then I could not refrain from putting this into verse; having left my Oath-Book in Cassis, and I used this fly-leaf. 666. [376]

 


 

THE AVENGER.

 

I

How can I bear the fulness of the joy,

     The brilliance of the burning of delight?

Time cannot wither, nor distaste destroy

     This blossom beauty, or this fruit of Light

 

Of Truth I penetrate the inmost shrine,

     Compass the utmost circuit of the skies;

Demeter brings me bread, and Bacchus wine.

     My wisdom makes me glad, my gladness wise.

 

Such rapture surges from the universe,

     Caresses sense and soul that I am swept

Onward to combat the one shame and curse

     That can be. The great Work of the Adept?

To lift the hoodwink that holds man in awe

From knowledge of the Liberty of Law.

 

II

I come Alastor to Avenge the Gods.

     I come to wage implacable the war

Against the slaves of custom, serfs and clods

     Whose life is fear and shame. I stand before

The Altar of the Crowned and Conquering Child,

     From Him to make my consecrated Sword

Of Song; my shield whereon Medusa’s wild

     And wanton head is fixed. I come, the Lord

 

Of the devouring Light, the blasting Life,

     The branding Love that smite the whirling waves

The souls of men, that stir them up to strife.

     The Kings of Earth against the sullen slaves —

I cry the battle cry! I lift in high

The Standard! Forward! Alastor am I!

 


 

NON SINE FULMINE.

 

I lay in the broad sunlight, bitter cold;

     Lapsed in most bitter lassitude;

     Lethargic, limb and brain; my dull dark mood

Too wretched to be conjured or consoled.

     The wilderness about me seemed an heap

     Superincumbent on my soul: to weep

     Was almost as unthinkable a boon almost as sleep.

 

I was too cold to shiver! The sun poured

     Its glory on my chill deaf corpse, awake

     Only to its unfathomable ache,

Dumb anguish strumming one harsh dull discord,

     Reiterating its persistent pain,

     Senseless and useless on my broken brain

     That only lived to know that it could never think again.

 

Abject I lay in impotence of soul.

     I could not summon fortitude or skill.

     Of all those loyal legions of my will

Not one man owned my sceptre of control.

     I knew not who I was: my self sublime

     Sunk in a stagnant universe of slime

     Whose immanence defied even the deadliness of Time.

 

Then of a sudden, with no warning hint,

     The phantom fell away from me; I came

     Instant, a filgour of avenging flame.

And leapt in lyric laughter without stint,

     Upon the body of my Muse, in thunder

     Awakening her to worship and to wonder —

     Sword-sweep of song that smote in storm high

          heaven and earth asunder!

 


 

THE VISION OF OLYMPUS.

 

Julian, servant of the Gods, beheld

     A vision of Olympus, where They sate

Sunk in dull apathy, consumed of Eld,

     Stricken at heart by envy of strong Fate.

So should they pass into oblivion

     While in Their stead a mongrel mountebank

Should reign, A Jew in ragged raiment won

     By theft among Rome’s ruins when she sank

Into the foul abyss of those dark Ages

When Crime and Ignorance earned Clio’s wages.

 

But I, erect amid ignoble filth

     Of the dead monster’s gross ungainly carrion

That spews out blood and mud, the sorry spilth

     Of its dishonourable veins, set clarion

To my pure lips, and blew a silvern call

     Whereat Earth gapes, and swallows Time’s disgrace,

While the blank sky teems suddenly with all

     Those hosts of glory; swirls the heart of space

With sudden splendour of wings, and on mine eyes

Dawns the great vision as the darkness dies!

 

There towers Olympus, stately with huge oak

     And green with fresh grown grass, gem-bright with flowers,

There Zeus, rekindled, poises for the stroke

     His thunderbolt, and flings reviving showers

On Earth rejoicing; there smiles Her, gay

     And glad, light-footed, glowing with grand eyes,

While Ares strides in warrior-bright array,

     Flashing his spear across the scintillant skies,

And Aphrodite springs with supple limb

From sun-kissed waves to win Love’s way to him.

 

I see Apollo in his chariot stand,

     And strike his lyre, and sing. Young Hermes spurns

With light-winged heel the heavens, his cunning hand

     Waving the wild Caduceus as he yearns

To herald this great Word. Blithe Artemis

     Springs silver-girdled from the West, to span

Space with one stride to crush her shameless kiss

     On the mad mouth of her soul’s master, Pan,

Watched by Athena, now grown doubly wise —

Love on her lips and laughter in her eyes!

 

Poseidon shakes his trident, that the sea

     May dance delighted to the triumph-tune;

And Hades rolls his chariot fast and free

     To join the joyful gods: with swiftest shoon

Comes dancing Dionysus, ivy-clad

     His thyrsus bloody with the clave-god’s ichor.

Demeter and Priapus, loud and glad

     Leap lusty-laughing for his new-brewed liquor.

Ah! but the multitude of joy and youth

O’erwhelms me with the tempest of its Truth.

 

Mine eyes are dazzled with the light; I fail

     Before these tyrannous sublimities.

But I have seen! The Gods, my Gods avail

     Against the assault of time’s conspiracies.

I being born when darkest seemed despair,

     Have lived to see the dawn of Love and Truth.

Mine eyes have seen the faces fond and fair

     Of mine own Gods in Their eternal youth

That gives me mine! Now love and laughter thrive;

For Christ is dead — Apollo is alive!

 


 

ALLAH.

 

I swear that God most High is One:

No equal hath He, and no Son;

Nor consort nor companion.

 

He, as the Bournless firmament

     Abideth, the Unknown Quintessence

Omnipotent, omniscient

     And absolute in Omnipresence.

 

About us and within His State

He holdeth, He the exceeding Great,

By Will, coincident with Fate.

 

All Nature He determineth.

     There is nor help nor hope nor might

Save in Him only, Lord of Death

     And Life, whose Shadow is the Light.

 

I take my refuge in His thigh,

The True and Living God most high,

The Intrinsic Image that is I.

 


 

HYMN TO TAHUTI.

(Paraphrase from ancient fragments)

 

Silence: I utter the Creative Breath,

     The Word against the Son of Night,

The Truth of Life against the lie of Death,

     The Modes of measured Might,

The Wisdom of the twofold phrase,

     The Root of Throbbing Energy-Delight,

The Shaking of the Viewless Void of Space,

     The Making manifest of Mother-Mass,

     The Piercing of the Coils of Apophrass,

The Breaking-forth of Light!

 

At the ending of the Light;

At the limits of the Night,

     Stood Tahuti in the presence of the Unborn Sons of Time.

Then appeared the Universe;

Then came forth its Ministers,

     The Immortal Gods, the Aeons of the Bournless and Sublime.

Then the Voices shook to flame.

Then was heralded the Name.

     Lo! upon the Timeless Threshold of the Cosmos and the Womb!

In the sign of Wonder whirled

Stood He, as before Him hurled

     Aeon after Aeon, thundered, lapsed in immemorial doom.

Then in symbols did He state:

Then in breath did He vibrate:

For between the Light and Darkness did He stand and arbitrate!

 


 

HYMN TO JUPPITER.

 

King of the realm

     Of Aer, dread Lord

Of the whirled Wand

     And Bolt of Fear

To overwhelm

     The Daimon horde

Inhabiting the Byss beyond

     The uttermost Empyrean Sphere!

Sire of the Gods, from whose almighty Essence

     Their splendours surge!

     Intolerable Demiurge

Before whose puissant presence

     No Soul may stand!

     I come at Thy command

Thy majesty and mercy to proclaim,

Name ranked with dreadful name;

     Being Thy flamen consecrate

     By fulgour of firm Fate.

 

A

Hail, whose twin plumes assume

     Top Heaven, whose Ankh and Wand

     And blue-white diamond

Intolerable to wield!

O beyond all concealed

In Thy one Name—A M O U N.

 

B

Hail, Lord of Heaven and Hell

     Who bade all being be,

     Whose joy is the Strong Sea.

Thy Sire dids’t thou devise,

Thy Dam dids’t fertilize,

In Thy great Name of A L.

 

C

Hail, thou the Heaven of Nu

     With tireless thews that dost

Sustain with balance just

Above the Earth of Seb

As Aeons flow and ebb

In Thy strong Name of S H U.

 

D

Hail, Thou who makest use

     Of all things to one sole

     And sacred end — to extol

Thy majesty; whose seed

Determineth all deed

In Thy great Name of Z E U S.

 

E

Hail, at whose glances stir

     All souls alert to endure

     Thine ardours that assure

Their dry despairing dust

With laughing life of lust

In The Name J U P P I T E R.

 

F

Hail, Lord of Wrath and War

     Who with Thine Hammer dids’t break

     The worlds, whose footsteps shake

Valhalla, and Thy Breath

Beat down the rage of death

In Thy dread Name of T H O R!

 

G

Hail, whose divine decree

     By storm and thunder ringed,

     With Wind and Lightning winged,

Appointeth to all Gods

And Men their periods

In Thy Name I N D R A J I.

 

H

Hail, whose malignant brow

     Bent against Heathen hosts

     Bringeth to naught their boasts

Slaying and sparing none —

Nay, not Thy first-born Son! —

In The name Y E - H O - W A U.

 

I

Hail, first most fearful Flame,

     Force fixed in dreadful act.

     Father of every fact,

Inexhorable Thought

Whereby all Work is wrought

In Thy Name none many name!

 

Priest of Thy realm

     Of Aer, dread Lord

Of the whirled wand

     And Bolt of Fear,

I overwhelm

     The Daimon horde.

 

I stand upon the Byss beyond

     The utmost Empyrean sphere,

Being Thy Seed of Thine Almighty essence.

     My spells upsurge

     To Thee dire Demiurge,

And in Thy puissant presence

     Make bold to stand

     And utter my command.

My Majesty and mercy they proclaim

By virtue of Thy name

     That doth Thy flame consecrate

     By fulgour of firm Fate

 


 

HYMN TO LUCIFER.

 

Ware, nor of good nor ill, what aim hath act?

     Without its climax, death, what savour hath

Life? An impeccable machine, exact

     He paces an inane and pointless path

To glut brute appetites, his sole content,

     How tedious were he fit to comprehend

Himself! More, this our noble element

     Of fire in nature, love in spirit unkenned,

     Life hath no spring, no axle, and no end.

 

His body a blood ruby radiant

     With noble passion, sun souled Lucifer.

Swept through the dawn colossal, swift aslant

     On Eden’s imbecile perimeter.

He blessed nonentity with every curse

     And spiced with sorrow the dull soul of sense,

Breathed life into the sterile universe,

     With love and knowledge drove out innocence.

     The Key of Joy is Disobedience.

 


 

HYMN TO SATURN.

 

I.

God, eldest of the Seven and most august,

     Whose Wisdom bade determine to devour

The seed of Thine own lordly lust

Save that one Joyous Thought and Just,

     The Exalted Lord, appointed

     By Thee to be anointed

King of High Heaven, unfaltering Power

At the auspicious hour

     To get Him Gods to serve Him, and to slake

     His spirit’s blind shrewd ache

At the unfathomable Springs

Of men and mortal things

In strangely-woven Cups, crowned with weird-woven wings!

 

II.

Fatal, thy sickle swept its swathe to shear

     Away the Father-force of Heaven Thy sire,

Lest he beget a son Thy sphere

To wrestle from Thee as Thy peer

     Thy dread demense disputing.

     I veil my face, saluting

Thy sober and thy devastating Fire

With silence — Thou inspire

     My selfhood with immitigable force

     Inured to pale Remorse

That I may serve Thine altar, thrill

With awe as I fulfill

The fearful Rites of Death, orgia austere of Will.

 

III.

Thy magick shapes in solemn Sacrament

     The essence of Existence, that it pass

A pageant of obscure Event,

In Bane and Beauty blent

     By crooked curves and savage

     Designs, to rend and ravage

Their Souls by Thee ordained to serve Thy Mass

Whose intoit is Alas,

     Its Host a Corpse accurst, its leaden chalice

     Brimming with unslaked Malice,

And its “Miss’ext” the muffled knell

Of Woe unspeakable,

Declaring that the Heart of Heaven itself is Hell.

 

IV.

God, eldest of the Seven and most sublime,

     I worship Thee, Thine Oracle and Priest;

Being the Bastard Son of Time,

And consecrated by Thy Crime.

     I would castrate High Heaven,

     And slay the Sacred Seven

To serve them at my solitary feast.

I will to be the Great Wild Beast,

     To wake the world (by music of my mouth)

     To worship the South

Thee Satan, and the Dragon of Night

Northward, the rigid rite

Whose matter is Desire, whose miracle Delight!

 

V.

Hail, Kronos! Be Thou steadfast to devour

     Thy children! Let the moments pale and pass!

Let all the pageant of Thy power

Perish with its permitted hour,

     And leave superbly stainless,

     The constant truth and chainless,

The virgin void of the Magician’s glass

All-puissant to amass

     The treasure sacred and sublime

     Of the sad miser Time.

Oh squander them with careless child-delight,

Untainted by the blight

     Of lust to hoard the shadow shapes of sense

     Enriched by each expense —

     The Sovranty of Self gripped through Experience!

 


 

HYMN TO ASTARTE.

 

Serene are the stars, and serene my soul, ablaze in the Night.

Then how shall I worship Astarte sea-born, how invoke her aright?

I am free from the fires and the foam, I have conquered the dragons and doves;

I have gotten my Love as the gold from the furnace that melted my loves.

Love is not bound to the body, not sparse and adrift with the mind,

Not secret with soul, though soul seem one and alone of its kind.

The body is naught but a corpse, its growth but a name of decay,

A delirious dream of sick gods — where the Shadow hath sway.

Concocted of offal and mire, putrescent with cancerous breath,

A knot that unravels to Naught, a riddle whose answer is Death?

The mind is the reek of the fume of the body’s corruption, the mime

Of its maggoty moods as it rots from its worm-eaten egg its slime.

The mind hath not even a mist to excuse philosophic pretence

Of a substance; at best it distorts some few of the phantoms of sense.

Its reason is ever astray, its ignorance straightens its span;

It ends in the mystery-night whence its clumsy creation began.

It observes, it reflects, it decides as the slave of unconscious desires,

Knows neither the word not itself, nor stands for an hour but it tires.

It struts in its pageant of pride, yet at best is aware it is vain,

And its summit of proof is to prove nothing proven, and itself but insane.

The soul, ah the flame! Ah the star! The God in us shining above!

The soul, beyond being and form! Then is not the name of it Love?

Nay, darker and deeper the curse, more dread the abyss never plumbed,

The horror ineffably huge, the agony not to be summed;

For the soul in itself is division, is separate worse that its wings

Were fledged of the essence of truth at the evil beginning of things,

When the All broke its peace with the thought of itself, and the schism began

That ended in chaos of crime, in the crazy catastrophe man,

The soul is no ghost to conjure with the spell of: “Illusion, begone!”

It is true, and hath might to endure, unassailable, travelling on;

None hinders, commands, or deflects; none alters its course by a jot;

Space cannot constrain it, and time the waster erodeth it not.

How should I love such a soul, my like, and like me the accurst

From the hour when the Second was struck a spark from the forge of the First?

How should I love such a soul, though fierce and afar I may rage

In my passionate pilgrimage, Love, for Love is the Will toward change.

Love is a lust and a prayer, and the soul of its act as its word

Is of them that were Two to make One, and to seal the event with a Third

Oh Love, oh Astarte sea-born, oh Star blue bright in the West,

I invoke Thee, thy priest in the shrine that is built of the blood of my breast!

Since thou art in me and of me, since thou art the heart of my heart,

The soul of my soul, nay, the skin of my skin, not a being apart,

I am Thou , I accept the intent, acquiesce in the nature implied;

If change be the purpose of Love, I am launched and afloat on the tide.

I accept every phantom of Mind, vain dreams in fatuity curled:

I accept the corruption of Body, delight to bring Death to the world.

In measureless madness I bask, I gloat upon carrion flesh;

I wallow with God in the mire, and of mire I create Him afresh;

There is naught, nor shall be, that my love cannot gnaw with insatiate tooth.

I will wring forth the Truth from the lies as I once found the lies in the Truth.

Astarte, I know thee for rotten as others have seen thee for pure;

I tear off the masks that smiled false on the slaves who would have them endure.

But thou and Thy masks are but one, Thy corruption the essence of Thee,

It is all of the nature of things, their virtue whereby they may be.

So therefore I hail Thee divine, all-one with the substance of Truth;

Mine age holds Thee naked, the hem of whose garment bewildered my youth.

My soul being thus with thy soul, shall not soul win at last to the wit

That its changeless perfection is death, itself the assassin of it?

Love under will is the law; all that exists, from the dust

To the Gods, is but jetsam of Love cast up by the tide of Her lust.

So I hail thee, Astarte, and hymn thee in brothel and temple the same,

Who art seed of all change, being Love, by Corruption Thine innermost Name!

And I know Thy device to deceive Thy servants Thine image that hailed,

How none, being mortal, might learn Thy name, or behold Thee unveiled.

For Thy secret is this, that immortals are crowned with the virtue to die;

And I, oh Astarte, bear death in my body — Of ye am I.

 


 

MOON WANE.

 

1.

Hush! The moon dazzles. In her virgin light.

     The carnival of day

Is shrouded: the nun’s sharp-cut, black and white

     For the dancer’s tinsel and feathers, glowing gay

In the spot-light. Hush! No sound

Perfume the enchanted ground

But this hymn’s ebb, this incantation’s wane!

     For I must lull the fairies, and strike dumb

Satyr and Aegipan, restrain

     Even the nymphs, till earth become

A shrine of silence—then

Let my voice cease to offend the ears of God and man.

 

2.

Hush! the moon dazzles! As I pace nine times

     The circle in her praise,

My steps uncertain as my soul sublimes

     Its instrument; voice trembles as I raise

The spell. Mist gathers clouds

Mine eyes with gossamer shrouds.

I am drunken on her purity, distraught

     By her divinity, made blind

By the intense light of her thought

     —It is not lawful for mankind

To drink of the hidden springs

With unchaste lips, with hand impure to touch true things.

 

3.

She hath made me mad. She hath kindled a cold fire

     Upon the altar stone

Of my dead heart, no incense of desire

     To burn, but with my life to feed it, thrown

For fuel to its sterile splendour;

No swordsman to defend her,

No priest to worship her, no phytoness,

     No prophet, will she, but a mirror-soul

By light received to express

     Her virtue, to shine sole

True witness to her cult

That looks not back to cause, nor forward to result.

 

4.

My soul is sundered by her sickle. Each nerve,

     Each cell exactly chosen

Feeds, but not surfeits, the one need, to serve

     That sublime altar, that flame fixed and frozen.

Flowers in my soul that bloomed

Ye are utterly consumed

Even as the weeds, and herbs of pestilence,

     Her soul esteeming hate

And love alike offence

     To silence, the pure state

Of virtue that would live

Perfect with all, unsoiled by self’s initiative.

 

5.

Hush! the moon dazzles. But a meteor streaks

     The midnight. Sudden I see

The sky her glamour hid. The Polestar speaks

     Firmness the Great Bear signals Loyalty.

Sirius blazes: “None

Of us but whirls a sun,

Shepherd of systems! none but plays his part

     Minute in some august

Galaxy, brain and heart

     Aflame, yet with no lust

One state to gain, to shirk

Another, but—huge joy for the work’s sake, to work.”

 

6.

Io Paian! The moon dazzles not. Dead globe

     Cast clout of Mother Earth,

Her lackey, flaunting our great Father’s robe

     Of light, an insolent wench vaunting her girth,

The pettiest satellite

In heaven! The slut of night!

To work! Sweep well our doorsteps with the tides!

     Rule sailors, hunters, witches,

Lovers and other lunatics, wide’s

     The scope! be bayed by bitches,

But ask no hymns from one

Who knows Mother Earth’s breast shades his sleep

          from Father Sun.

 

7.

I am a star! I whirl and blaze! I set

     Planets above me, play

My part in the great game of life, though yet

     I hardly know the rules, and day by day

Pain urges ignorance!

The captain? Fate or Chance?

The end? The Plan? If end or plan there be!

     I know not nor can know;

Why worry? I cannot see

     Whence came I, whither I go.

I know not who I am

Nor what, but Will’s my lance, and Love’s my oriflamme.

 

8.

A star; adrift in space! A soul afloat

     In the aether! Absolute,

Unique, eternal, God and man, a mote,

     May be, but free my will to execute.

Love is my charioteer:

With the whip of Pride and Fear,

Wisdom and understanding for his reigns,

     He masters the wild horses

Bred of my heart and brain,

     The incalculable forces

Of a man—drive on! We’ll race

The Sun from Here and Now to the end of Time and Space!

 


 

HYMN TO FLORA.

 

Trinacria, thyself a flower

     Afloat on Earth’s most sacred Sea,

Is not Aetna’s tent a tower,

Thine hills columns, thy vales aisles

     Of a Temple? Secret glee

Pan hath, deep in thine neormous

Woods; and freely Venus smiles

On her city of Panormus;

And Diana hath her shrines

Among thy olives and thy vines.

 

Trinacria! to these alone

     Dost thou bear witness? Nay, but thou

     Hast ivey for the Bacchant’s brow,

When Dionysus, wand and cone,

     Dances, his tiger leaps, caresses

     Those his wine-bewildered tresses;

And the island cult and Faith

Owes to him that shining slayeth,

     Lord of Life and Song, Apollo

     That enkindleth every hollow

Every day, not missing one

     Through all the winter, sure of aim

His sunlight as thy passion for the Sun.

 

Trinacria, beyond these hath claim

     No special genius? I behold thee

As ’twere an altar mad with flame

     In the shrine, Space, whose curtains fold thee

In sacramental splendour. Zeus

Hath fashioned thee for beauty’s use,

     Freed thee from seasons and from hours,

That thou mayst swing supreme perfume,

And blaze ineffably with bloom

     Of all his starry dreams, the flowers,

Worshipful will, miraculous alignment,

Flora to thine enshrinement!

 

To thee, my Flora, shrills its treble the hill,

     And the vale drones its bass. The garden glows

Into an anthem. The immortal Will

     Of Zeus is music, as his breath’s repose

     Is incense, and His veil the Light, that grows

And dwindles, that divides to laughing throngs

     Of colours dancing, and His thought the norm

     Of Law proclaimed in mind-compelling Form;

And all these things he hath given to deck thy shrine,

Flora, His flowers, His dances, and His songs,

Witness be Thou, against the Whole world’s wrongs,

     That He hath dressed the balance, nay weighed down

With splendours of delight, the scale of pleasure,

     When He created Thee the crown

Of Beauty, and enthroned Thee, and , lest measure

     Mar beauty,, made Trihacria Thy garden,

     The sun Thine hierophant, the sea Thy warden!

 

Hail Flora! Thine the rose ablush with blood,

Thine even the cactus, blithe with the golden bud;

The gorse hath vestures for thy celebration;

The harebell twinkles Thy God’s celebration;

The flag-flower, white or purple, brave to bear

Thy banners, waves them in Thy sacred air.

Geraniums are massed lamps before Thine essence

Of pure Light flaming, and of pure Love poured

From the golden girdle of the Sun, Thy Lord.

 

Hail Flora! and be pitiful! Not mine

To hymn Thee of the myriads of them

That praise Thee, thuribles that cense Thy shrine

And lamps that flame before Thy diadem,

I cannot count or name the tribes. I stagger

Drunk on their beauty, dazed by their bewitchment,

Beggared by Thine intolerable enrichment,

And in my madness thrust the wreathed dagger

Of love for Thee within my heart, an itchment

Whose starriest hope but prays that I may perish

To feed some flower that Thou mayst chance to cherish!

 


 

HYMN TO TERMINUS.

 

Terminus, so colossal calm

Thy face, so square thy pedestal,

Is it to Thee I speak my Psalm,

Give Thee the final praise of all?

Was all the rest epheneral?

 

Is it before Thy shrine that man

Is given at last to comprehend

The mocking riddle, the blank plan

Of Life? Seest Thou all things intend

To some intelligible End?

 

All Gods adore Thee, Thou the sun

Of Their vast ledgers, the effect

Of infinite causes that were dumb

To soul-search as to intellect.

So let mine agony expect!

 

For in me there’s a sprite obscene

That sneers and jeers” “Fantastic fool!

What end of aught, clean or unclean,

Hast Thou beheld or known? What rule

Stands first of all thought’s penal school?

 

“Doth winter end the year or day

End night? Is some effect thou knowest

That is not also Cause? The Way

Of Nature is the Snake’s. Thou guest.

All go, the highest and the lowest.”

 

Term ends: the goal we panted after

Despite the dust proves but one mark

Of myriads—hear the ironic laughter

(Self-aimed!) of those who watch us bark

Shins as we stumble in the dark!

 

Infinite Space and Time to explore

As the God waltzes with Germ!

All man can do—and God no more!—

Is, rhythm faultless and feet firm

To dance his way from Term to Term.

 

I am not weary, Terminus!

I am game to take all chances, spend

Myself, stern, slack, suave, strenuous

As may be — or to call Thee friend,

If, after all, Thou be the End

 


 

THE CHAPEL OF THE SANGRAAL.

 

I

The Desert sands encompass with despair

     This green enchanted tale of psalms and streams,

     Even so my deep sweet dreams

Are set within a wilderness of care,

     And all their glory gleams

     With tremulous bold beams

Upon a waste beyond man’s heart to dare.

     My will stands sentinel

     Against the assault of hell

In vivid vigilance,

The price of power to abide in this terrific trance.

 

II

I have been true to the High Voice and Vision,

     And kept undimmed my golden spurs and chain.

     I have set forth to attain

The Quest whose Beauty is the world’s derision,

     And held in high disdain

     The scorn, the scourge, the pain

Shame, and despair that mark the vain misprision

     Of those blind bats that haunt

     This fearful path to daunt

The seeker—I have won

To the Siege-Perilous — where shines the Midnight Sun.

 

III

Within this chapel of the Holy Graal

     The silence is distilled from various song.

     Persephone’s strange wrong

She murmurs with soft sighs; the nightingale

     Sings wildly all night ling

     Her sacrament, while strong

Priests of Adonis, Virgins of the Veil

     Of Isis, still intone

     The melancholy moan

Wherein is Mystery

Of woe and joy inwoven in their Solemnity.

 

IV

About these walls the tempest howls its hate;

     Shrill demons shriek black blasphemies, the host

     Of hell, lemur and ghost,

All formless forms of rancour desperate

     Imperishable, lost,

     Assail with uttermost

Malice the fortress-sanctuary of Fate.

     Woe to who lends an ear!

     The hopeless horror of Fear

Hath power upon the soul

Who fails in steady Love or slackens calm Control.

 

V

But all the wonder of the World is mine,

     Its Beauty and its sorrow and its sin;

     None but partaketh in

The Eucharist of this most secret shrine.

     The perfect Paladin

     Knoweth the Word to win

Wisdom of bread and Ecstasy of Wine.

     By intimate constraint

     Of Magick may the Saint

Transmute the common Curse

Into the secret Stone of the Philosophers.

 

VI

The Hidden Spring that wells within the heart

     Of this huge wilderness evokes this isle

     Enchantress, eyes that smile

Serenely wise, Adept of the True art

     Of life, to outwit the guile

     Of hell, to make the vile,

The dull, the hateful,, play their proper part

     In the eternal plan,

     The Comedy of Pan.

My soul’s intrinsic Mirth

Hath made itself an Heaven of its exile on Earth.

 


 

HAPPY DUST.

 

     Like so many of my titles, the meaning is two-pronged. “Happy-dust” is a cant term for cocaine. But also, man is dust”.

 

 

Snow that fallest from heaven, to bear me aloft on thy wings

To the domes of the star-girdled Seven, the abode of ineffable things,

Quintessence of joy and of strength, that, abolishing future and past,

Maks’t the Present an infinite length, my soul all-One with the Vast,

The Lone, the Unnameable God, that is ice of His measureless cold,

Without Being or form or abode, without motion or matter, the fold

Where the shepherded Universe sleeps, with nor sense nor delusion nor dream,

No spirit that wantons or weeps, no thought in its Silence supreme.

I sit and am utterly still; in mine eyes is my fathomless lust

Ablaze to annihilate Will, to crumble my being to dust,

To calcine the dust to an ash, to burn up the ash to an air,

To abolish the air with the flash of the final, the fulminant flare.

All this I have done, and dissolved the primordial germ of my thought;

I have rolled myself up, and revolved the wheel of my being to Naught.

Is there even the memory left? That I was, that I am? It is lost.

As I utter the word, I am cleft by the last swift Spear of the frost.

Snow! I am nothing at last; I sit, and am utterly still;

They are perished, the phantoms, the past; they were born of my weariness-will

Which I craved, craved being and form, when the consciousness-cloud was a mist

Precursor of stupor and storm, when I and my shadow had kissed,

And brought into life all the shapes that confused the clear space with their marks,

Vain spectres whose vapour escapes, a whirlwind of ruinous sparks.

No substance have any of these things; I have dreamed them in sickness of lust,

Delirium born of disease—ah whence was the master, the “must”

Imposed on the All—it is true, it is true then, that something in me

Is subject to fate? Are there two, are there two, after all, that can be?

I have brought all that is to an end; for myself am sufficient and sole.

Do I trick myself now? Shall I rend once again this homologous whole?

I have stripped every garment from space; I have strangled the secret of Time,

All being is fled from my face, with Motion’s inhibited rime.

Stiller and stiller I sit, till even infinity fades;

’Tis an idol—’tis weakness of wit that breeds, in insanity, shades!

Yet the fullness of Naught I become, the deepest and steadiest Naught,

Contains in its nature the sum of the functions of being and thought.

Still as I sit, and destroy all possible trace of the past,

All germ of the future, nor joy nor knowledge alive at the last,

It is vain, for the Silence is dowered with a nature, the seed of a name;

Necessity, fearfully flowered with the blossom of possible Aim.

I am necessity? Scry Necessity mother of Fate!

Vast is the sphere, but it turns on itself like the pettiest star,

And I am the baby that learns that all things equally are.

Inscrutable Nothing, the Gods, the cosmos of Fire and Mist,

Suns, atoms, the clouds and the clods ineluctably dare to exist—

I have made the Voyage of Thought. the Voyage of Vision, I swam

To the heart of the Ocean of Naught, from the Source of the Spring I Am;

I know myself wholly the brother alike to All and One;

I know that all things are each other, that their sum and their substance is None;

But the knowledge itself can excel, its fullness hath broken its bond;

All’s Truth, and all’s falsehood as well, and—what of the region beyond?

So, still though I sit, as for ever, I stab to the heart of my spine;

I destroy the last seed of endeavour to seal up my soul in the shrine

Of Silence, Eternity, Peace; I abandon the Here and the Now;

I cease from the effort to cease, I absolve the dead I from its Vow,

I am wholly content to be dust, whether that be a mote or a star,

To live and to love and to lust, acknowledge what seem for what are,

Not to care what I am, if I be, whence I came, whither go, how I thrive,

If my spirit be bound or be free, save as Nature contrive.

What I am, that I am, ’tis enough. I am part of a glorious game.

Am I cast for madness or love? I am cast to esteem them the same.

Am I only a dream in the sleep of some butterfly? Phantom of fright

Conceived, who knows how, or how deep, in the measureless womb of the night?

Ideas intangible wrought to things less conceivable yet?

It may be. Little I reck—but assume the existence of earth,

Am I born to be hanged by the neck, a curse from the hour of my birth?

Am I born to abolish man’s guilt? His horrible heritage, awe?

Or a seed in his wantonness spilt by a jester? I care not a straw,

For I understand Do what thou wilt; and that is the whole of the law.

 


 

SUMMUM BONUM.

 

On this old earth

There’s nothing worth,

In age and youth,

But Love and Truth.

These two alone

All else atone.

 


 

CHORIAMBICS.

 

Tragedy comes once in a life, never again.

Wise are the Gods testing a man’s body and brain.

Once in a life see him adrift reft of his all;

Doubt, the supreme scourge of the saint, lashing its thrall.

Nothing he has, nothing he is, nothing he knows;

All he assumed crumbled to ash, vivid the throes

Blind of his death, death which is birth, clutch at his soul

Robbed of its right, stemmed at its source, blank of its goal.

Once in a life all is as naught: never again

Could he endure such an excess perfect of pain.

That which abides, nameless and dumb, must be immune

Even to change, freed of its fate, Truth for its tune.

Once in a life—ah! but a life, till the event

Proves it, is void, vacant of sense, null of intent,

Save as it strives, keen to attain, ready to wait—

Come, let us go singing aloud songs on the way,

Virile, the vowed knights of the Quest, on to the Day.

 


 

THE INSENSITIVE.

 

Tread on my heart more firmly, O Lord God!

     Express a vintage wine of nobler song!

The world needs Beauty for its thin grey blood

Famished for Love too fiercely and too long.

     Mine be the vigour to bid rapture bloom

     Upon Earth’s breast, and flourish in Her womb!

 

Plunge venom in my heart, so poignant pangs

     That every pulse of life and death is mine!

Distill their essence through infernal fangs

For me to make into the soul of wine:

     To be—to love—to understand it all,

     One Magick mighty and majestical!

 

Intensify this intimate communion,

     This interplay of all things to Delight,

This absolute abandon of the union

Of all the Corybantic Choir of Right!

     See! on the crest of Love’s colossal flood,

     The Universe goes swooning into God!

 


 

A MEDITATION UPON GAYATRI.

 

Aum! That Savitri worshipful!

     Thy light divine I meditate.

     Enlighten thou my mind! Abate

Greed, hate and dullness! Truth annul

 

Change, sorrow, emptiness: Instill

Bliss, Wit and Being! Let my Will

 

Go its one way to its one goal

All one with its one source—my soul.

 

Word in pure Silence consummate,

Will its attainment fixed in Fate,

 

Way perfectly achieved by Rest,

Wealth by pure Poverty possessed,

 

Wisdom complete by stilling thought,

And All identical with Naught

 


 

EPILOGUE.

 

CRADLE SONG.

 

Slumber, my soul, a little while,

     The butterfly may fold its wings.

Soften thy silence with a smile,

     But brood not on the truth of things!

 

“A little while!” What words to thee,

     Thou ended never nor begun!

To thee, to sleep is not to be.

     To be and not to be are one!

 

Or was it that thy dreams create

     These wheels of mystery that revolve

Under the force of Chance or Fate?

     —And at thy waking they dissolve.

 

My soul, thou hast not wit nor care

     If all exist, if all that shews

Be, how things came or how they fare,

     If all the riot be repose.

 

Thou art in all, no soul apart,

     And all in thee eternal springs;

Nothing can be save that thou art,

     Naught move save Light-waves of thy wings.

 

Thou sleep. ’Tis mind that sleeps or dies.

     I? But a tear thou hast loved to weep!

It wearies me to be so wise—

     Watch thou! I turn my face to sleep.

 


 

 

Fauna. Birds, Insects, Reptiles

 

and Amoeba.

 

 


 

BITTERN.

 

THE “MOTHER-LOVE” OF EMIL FUCHS.

 

Muses, O Muses! to my succour now!

“Poscimur!” Crowley to praise Emil Fuchs!

Pour not the juice of grapes, but milk the cow!

Clothe me not in lingerie de poul’ de luxe

For toga! Is a woman or a sow

More apt to warm the cockles of the heart?

My song for Emil Fuchs? Accept one—!

 


 

COCKROACHES.

 

ADVICE TO MADAME AUMONT.

 

Madame! Your duty as a Roman Mother

     Is to assure the granddam and the flat,

Yourself and Gerard’s good-for-nothing brother

     Burn all, and let them blame it on the cat.

Then, his incumbrances dissolved in smoke,

Your son will see the Universal Joke.

 

Loaded with gold, the boy will take Parisian

     Salons by storm, a literary nob;

The President will open his Elysian

     Palace, and cry “Monsieur, accept my job!”

Madam! let not blind egoism smother

You son’s career—oh, be a Roman Mother!

 


 

LICE.

 

MODERN SCHOLARS.

 

Shame, self-plagiarist, O Hist’ty!

See, “Doctores et magistri”

Still to-day in ful consis’ty,

 

Just as Paracelsus spent his

Time and breath describing them:—

“Et pediculos pectentes

Et fricantes podicem.”

 


 

BED-BUG.

 

AT THE MOVIES.

 

Pash, sacred sow, the ordure of thy stye!

     Nuzzle thy wash with that Artesian snout!

Sleep follows surfeit and satiety.

“Now more than ever seems it rich to die”

     Since “Mother-love wins out”.

 

“Yes, we have no bananas! Melba sings

     (Peaches and toast have made her smooth and stout)

What care have uteri for wedding rings?

Why should men talk of cabbages and kings?

     For “Mother-love” wins out.”

 

Drivel, dull drivel! Mary Pickford smirks

     And Clara Kimball—what’s it all about?

What has gone wrong that mind no longer works?

Life is a jumble of jujubes and jerks—

     And “Mother-love wins out.”

 


 

WINGED BEETLE.

 

AFTER REVISING A FRENCH TRANSLATION

OF “THE DIARY OF A DRUG FIEND”.

 

Je deteste Gérard Aumont.

Quel stratageme sangrenu!

Il m’s fait travailler. Au fond

C’est un bien triste individu!

 


 

WINGED BEETLE.

 

EPITAPH ON G. A. [Gerard Aumont]

 

Ci   gît

Gérard

Aumont:

Petit,

Bavard

Oisen.

 


 

WINGED BEETLE.

 

GABÊS.

INSCRIPTION FOR A BRASS PLATE.

 

Ici est ne

Gérard Aumont.

Le plus grand con

Du monds entier.

 


 

WINGED BEETLE.

 

L’ASS-OMMOIR.

(Tunis Jan 1926)

 

Gérard Aumont

(Pour ne pas le nommer)

Est se assomant

Qu’il vaut mieux l’assomer.

 


 

WINGED BEETLE.

 

THE MOTE AND THE BEAM.

(Dec 1925)

 

I wouldn’t have believed it on a bet!

Aumont was jeering at my doubtful wit

Of French. One asked him: “What’s the time?” (And it

Was then 6.50). He replied: “Mazette!

“C’est dix minutes moins sept”!!!

 


 

WINGED BEETLE.

 

UN GABSI.

 

On dit de d’un certain sot

Baroque, obtus et fat,

Ce vilain jeu de mots:

“O mont, que tu es plat!”

 


 

MAGGOTS.

 

AT WEIDA.

 

Their hair has no definite colour,

Their bodies no definite shape:

Blank faces and eyes that are duller

Than a boil on the apse of an ape—!!!!

 

     .     .     .     .     .     .     .

 

It’s really too much of a tax on

A poet, to write of a Saxon!

 


 

PEA-HENS.

 

THANK YOU FOR A

VERY PLEASANT EVENING.

 

“When little birds that can sing, won’t sing” *

My bosom flutters with a sigh;

I dab a rag on a moist eye;

I murmur “Ah calamity!”

I look as if I wished to die:

I breathe a hope that ‘bye and bye’—

I sob a little silently—

In short I make it clear that I

Am in the tolls of destiny

The victim of Fatality,

The sport of hell’s malignancy,

In dull despair who wonders why

I should be forced to travel my

Road to the grave is such a sly

Harsh world where everything’s awry,

And all conspired to crucify

My innocent desires to fly

Upon the wings of minstrelsy

Into an azure stainless sky—

If only ladies weren’t so shy!

—But I take damned good care they don’t sing!

 

* Much more frequent, alas, it is: “When little birds that can’t sing, will sing”.

 


 

HAMADRYAD.

 

TO SYLVIA, RETURNING TO HER HUSBAND.

 

I like this jolly baby bat

That flits about my eaves in twilight.

But I would be more blind and brainless

If I were shocked or sorry at

Its scared aversion to a high light.

Begone! the operation’s painless.

 

When you scuttled from the sun

Freedom, and rejected Love,

You were not nearly big enough

To realize what you had done.

 

I understand how false and fickle

And fatuous and frail and fearful

You were: I’ve lost my lucky nickel,

But I continue to be cheerful.

 


 

MINNOWS.

 

 

THE BATTLE OF THE MARNE.

(June 23, 1924)

 

 

They cast their ground-bait on the grey-green water.

     Each hour or so (more fortitude than Peter)

     They catch a sprat of half a millimeter.

They never seem to sicken of the slaughter.

     To fish my fortify the virtuous Hope:

     But—is it fair to use a microscope?

 

          (Translation)

     Lachasse est ouverts á Microbes-on-Brie.

     Mais—est-ce Sport, cu est-ce tuerie?

 


 

STICKELBACKS.

 

 

TO THE FISHERMEN OF

CHELLES-GOURNAY.

 

Beware the fury of the two-ounce trout!

Moreover: does your mother know you’re out?

 


 

COD.

 

 

PROMETHEUS UNBOUND—

BY MATRIMONY.

 

Fate insolently harries

     Good Mr. Fiske his span.

Her fiercest thrusts he parries,

     A sober-minded man.

He sends his wife to Paris

And sine die tarries

     In Tokyo, Japan.

 

He murmurs: Earthquake rarely

     Comes more than twice a day;

It comes to treat one fairly,

     Persuading me to stay.

I may be swallowed up? I risk

More in one hour with Mrs. Fiske!

 


 

SPRATS.

 

 

TRISTRAM SHANDY-GAFF.

 

To land the fish they catch at Chàlles

Requires we gaff their rage to quall:

     But if it did, the ‘gaffes’ are there—

     The Commissary or the Mayor!

 


 

MACKERAL.

 

 

JEAN FOUTRE.

 

A Chelles, cette jolie ville,

     Le commissaire de police

Fait penser a la jeune fille

     Bien elevee—mais dans le vice!

Qui croirait qu’il serait si fin

Avec sa guele de lapin?

 

Ignarant qui etait son pére,

     Il porte le surnem de Jean,

Il tient le plupart de sa mére;

     On dit mêms qus “C’est un con”.

Qui croirait qu’il serait si fin

Avec sa guele crétin?

 

Il sent le mot de son mystere

     En mettant son nex dans ses aelles.

Il a bien trouvé son affaire:

     “Je suis le plus grand cul de Chelles”.

Qui croirait qu’il serait si fin

Avec sa guele de youpin?

 


 

THE OWL.

 

The Owl, by simply sitting still and blinking

And saying nothing, seems to have persuaded

Most people that his life is passed in thinking;

Too hasty! Darwin noticed more than they did.

He went to certain mice and such small fowl,

And got their point of view about the Owl!

Morale: the quire folk in the community

Are maybe—waiting for their opportunity!

 


 

THE PARROT.

 

Do not hesitate to ask

Guidance from the old grey parrot!

He is equal to the task.

Offer him a bite of carrot!

Wait until he says to you:

“Pretty Polly! How-de-do!”

Insults, oaths and flatteries,

Vanities inane and vapid:—

All the time his look is wise;

All the time his speech is rapid.

Most of the Great Men I’ve heard

Might be brothers of that bird!

 


 

THE COCKATOO.

 

I keep a copper cockatoo,

Who thinks the Quarterly Review

The most purely unmethodical

Example of a periodical.

          .     .     .     .

 

The meaning of these mystic words

Baffles my brain—what price the bird’s?

 


 

ALBATROSS.

 

LYING FACE DOWNWARDS TO A FISH =

PRONE TO CARP.

 

“Prone on his back”* poor Joseph Conrad lies.

Behind him gazing madly in his eyes,

 

Stands squatting on his right side, my Lord Jim

His weight on his left elbow, plump and slim,

 

Pressed deep beneath the earth. Malays recline

Upon their sleek abdominal supine

 

In front of the great novelist, intent

Upon what may most likely be a rent

 

In’s trouser seat. He lies in his snug berth

Upon a pillow—crushing him to earth—

 

Poised on his head his neatly-fitting boot

Supports the brain of that observer ’cute—

 

I hope this present unprovoked attack

Won’t lay him once again upon his back.**

 

* The Mirror of the Sea, XXXIV.

** X. It did, alas.

 

Note in answer to the protest of Professor Mudd—

’Tis fair, because he shows such spleen and rancour

Against those callous knaves that write “cast anchor”.

 


 

OSTRICH.

 

THE PALETTE OF OSCAR.

 

The purple pageant of my inCommunicable woes

Was painted by the hand of gin-And-water on my nose.

The mellow gold that glimmers through My sad autumnal style,

Is symptomatic of a suPerfluity of bile.

The feet of Christ I worship at appear so pale,

Because of all the sKilly that I ate in Reading Gaol!

 


 

CUCKOO.

 

J. W. N. SULLIVAN

TO SYLVIA’S HUSBAND, RETRIEVING HER.

 

When a man chucks a cigarette

Across a table after dinner,

It seems a reasonable bet

That he will not begin to fret,

Or grow appreciably thinner

Respect the man who can afford

Such diminution of his hoard!

 

But if immediately after

He jumps up growling, soaked in sweat,

And grabs the half-smoked cigarette

Out of one’s mouth, one ought to let

One’s pity overcome one’s laughter,

For one might hesitate to swear

That he’s a multimillionaire!

 


 

SWAN.

 

THE OATH OF PARSIFAL.

 

If ever I acquire horse sense, I’ll

     Perceive the Mystery of the Grail

With my intelligence prehensile

     Exactly like a Monkey’s tail!

 


 

THE HOOPOE.

 

How sinister an interest

Attaches to the Hoopoe: this:

(It must be candidly or confessed)

I am not certain what it is.

Men making a successful, scoop owe

Much to their being like the hoopoe.

 


 

LAUGHING JACKASS.

 

PROFESSOR SIGMUND FREUD.

 

Without one shred of evidence I’ll

     Discourse on vot’s pehindt der Veil

With my intelligence prehensile

     Exactly like a monkey’s tail.

 


 

BARNACLES.

 

BLIND MOUTHS.*

 

Though I beat Tehigorin and Steinitz

     Lasker and Philidor and Murphy

At Chess, it would not be a sign it’s

     Correct to pronounce coffee “corphy”.

Bishops take notice! No one needs

Your criticism of men’s creeds.

The art of flattering the mob,

Lying and cringing is your job;

Employing “Jesus” to fool Labour,

Bearing false witness ’gainst your neighbor.

Bully the weak and play the flunkey

To wealth and power; you make the monkey,

The parrot, horse-leech, owl, cameleon,

And tape-worm models, you pile Pelion

Of hypocritical servility

On Casa of smug imbecility.

The largest liars and slyest haters

Come first to mitres and to gaiters.

I can put up with a stool pigeon;

But—not to regulate religion!

Praise you? I murmur scarce a tepid ‘Damn’.

Enough: NE SUTOR ULTRA GREPIDAM!

 

* The quotation is from a very topical up-to-date poem ‘Lycidas’, by J. Milton, St. John’s College, Cambridge.

 


 

PYTHONS.

 

THE STRANGLE-HOLD: FAMILY.

 

Laocoon

And his two sons were set upon

By two mere snakes:

But Gérard Aumont’d Fate awakes

Two worser curses,

His mother and grandmother. Verse is

Inadequate — — — —

Strangles! Laocoon? Cheap skate!

 


 

THE HORNED VIPER.

 

The cerastes emphasizes

What disquieting surprises

Lie in wait for thoughtless folk

Who incautiously provoke

People of uncertain temper.

It is better to let them pur-

Sue their aims without appearing

In their way and interfering.

When we happen to arrive at

Any door marked “Strictly Private”

And intrude, it is not quaint if

There’s a verdict for the plaintiff.

 


 

THE LIZARD.

 

One does not need to be a wizard,

To meddle with forbidden arts,

In order that the lively Lizard

May teach us (lay it to your hearts)

Some pithy points—I think he can

Assist the bust business man.

 

The Lizard is alert, suspicious;

He twists and turns with subtle speed;

He is not stubborn or malicious,

He never fights unless he needs;

And if you grab him, you will find

He bolts, and leaves his tail behind.

 

I need not even be at pains

To shew the drift of these instructions.

The very simplest business brains

Are capable of such deductions.

I echo the sighed thought “It is hard

I wasn’t born to be a lizard!’

 


 

LARVA.

 

THE OLD MAID.

 

Like new-formed craters on the slope

     Of a burnt out volcano, cancer

Breaks from the breast that held the hope

     Of milk, and would not, What’s the answer?

 


 

OYSTER.

 

TOURNEDOS Á LA BASSO.

 

“God making roses”—did not fail to make

The very tender succulent Beef-steak

Saignant, sux Cepes, en cocette, whereby

Basso (like Antoine) claims Eternity.

 

(Note, Antoine, of New Orleans, La., has a steak ‘a la Robespierre’ invented by his grandfather on seeing R’s head cut off.)

 


 

SNAIL.

 

HOUMT-SOUK.

 

Houmt-Souk! Thy hustlers best and busiest

Whose eager zest

Curls their proud lips if one would bid them rest,

Whose soul’s fantastic flame

Consumes their mortal frame,

Burns them to ash before

Their years surpass two score

—Some little hustlers! One of staunch physique

Proved not too worn with toil to speak:

Admitted: “yes, I work four days a week.”

 


 

AMOEBA.

 

MRS. FISKE.

 

Go to! thou slab of Suet!

     Go to! thou dumpy drab!

Thou antiquated cruet.

     Thou human growler cab!

 

Thou imbecile potato!

     Thou bilious liver-lump!

Whatever Gods you pray to

Will hardly find a way to

     Alleviate your rump.

 

Men rather face the basilisk

Then the fat eyes of Mrs. Fiske.

 


 

SPIROCETES.

 

MEALS WITH THE MASTERS.

 

H. G. WELLS.

 

1.

When ’Erbert Gawdamighty Wells

     Offered a Brobdignian dinner

to minor literary swells

     He didn’t ask a mere beginner

     Like me—besides, I am a sinner.

 

2.

He swore a multitude of oaths

     (Lucullus dine chez Luc ulus)

That he would sport his Havening Clothes

     —Non facit monachum cucullus.

     The imposition did not gull us.

 

3.

There was a laughing-jackass, moulting,

     Borne by a sooty seaside nigger

Both sentimental and revolting,

     A counter-jumper with a snigger:

     Jerome K. Jerome—name yer figger!

 

4.

This sanctimonious subub clown

     Hee-hawed to a what-can-it-be-man

Clobbered in humour reach-me-down,

     A winter-sale-eleven-three-man,

     Canned-ersatz-satire, Owen Seaman.

 

5.

It was so rottenstoned and oiled

     And soaped and taught to bow and scrape to

Respectability, and boiled

     Out of its substance and its shape too—

     Past likening a decent ape to.

 

6.

Crazed Conan Doyle was there, his banner’s

     Device, sheet, hollow, turnip, candle.

Rabindranath Tagore, whose manners

     Did honour to all Coromandel:

     Put in the coin, and turned the handle!

 

7.

His talk was dim, genteel, suburban:

     A dog for any lady’s lap!

He prayed that a Bengali’s turban

     No less than a top hat may cap

     A skullful of most mushy pap!

 

8.

Doyle thought that Arnold Bennett’s teeth

     Were tombstones in a cemetery.

Old Robert Bridges had a wreath

     Of bay, a flank of watered sherry

     And kept on humming “Down-a-Derry.”

 

9.

Gaunt, lank, unwashed, uncouth, wild-eyed

     In melancholy stanzas makes

The gossoon to his fairy Bride,

     The Pegasus of Selling-Plates!

     I hear a murmur: “What are Yeats?”

 

10.

John Masefields’s face had turned the milk

     As sour as Hillaire Belloc’s wine,

Expert to label shoddy silk

     And sell for Pekinese their swine—

     Per masterpiece, thirteen and nine?

 

11.

This would-be literary ‘vet’,

     Sad “Silly Willy” starts to jaw ’em:

I’m Sa-sam-mum-mum-er-set

     Mau-mau-mum-mum-mum-mum-mum-Maugham”

     Served with cocaine and chloroform.

 

12.

Well furnished with the spicy scandal

     Current in sundry Mayfair kitchens;

Thrilled by a name that boasts a handle,

     To Biskra’s or Taormina’s rich inns

     Head waiters welcome Robert Hichens.

 

13.

At ’Erbert Gawdamighty’s bluff

     Of hospitality he shies—

Seeks the back stairs with ready cuff

     To note his host’s delinquencies

     —Seen through the servant’s greasy eyes.

 

14.

The bulk of the whole party was

     A hippopotamus who ans-

swered to the name of G.K.C. ’cos

     The C is an immense expense

     (G.K. a mere extravagance.)

 

15.

This formidable lump of lard

     Oozed beer from every pouting pore;

He thought himself a saint, a bard,

     A thinker; first in peace and war

     And in the hearts of—(I forebore!)

 

16.

Against his hoggishness a faint

     Thin shadow stood in silhouette

Upon its head—which thought it quaint

     Whenever anything upset.

     He hardly ever drank or ate.

 

17.

He never smoke or swore or laughed;

     He would not anything admit.

The dreary donkey was as daft

     As David’s sow—he called it wit

     To sniff at everything and spit

 

18.

With wide lapels of purple plush

     Upon his swallow-tail sublime,

The soul of the Savoy ablush

     With joy of mystery and crime

     Blazes E Phillips Oppenheim.

 

19.

His, only his—the rapture hid

     In coronet or old umbrella,

His the delicious dauntless kid

     Stenographer and Cinderella,

     The dagger and the tarantella.

 

20.

His, the stern Secret Service man,

     The Banker with a State to sell;

The sin, the shame, the prices, the plan—

     Framed always by the glittering, swell

     Huge, loud, splendiferous Hotel.

 

21.

A Dublin dandy dressed to kill

     The prostitutes of Piccadilly,

A pink-faces rat with a stiff frill

     Of hair tempts the naughty-thrilly-

     Cynic—succeeds in being silly

 

22.

There, pacing up and down, as though

     He still, as erstwhile, trod the floor

(Frock-coated with a made-up bow)

     Of some great linendraper’s store

     One beats on Fame’s brass-bolted door.

 

23.

Behind his vasty paunch he struts

     Within his collars celluloid.

He breathes and feeds; his giant guts

     Are crammed as his dwarf brain is void.

     Therefore he’s worried and annoyed.

 

24.

Long sines he heaped to hallow paper

     By writing gems of Anglo Saxon

I told him “Once a linendraper.

     “Always a linendraper!” Cracks on

     Thy pate thy doom, O Holbrook Jackson!

 

25.

Thou woulds’t save London—anarchist,

     By gently dropping bombs upon her.

That was one target that you missed;

     You dropped your dream of fame and honour

     To devil for T.P. O’Connor.

 

26.

Back yonder, cackling, grins a clerk

     (I guess) whose finger wags amain,

Restless and huge! By jove, a shark

     Beside four minnows! Bust, brain;

     Here is a riddle to explain!

 

27.

With that forefinger (answers me

     My soul) that cunning codger hammered

A thousand tiny tunes in C

     Major—he yelled and yawped and yammered.

     He hit the old piano damn hard!

 

28.

A few old salts, smart poachers, gay cops,

     Trim sels, the bitter bit, love thwarted

At last to triumph, Mr Jacobs

     Won the Success Stakes by a short head—

     The popularity he courted.

 

29.

Abject, fraid to give offence on

     The question of the weather, shy,

Shivered and simpered A.C. Benson;

     And dimly tried to wonder why

     Life was so sinister and sly.

 

30.

Grimly regarding this pale phantom

     Through clenched teeth grinding, “Parasite!

“These dirty dons! I’d like to plant ’em

     “Where they belong, and plant ’em right!

     “The brainless blasted blatherakite!”

 

31.

This savage socialist, this hot

     Cynical baresark satitist

Proved on more close inspection not

     Born with his head fixed as a fast—

     He had a palm to tickle-shist!

 

32.

We gave him a fur coat; a car;

     A lord invited him to dinner;

We taught him that a good cigar

     Makes sin (Society’s a sinner)

     Seem less abominable in her.

 

33.

We praised his wit, admired his views,

     Until he half admitted “All’s worthy,

Somehow, perhaps; we have to choose

     Between two evils: life appals worthy

     Men—still we stick it” Good old Galsworthy!

 

34.

But all along my reverent gaze

     Has been enthralled by minor swells,

These planets lackey the One Blaze

     Of the Sole Sun their pride that quells.

     Hail! ’Erbert Gawdamighty Wells!

 

35.

’Ail, ’Erbert! ’Ail! Hall ’Ail! Thy toes

     Are ten, and ten thy finger-tips.

The parings of their nails, God knows,

     Are pearls more precious than the lips

     Of all our poets sang—’Ail Kipps!

 

36.

’Ail, Gawdamighty, ’Ail! we own

     Thine All-Benevolence of belly,

All-wisdom of the brain alone!

     Thou hast whipped Plato into jelly,

     And made mince-pie of Machiavelli!

 

37.

’Ail Wells, Hall ’Ail! Thou Wells where squats

     Truth naked at thy bottom, wells

Whose healing virtue blandly blots

     Tunbridge from memory, and tells

     Bath’s Bishop to try something else!

 

38.

Well’s all thou dost; where’s Selon now,

     Where Richelieu, Bismarck, Socrates?

One thought-burst of thy bulging brow

     Makes mutton-broth of such as these—

     (Including Bonaparte—poor cheese!)

 

40.

Enough! (As Shelly said) “I faint!

     I sink, I tremble, I expire!”

My mean vocabulary ’aint

     By any means what I require

     To sing the songs that you inspire!

 

41.

They swallowed mountains of molasses

     And damp warm toast with rancid butter,

The bleat of the bewildered masses

     That read their rubbish made them sputter

     The glacial garbage of the gutter.

 

42.

 

Yet these, right up from Harold Begbie,

     Are really absolute outsiders:

The ladies who won’t let a leg be

     A leg are juicier providers

     Of sewer-slush for girlish gliders.

 

43.

A cockney-bastard at her breast

     (Her claim to fame) there welled and swanked

Shrieking of sex—“Rebecca West”

     And Mrs. Ward the sacrosanct—

     They ought to have been soundly spanked.

 

44.

Elinor Flyn and other flabby

     Dowdies a horde of gushing guff—

Composed a cat-choir, tame and tabby,

     Spiteful, salacious, silly stuff:—

     The public cannot get enough!

 

45.

Then lo! in corsets and low skirts

     Daubed to the eyes with fard and Kohl

And rouge, two India-rubber squirts

     Simper of sin and sex and soul.

     Their whispers make them rather droll!

 

46.

One calls the other “Lawrence, Love!”

     And he smirks back “My sweet Georgette!”

One stalks dim jungles after dove,

     One speeds a motor bassinette:

     Their style is Addled Omelette.

 

47.

Distinguished from three penny plains

     And tu’pence coloureds there was one,

One only: some faint trace of brains

     Had all the rest: and he had none

     His name was Austin Harrison.

 

48.

His self-assurance tries to swamp us

     With supercilious smugness spewed.

He vomits up his prosy pompous

     Chyle—churned from ignorance crass and crude:—

     A chimpanzee dressed as a dude!

 

49.

So very stupidly and badly

     He writes—it is a sort of genius!

His trousers are by Pope and Bradley

     On ‘contra’: his trade tricks are thenious,

     His manners Shentemanly Sheenyous!

 

50.

Strange! but my whithers seem unwrung

     The literary beaux and belles ’Is

Nibs cultivates I leave unsung.

     Their Greenwich Villages and Chelseas

     Be ’Erbert Gawdamighty Well’s!

 


 

THE FLY CATCHER.

 

MRS. CURTIS WEBB.

 

Aristocrat or pimply Pleb

Are all the same to Mrs. Webb;

She pays me, I’ve never paid her,

I ‘played’ the bitch, and then I ‘made’ her;

Harridan or blushing deb

Are all the same to Mrs. Webb.

 

In the ritualistic farces

She’s the one to smack the arses;

They crawl a mile, then sprawl a while

To fit them for the rank and vile;

Now Heavenly Mansions can they win

If they despise the House of Sin?

 

As with the great, so with the least

All must pay tribute to the Beast.

 

From the essence of the slime

Springs the tendency to crime;

To reap the harvest of the Mind

Mankind must for ever ‘grind’;

The lessons of Duality

Were set for all Humanity;

We know the happy side of life

By virtue of discordant strife;

At one with you, at one with me,

The Christians worship Calvary.

They spoil the rod to flay the child,

The while they pose as meek and mild;

Taking things for what they are

The star-fish must become the Star.

 

Mrs. Webb does what she can

As a lusty Lesbian

To make Sappho of the filly

Who never trots in Piccadilly;

Girl to girl and man to man

Is part and pattern of her plan;

Lad to lass and lass to lad,

(Bread to bread alone is bad;

So, the changes she must ring

If the Angels are to sing;

Aristocrat and putrid Pleb

Harridan and dainty Deb

There’s never one that misses web.

 


 

 

GODS AND DEMONS.

 

 


 

PRELIMINARY.

 

THE OATH OF FEALTY.

 

By the huge height of heaven above

I swear to thee to be thy love.

By the abyss of earth beneath

I swear to thee the extreme faith.

 

By flux of air and glory of fire,

By strength of sea and horror of mire,

I here renounce all grace and chrism

That I have gotten in baptism.

 

I bind my blood in Satan's hands*

All this that lieth betwixt mine hands,

To thee, the Beast, and thy control,

I pledge me; body, spirit, and soul.

 

* Note: Alternative reading: "I bind my blood in Satan's hands."

 


 

PRELIMINARY.

 

NOUMENA.

 

It does not matter in the least

What mind and body cloke the soul,

What masquerade of bird or beast

Amuses Jupiter or stroll,

What firm or flabby flesh is creased

Around the necessary Whole.

 

I swear I will no more be fooled

By accidents of intellectual

Or physical appearance, schooled

By life to know them ineffectual.

I will not be confused or curved

Or disappointed or disturbed

By thoughts that baffle men and blind 'em,

And shows that lure, bewitch, and bind 'em.

I take my fancies as I find 'em.

 

My falsest friend conceals a Star;

God's in his emptiest avatar:

My girls—I do not care one button

What meat is, an honest glutton

Devours alike beef, pork, and mutton.

There's one thing common to all women:—

Just as all seas are good to swim in.

I do not bathe to please and flatter

The shores; the landscape doesn't matter.

Swim when you feel dry—land too cloddy

To cleanse and exercise the body!

 

It happens that this rare judicial

Impartiality aforesaid

Releases me from all official

Responsibility that bores head;

It makes my suitors less evasive

And calm, more eager and persuasive.

They come, like bitches, at my whistle,

And wag their tails and gambol gaily,

Properly grateful for the daily

Dole, the tough tenderness of gristle.

 


 

PAIMON.

 

MY FAILURE IN LIFE.

 

By dint of divers pious courses

     I might have gained immense esteem.

I might have heard from valued sources:

     "Your genius is quite supreme—

By dint of divers pious courses."

 

My friend Mohammed ben Brahim

     Has his own method—it divorces

My aspiration from the dream

     Of fame—The cure for all remorse is

My friend Mohammed ben Brahim.

 


 

 THE NAMELESS WORKS.

 

ADONAIS.

 

There are a lot of prigs that pan me.

     While I have little Belgasem

Around to * * * * me and to fan me

     I do not give a hoot for them!

 

* * * * MS illegible. Professor Herman Fuchs proposes "read aloud to me!"

 


 

THE TROLL OF THE IRRATIONAL.

 

"As I was going to St. Ives

I met a man with seven wives."

He railed so bitterly on Heaven

God blessed him with a second seven!

Out, owlish, out abhorred offence

And outrage against common sense!

The oaf professed himself contented!

Man is a dribbler so demented

That still he slobbers, sobs, importunes

The Gods to multiply misfortunes.

The more ineffably he itches,

The more ignobly in his breeches

He buttons up the lice he harbours

Against apothecary-barbers.

 

          Moral.

This fact is attested by oodles of oaths:

Man loathes what he loves, and he loves what he loathes.

 


 

HARPOCRATES.

 

Like Daniel in the lion's den, Sil-

     -ence helps when fear and doubts assail—

With my intelligence prehensile

     Exactly like a monkey's tail.

 


 

COMUS ROUT.

 

ADIEU GOODMAN DRIVEL.

 

1.

Sunday's child is hale and creamy.

Monday's child is frail and dreamy.

 

Tuesday's child is rude and restless.

Wednesday's child is shrewd and breastless.

 

Thursday's child is greedy and jolly,

Friday's speedy, full of folly,

Saturn's seedy, melancholy.

 

2.

English girls are greasy gluttons;

Welsh girls more like goats than muttons;

 

Scottish girls are sour and skittish:—

So much for the bloody British!

 

Irish girls are richly fancied,

Barring Ulster, where they're rancid.

 

French girls whores, some real, some sham;

Belgian girls like putrid jam.

 

Dutch girls give square meal and deal;

German, watchful for your weal.

 

Spanish are like lightning flashes;

Portuguese romantic trashies.

 

Wop girls are the herds of flirting,

Swiss have two main lines of sucking.

 

Scandanavian girls I lump:—

Frump, mump, grump, bump, rump, hump!

 

Balkan girls, whatever their race is,

Have soft souls and silly faces.

 

Greek girls, mean and elegant;

Turkish, plump and petulant.

 

Austrian, refined or worse,

Russian, crazy and perverse.

 

Polish girls are proud and shrewish;

Jewesses, obscenely Jewish.

 

But Hungarians—wanton witches

Lovely, laughing, lechorous bitches.

 

Are the only white-skinned woman

Worth one's while to sink of swim in.

 

3.

Arab girls are fiery and trustful,

Gipsies, treacherous and lustful.

 

Senegalians giant—vicious,

Congolese girls, fat, nutritious.

 

Malagasy, superstitious,

Moors, Satanic and suspicious,

Kabyles, dainty and delicious.

 

Nubians, intense and lissome:

Abyssinians—see me kiss 'em!

 

Negresses, of all varieties,

Mostly leer, and love, and lie at ease.

 

4.

Hindu girls are shy, coquettish;

Japanese, wired-marionettish;

Polynesians, intuitive, and bright.

 

Chinese girls are proud, polite,

Skilled, intuitive, and bright.

 

Burmese girls are grave and gracious,

Siamese, sleek, slim, salacious.

 

Malays, ardent and audacious;

Cingalese, serene and spacious.

 

Tamils, blockish cloodless brutes;

Kashmir girls, prize prostitutes.

 

Nepalese girls are mad stallions,

Raging lusts in black battalions.

 

Javanese and Philipinos,

Rather trying to a keen nose.

 

Tartar girls are mad with thirst,

Go—till something has to burst.

 

'Stralian girls? I'd rather combat

Old man Wallaby or Wombat.

 

'Murikan girls—but few I think

Worth the waste of pen and ink.

 

Mexicans, superb and spiteful,

South Americans delightful.

 

6.

What! talkest thou of naught but ladies?

Aroint, foul fiend! Get back to Hades!

 


 

FELICIAN ROPS—GOD OF FIRE.

 

Black Mass. The wing and blood are drugged and spiced

To bubble at the curved, incarnadine,

And cruel lips of Satan's Priestess, Sin,

That she may babble blasphemies to Christ.

 

Her lively carrion writhes upon the bole

Of Hell's live Tree of Lust that fattens on

his mouldered cross, his putrid carrion—

Her Body is the secret of her soul!

 

Sin smiles and whispers through the dusk her hissed

Lewd benediction; at the altar-rail

Kneels still one slender stripling with wild pale

Blank eyes ecstatic from the Eucharist.

 

Sin plays with itching fingers in the flame

Of his crisp curls. Thou lovest me? she purrs.

The boy sobs silently. "Sin holds thee hers;

Ask what thou wilt, then, in the Devil's name!"

 

"Choose me to praise thy Beauty, cast the spell

Of Art on man! Felician Hops, my line

Enmesh and strangle saints, my maze design

Lures Jesus' lambs into the styes of Hell."

 

The Devil smiled: Sin slide a skilled caress

Within the fleshly form, as in his soul

Her master stamped His smoking seal, and stole

Snake-subtle to indwell his eagerness.

 

Sin kissed his brain; it boiled with eager mirth,

Blood absinthe-bitter, opium-depraving,

Vitriol-corrosive, every thought a craving

That curled blind tentacles about the earth.

 

Man in his magic mirror saw but swine,

Head in his Bible "Wisdom is to wallow",

"Be sure all Faith is fraud, love lust, hope hollow!"

He made Truth leer and hie in every line.

 

He impaled the Virgin Beauty, as a bait

Upon the back of Vice; he put the dress

Of Art upon the limbs of Rottenness,

And made Love handmaid in the house of Hate.

 

O subtle seed! What crimes shall be thy crops?

My bone is builded on the bitter bread

Baked of thy wizard oats: my blood runs red

With sin, spark-flashing from the smithy of Rops.

 


 

THE NEGRESS ON MONTPARNASSE.

 

LILITH AND THE GAMALIEL.

 

Upon thy breast-terrasse,

O Dome de Montparnasse!

     The pseudo-artists sit

     Incapable of wit

     Being completely — IT —

With what contempt she sails, the gallant girl

About them all a-swirl—

The splendid animal—the lively lash

     To mine imagination

     As I compare her with the sour stagnation,

     And dribbling degradation

Of all this poor white trash.

 

The Dingo's stools ensconce

Maitland, the sodden ponce

     Of Mary Butts

     The Goddess Guts;

There Mrs. Fiske lurks, twitches,

Smirks, itches.

 

Nameless Americans

Grin, imitating man's

More obvious gestures, pose

And prate, there prate and prose.

Interminable rows

Of Jews uncircumcized

(For the ripe cheese they prized)

Inextricably mongrel, booze and bleat.

The iris Trees with vast unwashen feet,

Innumerable 'inskis', worn-out Poles

With aromatic wholes

     Which they entitle Art

     (As if no 'f' were part

Of the maimed alphabet

Oh! let us haste to set

     Against this purulent horde

     Of pustules something that the Lord

Might possibly admit for his,

Something whoses nature is

     At least clean comely animal,

     Something at least that shall

Not be ashamed to own itself, a wench

Proud of her musky stench

     And shimmering skin obsidian

And steatopygous

     Big-breasted, black, prognathous, simian-

-Firm flesh, not poulticed pus

     Like those who haunt the Dome and the Rotonde

     —White trash beyond

The power of pen and ink

To write, or mind to think—

The incarnation of essential stink.

     Hail! she-orang outang! blue black gorilla,

With strong white teeth,

     Your solid splendours thrill a

Mans soul that's sick at stomache of the oblate,

     Obese, degenerate,

White trash that are so fond

     Of squatting with blear blank

     Dead eyeballs, rank on rank

Ox-eyed brunette, peroxide blonde—

Some at the Dome and some at the Rotonde.

 

Come, negress, it were cleaner to shoot craps

Upon thy paps!

     Rather get syphilis of thee, and death

     Than the first whiff of Cecil Maitland's breath;

The ailliest jape to intellect less risk

Than the most pallid proot of Mrs. Fiske!

 


 

ASMODEE.

 

KNIGHT TAKES BISHOP, CHECK.

 

Woman delights not me, nor (though

     Your smiling seems to say so)

Man either (British Bishops know

     A trick worth two of Naso.)

From art and music, wit and wine,

     I fail to see the fun shine.

It bores me stiff to have to dine,

     I mildly snub the sunshine.

 

“Old Mother Damnable”, you hope,

     Would help—you really hope so?

Heaven smiles beyond a swarded slope?

     (You can’t persuade the Pope so.)

Fold wooly me in pious pen.

     And with me equals then lie—

Grease ladies and wax gentlemen

     At Hurlingham and Henley?

 

Nay, Bishop, I have been the round,

     A wider round than you know;

Below Dis’ throne have broken ground,

     And split the skies of June.

I know the secrets of the soul,

     The prettier points of polo,

The earth’s enticements, pole to pole,

     From solitaire to solo.

 

I know too much to lay my spleen

     To conscience or to liver;

I’ll always be, I’ve always been

     A creaky, cranky flivver.

I’m only dust in Nature’s ‘must’:

     Behemoth hers, and bustard—

She made insatiable lust.

     I’ll thank you for the mustard.

 


 

SILENUS.

 

“1826”

 

Oh let us bathe and crown our hair

     And drink untempered wine!

Let ever greater cups ensnare

     Our souls in traps divine.

 

Soon calms the season of love’s rage,

     And joy grows short of breath;

Birth shoots a shaft, weighed down by age,

     That strikes the target death.

 

Then come, thou golden goblet brimmed

     With lust! Though all be vain,

There’s hope for us, the lion-limbed,

     In hashish and cocaine.

 

Though death should hale us by the scruff

     Of neck to’s mouldy portal,

To-night let us get drunk enough

     To know we are immortal!

 

          To Bob Chanler. An XV.

 

Note to future editor: 1826 is the date of Bob’s best brandy, but he has not met my Waterloo!

 


 

UNDINE.

 

INSPIRATION.

 

     I want to strip Margaret bare,

     To drag her about by her hair,

To smother her faecal young body in treacle,

     And plant her in Washington Square.

 

     To bury her up to the chin

     In a grave, with red ants to fill in;

To smoke a cigar as I strum my guitar,

     And watch her go West with a grin.

 

     Her hair—I’ll write madrigals on it!

     Her mouth—oh the epodes upon it!

I’ll kick out her eyes for a Ballad of Sighs,

     And cut off her nose for a sonnet.

 


 

UNDINE.

 

LINES WRITTEN IN DEJECTION NEAR

WASHINGTON SQUARE.

 

In the rose-garden of my mind

     My soul hath built an hermitage,—

With weariness its eyes are blind,

     Its might is palsied by its age;

It hath not wit to be resigned

     To its own fate, to play the sage.

 

O surely did the prophets lie,

     The poets utter a vain thing:—

Too many centuries pass by,

     While God has hardly waved a wing.

I too am of eternity

     And loathe the insolence of Spring.

 

They pass, they pass, on gleaming glass

     Reflected, and no tool engraves

Their memory; all their moving mass

     Is as ephemeral as the waves.

It matters not; they pass; they pass,

     The dull procession of my slaves.

 

Last year ’twas Helen strove with Kate,

     Gladys, and Desda, and Yvonne.

This year I’ve Lea to my mate,

     And—I forget! The year is gone.

Next year—is Margaret my fate?

     Ah, sursum corda—carry on!

 

The dragon of my soul demands

     The flesh and blood of Margaret.

She smiles and weaves her spider strands

     To catch the dragon in her net.

Each, lewd with boredom, understands

     Love the best tincture to—forget.

 

I am so sick of kissing girls.

     None satisfy, yet all excite;

Strung on the centuries like pearls,

     Like shooting stars athwart the night,

I loathe the cruelty and the curls

     Of every sleek hermaphrodite.

 

The safest kisses are the bought.

     They do not wither the soul’s flower.

But all ships reach alike the port

     Oblivion; all the milk is sour.

Could God devise no better sport?

     Margaret comes in half an hour.

 


 

UNDINE.

 

THE SUMMER GIRL.

 

Margaret is out of town.

God has kissed her golden brown.

One would say a panther Sun

Leaping to the Horizon

From the fleecy clouds that roll

Their enchantment on His soul,

When her body crashes home

To the green wave’s crown of foam.

Wind-whipped, till the sea becomes

A world of white chrysanthemums.

One would think a goddess gay

Foam-born of the Milky Way,

Mastered by a panic spell,

Burnished in the fires of hell;

But she so much to earth belongs

That she rejoices in my songs,

Condescends like God to dust,

Breathes the purity of lust

On my soul, its mood surprising

As Ra enkindled at His Rising,

All the rhythm of her life

To the vampire-lure of Life,

And her eager smile explaining

(Too proud for fencing and for feigning)

All the mystery charm of youth

In one giant gesture—Truth.

Come from the sea, my love, to land!

I will crush thee with one hand,

And let your blood upon the sand

Bear witness that—I understand!

 


 

SALAMANDRINE.

 

BERTHE.

 

From God there comes a gust

In this wild spirit of mine;

Your body brims with lust

As a goblet with gold wine;

 

Your eyes are burning swords,

And your mouth a moist red bud,

Your barbed arms strain like cords

And your soul’s aflame for blood;

 

Your breasts are stiff and taut

And your golden belly shakes

With the writhing of your thought

As the soul of your soul awakes

 

A fountain of sweet showers

On the mind’s insensate clod,

Behold the fervour of flowers

That grow in the garden of God!

 

I crown you queen of night

I wreathe you lady of day,

I wrap you round with my might;

I rape your body away;

 

I make you pleasure and pain

As a paved work for your feet;

I twist and madden your brain

With the matchless musical beat

 

Of my love that swells and soars,

That hammers the anvil Time,

That breaks like a sea on the shores

Of space—oh thou, sublime;

 

Supreme, Satanic, serene,

My love, my body of breath,

I conjure thee, spell the obscene

Epithalamium, death!—

 


 

SALAMANDRINE.

 

 BERTHA ALMIRA BRUCE.

November 1918

 

Strong poison of thy mouth, my love, and honey of thy breath,

A fierce red wine that sucks me down, a drunkard unto death,

Snake of my soul, thou leapest up to feed upon my brain

That thrills and sobs wild music to the murder-lust refrain!

Home, there’s a tent pitched on the sand: the camel bell rings clear:

The stars are violent like red suns: I will have thee here.

Why linger in the moody north? There’s welcome in the south;

Strong poison of thy mouth, my love, strong poison of thy mouth.

 


 

FAUN.

 

BELGASM.

(SONG OF AN ARAB MAIDEN.)

 

Twelve summers hath Sahara’s sacred sun

     Kissed into growth of lissome strength and fine

     Laughter, and buoyant beauty, this young vine;

Shall my desire do less than His hath done?

          Mine eyes illume,

               My mouth is mute,

                    I dare design

          To brush its bloom,

               And crush its fruit,

                    And drink its wine!

 

O honeyed body, ripening

     Into intoxicating purple lips! *

     My brain, thy bee, celestial madness sips

At their bold brim; my soul’s thirst at the spring

           Of thy love’s joy,

               Quenched in delight

                    I soar and sing!

 

          I have thee, boy!

               Sun-strong, moon-bright

                    My queen and king!

 

* This metaphor is taken from the ‘degla’ date (the choicest variety) which exhibits these colours.

 


 

FAUN.

 

A PHILOSOPHICAL REFLECTION IN THE

SCENTED GARDEN.

 

A wise man makes the most of life

In case he never has another:

It’s great to be a happy wife

Though I can never be a mother.

 


 

NYMPHS.

 

IN MY HAREM.

 

A room I dare wag a limb in!

Damn these respectable women!

Give me the ocean to swim in.

 

Oh how they try to amuse me,

Conscientiously bite me and bruise me;—

Nobody guesses what woos me.

 

Passion—their lamps only splutter!

Mustard is better than butter;

Give me a girl from the gutter!

 

Hope has completed its ebbing,

You spiders with obvious webbing,

Love “by the book”—of Kraft-Ebbing!

 

I live them? God rack m’em and rot m’em!

When I drew them, the pencil would spot m’em,

Expose the respectable bottom!

 

Nubians love on the level,

Black as the heart of the devil,

Savage and sumptuous revel!

 

Purple as a plum, the intruder!

Lewd as a monkey and lewder!

Stark as the desert that spewed her!

 

Have you no beauty to storm us,

Monsters wry-moulded, enormous,

Pesth, Paphos, Paris, Panormus?

 

Rotten with drink and diseases,

Crazy with drugs—ah, my thesis

Proves but too clearly what pleases.

 

I being God in simplicity,

Lust after all eccentricity,

Wallow in death and lubricity.

 

You, you keep bowling full pitches!

Damn all these amateur bitches.

Give me my old riding-breeches!

 

               An XVI.

 


 

SYLPHIDES.

 

THE ARAB MAIDENS.

 

The brown brats squatting in the sun!

     One has a dirty flowered skirt,

A ragged robe, black striped with dun

     Crimson and toned with dirt.

 

One has bare feet, one gaudy shoes

     Of yellow leather; round her hair

Twisted a coif of many hues

     Of fancy debonair.

 

The other coif black with striped ends

     Green, purple, yellow, blue; her robe

Orange; a great gold ring depends

     From each ear's delicate lobe.

 

Bangles of silver and ebony

     Adorn each dusky arm and wrist,

Their finger nails with henna dye

     Glow like the sun through mist.

 

Their foreheads and their chins, tatooed

     Deep indigo with quaint device,

Attest their father's blood, with shrewd

     Heraldic subtleties.

 

The sun, the moon, the desert wind;

     Fierce fire and frost, all harsh extremes

Of nature's nakedness, they find

     To furnish them with dreams.

 

Ten years: their childhood trembles on

     The brink of the dark stream of Fate

That swells and feeds the palms; anon

     Its task done, to abate.

 

Their calm unconscious loveliness

     Glow in the sunsets idly gay;

As if no terror, no distress,

     Were Wardens of the Way.

 

Are Beauty, Wonder, Wisdom worth

     Their price of tragedy obscene

And lewd Burlesque? How fair were Earth

     Freed from all Earth must mean!

 

Two brown brats squatting in the sun.

     'Tis pity of our lives the Mind

Must muddle; soil and spoil the fun

     Of living for Mankind.

 

(Written while sitting outside the Marabout, Sidi bou Ali, Nov 23/23 with the 'brown brats' staring at us.)

 


 

JINNI.

 

BLACK AND BLUE.

 

Black velvet of the sky, my love, black velvet of your skin:—

One maddens and one soothes the sense of sacramental sin.

I prostitute myself to you as Christ to Calvary;

Your kisses purge me of the stain of my mortality.

You ugly laughing devil! hug and plunge till soul descry

Blue velvet of your skin, my love, blue velvet of the sky.

 


 

JINNI.

 

RETURN TO HAMMAN MESKOUTINE.

Tunis — Winter 1925/6

 

Celui qui m'a aimè sera mon homme encor

Heureux toute la nuit il prendra son essor.

Dechire par ses dents, ecrase dans ses bras,

Aux abois sous sou corps, mon preux ne m'encoulera,

Le copps laid et puant l'haleine chaude et aigre

M'intoxiquant d'amour pur ce Satan de negre

Je veux m'abimer dans la salete de vices,

Y trouver de mon ame abrutie les délices,

Dechire de ton dard les entrailles brulantes

De ta putain pamee de joie extravagante!

Fils de Soleil! encor plenge ta fleur-de-lys

Au fond de cul de ton impérieuse Alys!

 


 

JINNIYAH.

 

MARSEILLES REVISITED.

Marseilles Oct 1925

 

Dear God! With twenty francs a man

May buy a cocktail, a cigar,

A dozen clams, a courtesan—

Dear God, how fortunate we are!

We owe the Lord a thousand thanks

For passing us those twenty francs

 

          .     .     .     .     .

 

The cocktails cost a little less,

And the cigar a little more

The clams are ‘extra’: I confess

I might have haggles with the whore.

Still, twenty francs have bought the lot:

Marseille is a delightful spot.

 


 

FAIRY.

 

THE LADY OF PITLOCHRIE* COMPLAINS

OF HER BRUISED NECK

AND UNBRUISED PEACH.

 

I would some Newton or Fermat might draw

A curve of Cecil’s joy and Cecil’s jaw.

     My neck’s an echymosis

     On all men imposes

     The scandalous thought “I

     Must have been naughty.”

     While I am in fact a

     Virgo intacta!

 

* The reference is to the well known Limerick.

 


 

CARYATID.

 

TO A FRIEND’S WIFE.*

 

The dome of great Saint Isaac’s glows

At sunset with celestial rose.

Thee though hath spiritual profit:

Kate, kiss me, and remind me of it!

 

* Who rouged her lips, to the adornment of the dome of a certain House of the Almighty.

 


 

OREAD.

 

APHRODIRE PHARMAKE.

 

(At The belladonna in your eyes

The ‘coco’ in your nose

The rouge upon your lips—I rise

Though not upon my toes.

The hashish in your abdomen,

 

The morphine in your thighs,

The ether on your breath—I ken

Love’s last subtleties.

 

The fascination does not last,

Still—nail your colours to the mast!. June 15)

 

NOTE: This is the same Oath as “The Belladonna in your eyes” further on in the Manuscript.

 


 

GOD OF SPIRIT.

 

MEALS WITH THE MASTERS.

(WILLIAM BLAKE)

(November 14, 1923)

 

I went to call on William Blake

     And found him scrapping with Isaiah

Ezekial busy cutting cake.

     The tea was poured by Obadiah.

 

Moses was eating buttered toast,

     And Paul was punishing the crumpets.

They talked about the Holy Ghost

     And how to act towards our dumb pets.

 

Blake offered me the caviar

     And asked me what I thought of Ossian

He gave me an immense cigar

     And told me Hell’s last koke—a mossy ’un!

 

Such hospitality as his

     I wish I met more often in this

Unsociable old galaxy's

     Worst planet—what a labyrinth is

 

Life at its best! I’d go on strike

     (If only for example’s sake)

If it were not for people like

     My good friend Mr. William Blake.

 


 

GOD OF WATER.

 

MEALS WITH THE MASTERS.

(SWINBURNE)

 

I went to tea with Algernon

     Charles Swinburne, who was drinking brandy

Out of a bucket: so was John

     Ruskin, and sucking sugar candy.

 

Rossetti used a long stout straw

     To soak up whiskey by the gallon,

While Herbert Spencer sang the Law

     Of Evolution with Grant Allen!

 

As a duet which Sullivan

     Had just composed that day at lunch;

The three of them were black and tan

     With boozing Maraschino Punch.

 

My host made haste to open for me

     A bottle of the best old Pernod.

I drank it off—its virtue bore me

     Into the heart of their Inferno.

 

“By Atlanta”, I observed

     “I’d like to know, (as I am a sinner)

“If this is tea, we should be nerved

     To have a jolly little dinner.”

 


 

GOD OF AIR.

 

MEALS WITH THE MASTERS.

(E. A. POE)

 

De Quincey wired me to drop in

     To lunch with Edgar Allen Poe.

It would have been a shame and sin

     To meet such kindliness with a No.

They hoped to stir the drowsy God in ’em

By filling themselves up with laudanum.

 

The lunch—qua lunch—was not, perhaps

     A gastronomical success;

For all there was to eat was scraps

     Of yesterday’s neglected mess.

But oh the jars of opium

And oh! the company—yum yum!

 

Coleridge was sprawling on a mat

     Fighting the bamboo to a finish,

While Baudelaire, in high silk hat

     And boots constructed to diminish

The size of his flat feet, was assish

Enough to swallow pounds of hashish.

 

De Maupassant produced a stench

     Abominably vile with ether;

And Wilkie Collins brought a wench

     Who thought all alcohol beneath her.

So all through lunch, to my surprise,

They shot more morphine in their thighs.

 

Between the course, Nietzsche took

     Pinch after pinch of heroin,

So regular it made him look

     Less like a man than a machine.

I reckoned that he puts away

At least a kilogramme a day.

 

I found myself most warmly greeted

     By Poe, who told me that my brain

Would find its genius completed

     By several ounces of cocaine;

And like a veritable prince, he

Borrowed the bottle from De Quincey.

 

They introduced me to their friends

     (Like Francis Thompson, Ernest Dowson)

Who bolted pills of divers blends

     Of dope we nearly set the house on

Fire, for the curry William Sharpe ate

Was hot enough to burn the carpet.

 

Others again worked Belladonna,

     Chewed mescal buttons, smoked Stramonium—

I murmured to Augustus John; “A

     Remarkably fine Pandemonium!”

He hadn’t had so wild a day

Since leaving the Y.M.C.A.

 


 

 

OATHS ON ASTRID.

 

(Dorothy Olsen)

 

 


 

OATH NUMBER

 

0 = 2.

 

In thought and word and deed

I swear to love Astrid.

I swear to do my will

And keep her from all ill.

Be thou my monitor

And aid me Father THOR

In my name ALASTOR.

 


 

OATH ONE.

 

TOZEUR.

 

Tozeur hath got,

A worthy Chott.

But I do not

Desire to stay

One poor half day.

I have to say

It is not quite

Exactly right.

And so—good-night!

 


 

OATH TWO.

 

NEFTA REVISITED.

 

The greed of gain has gotten “Mashoo Griech”;

He has completely ruined his hotel.

 

It was enchanted Beauty and unique,

And now its middle name is Bloody Hell.

 

Gone is the roof wherefrom I gazed on space;

Drunk all the wine, the brandy, and the beer;

And the most useful room in the whole place

Stinks even fouler than it stank last year.

 

Like a young palm, my dainty Belgasem

Has grown into an admirable stripling;

The liar Ahmed still maintains the phlegm

Of one who steers his course by Rudyard Kipling.

 

The Café with the terrace is shut up.

 

Crech has acquired an auto of his own:

A meaner rascal never sold a pup;

A mouldier mongrel never snatched a bone.

 

Still the Oasis stretched to the Chott,

And still the springs give life to the Corbeille;

But otherwise I’d really rather not

Have left the fish- and flesh-pots of Marseille.

 

I love the palms and streams, Djerid’s one gem;

But Mashoo Grieck has gotten in my gorge.

Hire me a swift mehari, Belgasm,

Shaoust—el Yahoudi is a decent bordj!

 


 

OATH THREE.

 

AT SHAOUSHT - EL - YAHOUDI

(Night)

 

I was a trifle premature in praising

The bordj—to does not lend itself to lazing.

The floor is scarce superior to flint;

The guardian is sinister—a squint.

No light, no food, no fuel to be had;

The water green and brackish—beastly bad.

In short the district wholly lacks amenity.

Some poets would describe it with obscenity.

Not I: the sunset and the silence give

Enough to make me cry “Its good to live!”

 


 

OATH FOUR.

 

AT SHAOUSHT - EL - YAHOUDI

(Morning)

 

About Shaousht - el - Yahoudi, now,

I spoke decidedly too soon.

The only decent thing, I vow,

About the district was the moon,

And that because she rose before the day,

And let us make an early get-away.

 


 

OATH FIVE.

 

THE FIRST DUNES.

 

Oh golden sands, sisters of golden snows,

Crisp, sparkling, gracious to the fervid foot,

Vats where the sun plunges in torrid throes

Innumerable vestures, violet-soot

And furnace-orange, lavender and rose!

 


 

EL OUED.

 

El-Oued, the central island of

An archipelago, in her silence sits.

Ouargla, Toouggourt, and Berresof

 

May envy her, unchallenged queen

Amid her myriad mountain dunes,

Yellows and purples round her green

And white—beneath the sun she swoons.

 

O city of a thousand domes

What milk of madness at thy teats,

Inviolate Artemis, secretes

The travail of thy slyphs and gnomes!

 

I stand upon the minaret;

The clustered cupolas, the deep

Set palms, the endless waves that fret

The sterile sand, the air asleep!

 

Life! Far beneath the city lurks

The river subterranean—chaste

Baffles the malice of the waste,

And all the secret wonder works.

 

O sacred fountain of my soul

Spring thou! bring thou to flower and fruit

My sterile spirit—to extol

My God, it’s one exhaustless root!

 


 

DEBILA.

 

     I would not recommend

     To any valued friend

     The night on its cement.

     (I’d write a little more,

     But every bone is sore.)

 

P.S. after 15 months repose.

     The guardian of the Boedj is one big thief.

     He tried to swindle us in the belief

     That we were tourists.

     Though I’d scarce one hale bone,

     I chastened his convictions with a whalebone!

 


 

DOROTHY’S DASH FOR FREEDOM.

 

I have you helpless! What are you

To do

Against my love impregnable

To Hell?

Can you escape the starry height of Night?

Your struggles irk no orb’s least ray

Obey

Your destiny, my snow-white swan!

Sail on!

 


 

TOUGGOURT.

 

I do not like Touggourt at all.

     It is abominably damp.

     It gives my genius the cramp,

And turns (Macbeth) my milk to gall.

 

Flies and mosquitos bother me;

     The Arabs are a scurvy crew:

     Even blue sky turns me blue:

I write like Alfred Tennyson!

 

Oh no, my friends, I do not like

     Touggourt at all; my Muse’s nose

     Is out of joint; my sap is froze:

To bloody Biskra let me hike!

 


 

DOROTHY AT SIDI BOU SAID.

 

I have got the girl I wanted

(In my heart are dagger-thrusts)

Her wicked little bats’ eyes slanted

Gleaming with unfathomable lusts,

Glittering slits through which the soul

Burns in hell like a live coal.

 

Even so above, even so below—

Whose image seems alert to show

That one hell is worth another—

Oh, none so sweet so near to seek:

“Come, burn with me!” she signals sleek,

“Satan, my beautiful, my brother!”

 


 

DOROTHY IN BED.

 

Oh Dorothy, my best, my burning Botticelli!

My right arm’s full of breast, my left arm’s full of belly.

 


 

DOROTHY IN THE DESERT.

 

The Sun in his splendour

     The Moon in her calm,

Bathe, eager and tender,

     The cactus and palm.

The stars in their slumber

     Of Silence above

Can hardly outnumber

     The kisses of Love.

 

Like a snake, the Simoon

     Hisses death to the dunes;

There is mirth, there is doom

     In his Mystery-tunes,

With his whips as they twist

     Them to columns high-spanned

To roam as they list

     On the seas of sand.

 

O delicate air!

     O wind of delight!

O subtle and rare

     Dim daughter of Night!

Thy kisses, sharp whips

     As of asps of the dust,

Enkindle my lips

     To the limit of Lust.

 

The Sun in his splendour,

     The Moon in her calm,

Preside on my tender

     Lascivious Psalm.

The Stars in their palace

     Of Silence above,

Drop dew in the Chalice,

     The Chalice of Love!

 


 

DOROTHY AT 33.

 

Oh Dorothy! I’ve a misgiving

That something’s gone soft in your brain;

You think you can still earn a living

By pissing* in people’s champagne!

 

* Repeating the Cavendish experiment.

 


 

HER BIRTHDAY.

Thüringen Summer 1925

 

Astrid! for three-and-thirty years

     You've plodded this pathetic planet:

Still Atropos suspends her shears,

     It's probable you'll have to pan it,

Astrid! for three-and-thirty years.

 

I hope, when you are sixty-six,

     You'll tell your grandchildren the story

Of how I came your life to fix

     In love and happiness and glory,

I hope, when you are sixty-six.

 

I love you, nothing matters else.

     So nearly now a year together;

We lived through every spite of hell's

     And braced the vilest kind of weather.

I love you, nothing matters else.

 

The future shall fulfil the past,

     Next year make up for last year's worries.

Next year give all we lacked in last—

     Oh mix me cocktails, cook me curries!

The future shall fulfil the past.

 

Astrid! my beautiful, my bliss!

     This birthday be the dawn of gladness!

Seal afresh betrothal with a kiss

     To kindle fresh ecstatic madness,

Astrid, my beautiful, my bliss!

 


 

BISKRA REVISITED.

 

Still Cardinal Lavigenrie

Malignant menaces the sun.

Much progress hath his purpose won:

The big hotels now number three.

 

An auto-garage now has come,

At every step the drink-shops gape.

Biskra is taking on the shape

Sublime of the millenium!

 

Beauty so deep, profaned so sore

The pallid virgin then wast thou

That art the beefy matron now:—

And soon the hag, the crone, the whore.

 

 

Too sad my soul to dwell among

Those memories—when we were young—

First single, please; El Kantara.

 


 

THE PAINTED LADY.

 

Oh no, my dear, I greatly fear an apoplectic diet:

Vermilion and gambodge appear a mere digestive riot.

I do not like the stinking crems with which the barbers load her,

And preparations that absolve her arm-pits of their odour.

 

My motto's "KX, not Chemicals": I keep my head erect.

Most solemnly I warn my pals of what they must expect.

It moves me to profanity: I'd rather eat my hat.

"It was not love but vanity, set love a task like that."

 


 

MAROONED IN MARSEILLES.

Marseille, May 7/25

 

How I hate the fourth of May

When my darling went away!

She left me for the gaities of Paris.

When her 'Life & Loves' are known

She will certainly dethrone

The celebrated amateur, Frank Harris.

 

I shall rob the local Banks

     And collect a million francs

And hustle to my baby in a biplane.

     She has such expressive eyes

     That I do not think it wise

To leave the passage open to her tripe-lane.

 


 

DOROTHY IN THURINGIA.

Thüringen July 1925

 

I love you with the force that holds

     The Universe in thrall,

The seed that stealthily unfolds

     The blossom of the All.

 

I will not tolerate one thought

     That is not thrilled with bliss

Of emanating from the Naught

     To ultimate in this.

 

Its sphere Existence still revolves

     About its changeless youth

As by its virtue it dissolves

     Illusion into Truth.

 


 

NE CHERCHEZ PLUS LA FEMME!.

Thüringen Summer 1925

 

Oh Woman! in my hours of ease

     I smile to feel your fig is flatter;

The mystery of mysteries

     A mystery that doesn't matter.

When pain and anguish wring the brow

     I see the world, as Pharoahs used to,

Supported by a sky-blue cow—

     But I consistently refuse to.

Angel or devil—she's no doubt

     A gun I didn't know was loaded:

I fire her—and I find her out

     Rusted and rotten and exploded.

I've studied her in ache and ease

     With ardent zeal and care meticulous;

I'm willing to admit that she's

     A riddle—yes, but how ridiculous!

 


 

ON DOROTHY/RAVING AGAINST LEAH [Leah Hirsig]!.

Thüringen Summer 1925

 

To listen to one slut abusing

Another slut is not amusing,

But—what fine fuel for the blaze

Of my contempt for woman's ways!

 


 

TO DOROTHY, PROSTRATED.

 

You write of rest in bed: those beds are best

From which the weary ones arise to rest!

 


 

CHATEAU LAFITTE 1884.

GABES — HOUMT-SOUK.

 

My melancholy wine!

Proud sorceress of warmth in desolation,

Shrewd sanctuary of bestial negation!

Who can discover wisdom or design

In Life's snake-shapen labyrinth, the shrine

Of futile falsehood, blank abomination?

     Speak to me, sibylline

     Dark melancholy wine!

 

The woman I made mine,

In whom I summed the secrets of creation,

Through whom I tasted the keen air divine

Wherewith I flooded mine high habitation,

For whom I lived to entwine

Laurels with myrtles, she whose mouth was wine,

Whose eyes were sunlight, from her starry station

Wrenched by obscure and obscene Fate malign,

Is gone, the centre of my constellation!

     Oh drown despair in thy storm-black Euxine,

     My melancholy wine!

 

Sting with electric fire each nerve: refine

Each throb of blood to rapture! Expation

Of my mortality, supreme vibration

Of sense and soul; fuse mine with thine,

     My melancholy wine!

 


 

A CABLE FROM DOROTHY.

 

"Souvent femme varie" The girls are shifty?

"La donna é mobile"? Well, I'm past fifty

And I've a girl; by God, a crackerjack!

Who rushes over to New York and back

(Oh fire-flushed rose of Love's immortal June!)

To get the cash for our next honeymoon!

 


 

I SUPPOSE SO!

November 1925

 

Astrid returns

She burns:

I freeze.

Still, "concubine, da nuces"!

 


 

TO DOROTHY IN BED (AGAIN).

 

I wish to God you were a hen.

(For Jesus' sake, Amen.)

A feather from your tail I'd swipe

To clean this blasted pipe.

 


 

THE MYSTERY OF LOVE.

 

Dorothy, Dorothy, blessing upon her!

Has no sense of humour & no sense of honour.

She isn't pretty, or witty, or rich—

But somehow I love the old son of a bitch!

 


 

SHE DISCOURSES UPON THE

IMMORTALITY OF ARTISTS.

 

For many and many a long year

Yank after Yank bought "Dirty Doll",

Some got her cheap, some deadly dear:—

Now she's too old to play the Moll

She plays the prude. The slut may find

A boot-end tickle her behind.

 


 

PUSS IN BOOTS.

 

Lazy Cat, Crazy cat, how do you do?

Furry puss, purry puss, I—love—you.

High boots, sly boots, the tricks that you try on

(Lazy cat, crazy cat!) your—Big—Lion!

 


 

DOROTHY BEATEN IN ARGUMENT.

 

The Common Sewer sneers:

"Who can fill me?" she jeers.

 


 

MISAPPREHENSION.

 

"Oh what a pretty

     Black-and-white kitty!"

 

I went up to stroke her—

     And found my mistake.

 

But—well, after all, what a

     Stole she would make!

 


 

THE SHRINE.

 

Oyez!—

The shrine of the Sacred White Cat

A basilica built for Low Jacks and High Jinx.

The rhinoceros revels in raping the rat,

The Siren is ravished in turn by the Sphinx

Who pays her Big Lion for playing the fiddle

By making herself a ridiculous riddle!

 

Big Lion! The number of brutes he has thrashed;

The beauty and strength his virility conquers!

But what shall he pay for the secret of Pasht?

From Battery Point to the limits of Yonkers

Breathes none who is worthy to serve as a mat

At the door of the Shrine of the Sacred White Cat!

 

White Cat! the one flag I dare nail to the mast is

Simplicity—baffles you, 'purcelle of puzzle'

I stand, Mau the Lion, against thee, Bubastis,

Severe in my silence—you nargule and nuzzle

In vain! Your despair and delirium die on

The spears of the Guards of the Lair of the Lion!

 


 

APROPOS DE BOTTES.

 

Why I love her I don't know;

How I love her I can't tell.

But I love her like a snow-

     -ball in hell!

 


 

THE PIOUS CAT.

 

I could not find a fleck

On the white fur of my lover.

I bit the back of her neck

And arched myself above her.

 

Terrible and tremendous!

God, be good to a sinner!

Look from heaven and send us

A couple of mice for dinner!

 


 

ASTRID HAS A BLOOD TEST.

 

Would you of dirt become a connoisseur,

Try Tunis—at the Institut Pasteur.

 


 

SWEET GRAPES.

 

Sweeter than the grapes of Muscat

Are the kisses of my puss-cat!

 


 

ASTRID IN APRIL.

 

The temple of your body is enwalled

With heaven's sapphire and earth's emerald;

And I your worshipper abide enthralled

 

In contemplation of the golden rose

Your beauty, its pure shrine, whose sunlight flows

Forth from your heart's exulting music-throes.

 

Astrid, I stand in wonder and delight,

My spirit's wings spread solemnly for flight

Into the skies of Love's clear-radiant night.

 

O temple of pure pearl! Within the house

Of gold transparent and self-luminous

I have invoked mine Image in my spouse.

 

The idol of my dream and my desire,

Formed subtly of the essence of my fire,

And moulded by the music of my lyre

 

Is hidden in thee, token of our troth,

Slow kindling by the virtue of mine Oath—

I am incarnate in its glowing growth.

 


 

AT HAMMAM MESKOUTINE.

 

Before my lunch I languidly enjoy

My bath, my book, my brandy, and my boy.

For in the afternoon I must attend

To the amusements of my lady friend.

 


 

ASTRID MOST SACRED WONDER

OF MY HEART.

 

Astrid! Most sacred wonder of mine heart

My soul’s resource; my body’s counterpart,

And instant inspiration of mine Art,

 

How shall I praise Thee? How declare the worth

Of this great love? How measure all the mirth

And joy that thou hast given me, flooding earth

 

With heaven’s rapture? Have I not become

Most void of music; pitifully dumb

Before thee, who art music’s perfect sum?

 

And now, when the last miracle is wrought,

The world with this new flame of wonder fraught,

I am subdued, incapable of thought,

 

Too happy to take measure of its store,

My heart is overladen: I sing no more

I stand and love in silence, and adore.

 

Astrid! I love, I worship, I await

With reverent eyes, lips sealed, and pulse slate,

Thy grace, the crown and chrism of my Fate.

 

O temple pure pearl! O sovran shrine!

O consecrated feast of Bread and Wine!

Astrid, bring forth the Godhead—mine-in-thine!

 


 

 

OATHS ON VARIOUS PEOPLE.

 

 


 

NINETTE. [Ninette Shumway]

 

Intellect, dull;

Morality, Null.

Mast, rudder, and sail

Help weather life’s gale.

She drifts. And I think

She will very soon sink,

To judge by the size of the

     leak in her hull.

 


 

LEAH LEERS. [Leah Hirsig]

 

I gave my concubine a dollop

Of laudanum; but what the trollop

Needs most of all is a big wallop

 


 

MY SCARLET WOMAN HAD A BABY. [Leah Hirsig]

 

My Scarlet Woman had a baby,

She dressed it all in black;

How do you think she got that baby?

Lying on her back.

 


 

THE BELLADONNA IN YOUR EYES. [Leah Hirsig]

June 15, 1924

 

The belladonna in your eyes

     The coco’ in your nose

The rouge upon your lips—I rise

     Though not upon my toes.

 

The hashish in your abdomen,

     The morphine in your thighs,

The ether on your breath—I ken

     Love’s last subtleties.

 

The fascination does not last,

     Still—nail your colours to the mast!

 


 

BIG LIONS OFTEN ACT DISTRESSING. [Leah Hirsig]

 

Big Lions often act distressing

To monkeys when they’re convalescing,

But when the Big Lions get quite well

They eat those monkeys all to Hell.

 


 

CISSY ROE ‘DE SENECTUTE.

 

She finds: “Old men are vile & vicious.”

     (Or if not all, a vast majority.)

Oh well, we need not be suspicious

     That she is not a sound authority.

From hair to teeth, she earned her gold

     By prostitution to the old.

 


 

ROS-A-LIE.

(THORN-A-FACT)

 

We offered you friendship and help

     Your foul mouth growled back spite unbated,

Your currishness known by your yelp.

     You must learn what it means to be hated.

 

The world is no more and no less

     That the shape of our life as we live it;

It returns us the curse or caress

     Or the smile or the stab that we give it.

 

As you would have none of our love,

     So we will have none of your hate.

Your choice was to banish the dove;

     It leave’s you the scorpion’s fate.

 

Have we time, in our dreams of delight,

     As we dance by the moon to the zither,

And sing and laugh softly all night

     To recall you so sordid and bitter?

 

Your rancour (that we cannot feel),

     Your envy (that tortures you only),

Your fangless sharp snaps, the shrill squeal

     Of your agony loathly and lonely.

 

Sour milk that you drip; putrid pus

     That you ooze from your childless old dugs

And your rotten old bowels—as for us

     The gods keep our bed free of bugs!

 

To drop from our life — you must lie

     In the dung you have made for your bed,

And eat your own heart till you die

     As each minute you wish you were dead.

 

Could only the mirror reveal

     Yourself to yourself, that the terror

And horror you wakened to feel

     The hideous doom of your error!

 

Could only one shaft of Apollo

     Strike down to the ice of your soul,

And wake in that desolate hollow

     One glimpse of our glorious goal!

 

Could only you wake to the splendour

     Of sunlight wherein we abide,

A torrent terrific and tender

     Of beauty and love in its pride!

 

O surely the star you have darkened,

     The love you have cursed and blasphemed,

Would burst from the night as you hearkened,

     And knew that in truth you had dreamed.

 

Your love would find ours all aflame

     Untainted, undulled by your hate;

You would find us superbly the same

     As you groped your dim way to the gate.

 


 

TO COUNT P.

 

The circle is God’s favourite ’tis true.

Take the circle from thy name and where are you?

 


 

TO MUDD. [Norman Mudd]

 

He was in truth a simple dirty dud,

His muddy blood was mixed with bloody mud.

 


 

TO A MATHEMETICIAN. [Norman Mudd]

 

Methinks to-day friend Mudd would be alive

If he had known that two and two make five.

 


 

TO MACGREGOR MATHERS.

 

MacGregor was indeed a drunken sot,

In point of fact God’s incarnated snot,

Of this clear statement you will see the force,

“Happy the man who gets back to his source”.

 


 

GABRIEL D. [Gabriel Dee]

 

She raised her eyes to where the cloud fleece drifted,

’Twere better if her bottom had been lifted.

 


 

I. R. [Israel Regardie]

 

“I’ll see you soon again”, he said, “D.V.”

I saw him once again, it was V.D.

 


 

ON AN ENEMY. [Israel Regardie]

 

Lie light, Regardie, underneath the earth

That dogs more speedily may drag thee forth.

 


 

F. B. [Frank Bennett]

 

Australia stirs, and sheep call unto sheep

No doubt F.B. will make the angels weep.

 


 

K. G. [Karl Germer]

 

Barred from Britain in 1937.

Strange, as you can never hope for Heaven.

 


 

P. R. Stephensen.

 

Knowing me well, at least you did not act

     Like Judas did ere Christ was crucified;

Loyal as Brother to a bestial Pact,

     By you at least the Beast was deified.

 

In dreamy Richmond hard by Potter’s field

     You strove to raise my standard from the dust;

When suddenly the ramparts you did yield,

     And sold your birthright for a mouldy crust.

 

When close to me you lay and breathed the Name

     That I imparted in the Sacred Cell,

You little thought to hang your head in shame,

     And join Black Douglas on the road to Hell.

 


 

A. J. [Augustus John]

 

The Tiger Woman and Dolores sad,

F.D.M. and other silly bitches,

The Admiral’s lady seeming sun-set clad,

Helped thee from time to time to garner riches,

And furnished pictures for some nifty nitches,

But John, my Brother of the Sable Night,

Beware; Salome yet may claim your head

To see the worms below are better fed.

 


 

A. B. [Allan Bennett]

 

The ‘Dawn was Golden’ when you met the guide

     Between the massive pillars White and Black;

You took the boat that floated with the tide,

     To leave behind no track.

 

I got you gold that you might go abroad,

     And take my message to another land;

I hoped that you would raise my magic Sword

     Upon another strand.

 

Buddha, who died from eating too much pig,

     Netted your soul. With corybantic Swine

You swilled your fill to prance a porcine jig

     Beneath an alien vine.

 

Yellow your heart—as yellow as the Gown

     You wore—the colour of the sneaking spy,

Who from within betrays the tortured town,

     When victory is nigh.

 

Rosher was blind, but saw the Vision Splendid,

     Fielding was mad, and Loveday devil-led;

But you found yourself, ere your drab journey ended

     Rejected by the dead.

 


 

MRS. D.

(Psychomagia.)

 

A Roman Catholic slut in U.S.A.

(a German spy—so all the papers say)

Hoodwinked Viator [Max Schneider], a would-be Neophyte,

A ‘black’ who tried to bleed the Order white;

I have sent secret word via Frater Tränker [Heinrich Tränker]

That they should trap the bitch and soundly spank her.

 


 

GANDHI.

 

     I hear that Raymond (sissy) Duncan, in toga and sandals out of deep enthusiasm for Gandhi, tripped along Forty-Second Street, New York to the Battery, pail in hand, to ladle up salt water (so he thought, but it was the thin soup of sewage) which he boiled until only the salt ( and sewage) was left.

 

     Listen, dopey Duncan,

          Salt may come in handy

     To sprinkle on the latter end

          Of Goosey Goosey Gandhi.

 

     Gandhi’s pose as saviour

          Adds to Moslem strife;

     And for all his quiet behaviour,

          Salt won’t save his life.

 


 

THE MAZE HILL FAMILY ROBINSON.

 

The Church of England! Here’s a glimpse of her.

The brother of the dean of Westminster

Failed, when my tutor (and in my early teens)

To silence me. At least he had the means

Which is not much the case with actual Deans.

 

Before Priapus I am often dumb

(As fascinated by the Fascinum)

And think no shame to manhood that great Pan

Hath often cowed my better part of man.

 

But when ‘Old Mother Damnable’ pretends

That she and I might make our private ends

Stronger united—No! I cannot swallow

A holiness at once too huge and hollow,

I the High Priest of Aries and Apollo.

 

(F. R(obinson) my tutor in 1891. His family lived at Maze Hill near Greenwich Observatory. He, like his brother Jack—who had ‘silenced’ him while at school—became a medical missionary and died at Lokoja, Nigeria. As if the native could not acquire the art of homosexual incest without the official instruction of the Church of England.

 


 

M. S. [Meredith Starr]

(A STAR OF THE ‘MILKY’ WAY.)

 

You tried to rape your sister, then the cat,

     Your seed you spilled into a cup of tea;

You worshipped Set, then crucified a bat,

     And cocked a snook at holy trinity.

 

Your lady mother called MacGregor R (Reid)

     (She’d heard about the Wisdom of the Druid)

He plunged your tool into a pot of tar,

     And lo! a Star emerges from the fluid.

 


 

TO DOROTHY.

 

     I send the daffodils

Found dancing near a wood

     Beside a flower bed

Where sleepy violets brood.

 

     O dance as daffodils

All radiant with delight

     And like the sleepy violets lie

And brood with me—at night.

 


 

F. H. R(OBINSON).

 

Applaud with a dose of clap,

     She sulked beneath the Orient Star,

Until as bait she filled the trap

     Set for Kashmir’s Maharaja.

 


 

MABEL COLLINS.

 

And did your spirit madly burn,

     For paramours that men forget—

Dark ecstasies—and did you learn

     The secret of the House of Set?

 

Did you know Lebak and in Khern

     Did sacred snakes writhe in your bed—

Strange paramours—and serve to slake

     Your passion ere you crushed them dead?

 

I see you throned a crescent queen

     In Tyrian purple swathed—your hand

Upraised, as with stately mien

     You uttered some supreme command.

 

I see the mighty purpose in

     Your soul; I see your mighty will;

You fain would rule the House of Sin,

     And like a God you fain would fill

 

Your soul with al the sensual bliss

     That hides in honeyed groves terrene,

And feast on Set’s unholy kiss

     Voluptuous and epicene.

 

And like the Sphinx yourself you lay

     Upon the breasts of Seb and stole

My secret craft its strength away

     And made a poison of his soul.

 

And then you lipped him, just as Pan

     Might lip a dryad on the lawn,

And with your claws you then began

     To maul him like a tender faun.

 

But this was in another life.

     Forgive me Mabel if I say

I should have liked you for a wife

     In that divine though distant day.

 

Forgive me if my art can see

     And paint your picture as you were;

Ah, then you were the mate for me.

     Ah, then you were supremely fair.

 


 

Betty May.

 

Tiger-Woman burning bright

With a fire that scorches light,

Poison from the horned toad,

Spiders from the haunted road,

Helped to swell the witch’s brew

That fed you as you foully grew.

 


 

PAWKY.

 

          Get a piece of pork

          Stick it on a fork

And use it as the natural bait

     To capture Gerald Yorke.

 


 

 

MISCELLANEOUS OATHS.

 

 


 

I AM ALASTOR THE PURE.

 

I am Alastor, the Pure Fool, the Goer,

Bacchus, the Holy Ghost, the Flaming Wind

That bloweth where it listeth—Mind

And Word of God, Hermes the Speaker and Knower.

Thou art Alostrael, the Great King’s Daughter,

The spring shut up, the fountain sealed, the Child

Of Peace and Innocence. the undefiled

Virgin, the soul and body of the Water.

As on the eave the wind, so I the Spirit

On thee the womb must brood till one inherit

Thy Life and Love, my Liberty and Light:

The Word in thee made flesh, the God-Man sharing

The doom of death for the reward of bearing

Redemption to the dwellers of the Night

 


 

KAIROUAN

 

SHE REFUSES MY ARAB COFFEE.

 

He wanted to make coffee for the cat,

She wouldn’t drink it. He went out and ——.

 


 

KAIROUAN

 

DECENCY VERSUS DOLLARS.

 

If I must elect,

I have more respect

For the lousiest Arab in Kairouan

Than I have for any American.

 


 

THE CHINESE LIKE TO EAT.

 

The Chinese like to eat

     Good rice with plenty pork

With chopsticks just as neat

     As we with knife and fork,

And they have wisdom (lost to us)

Because they do not make a fuss

About the vitamins

     And calories, and what

Foods are accounted sins

     And which, if any, are not

They eat exactly as they please.

I wish I had been born Chinese.

 


 

BLACK IS HIS ROBE FROM TOP TO TOE.

 

Black is his robe from top to toe,

His flesh is white and warm below;

All through his silent veins flows free

Hunger and thirst and venery:

But in his eyes a still small flame

(Like the first cell from which he came)

Burns round and luminous, as he rides

Singing my song of deicides.

 


 

“WHY, NUFFINK”.

“What’s the good of anyfink? Why nuffink?.

(English proverbial philosophy)

 

My life is lost in Life: the part

     Forgotten in the whole,

I am an adept in the art

     Of sinking self in Soul.

 

All God am I that was one man;

     Truth has wed evil and good;

I have beheld the face of Pan,

     And known, and understood.

 

Now madness is the nameless name

     Of that most absolute

And indecipherable flame

     About my Reason’s root.

 

The cause of sorrow is desire,

     With ignorance for dam

And personality for sire:—

     I am not that I am.

 

Desire destroyed, and sorrow slept,

     Truth flared, and glamour passed,

Existence ebbed within the adept—

     I touched to triumph at last.

 

But chain of curses, fate-fulfilled,

     Dissolved for ever; cause

Cancelled, chance impotent to build

     New lies upon new laws.

 

Annihilation hath annulled

     All being; fally-faith

Wreathe no more smoke-self to be gulled

     By mist-world, wraith to wraith

 

But hark! How fare the body and brain

     That mined that ogre-lair

Of tyrant lies, and to the inane

     Blew the inane, despair?

 

Hoist with his own petard, see first

     My brain and body are tossed

Bubbles no less than all they burst,

     Lies lost with lies they lost!

 

Truth is so trenchant in my thought

     That all the illusion “I”

Is known instinctively for naught

     —And Life itself a lie.

 

Man lives not but by witchcraft of

     His self—devised deceits

Of dreary Life and dusty Love,

     To cheat him as he cheats.

 

How should I live and love, who know

     The vanity and void

Of all that seemed, sit out the show

     That truth hath quite destroyed?

 

How live a man whose mind is stilled

     By Truth, in Silence sealed,

“Life was a nightmare, that my skilled

     Soul-surgery hath healed.”

 

How love, a man whose body feels

     Its fellowship with dust.

“Death treads upon Love’s hurrying heels,

     Despite her scorn of lust.”

 

How should he think or speak or act

     Who constantly abides

In contemplation of the fact

     Hallucination hides?

 

All things soever, whether they

     Of mass or mind be wrought,

In time and space, or no, must weigh,

     Summed all together, naught.

 

Nothing can spring from nothing: this

     Must match its opposite

And equal, somewhere in the abyss

     Whose Naught in Infinite.

 

How should he will to work, a man

     Who knows that he destroys

Not, nor creates, whose pointless plan

     Makes its own counterpoise;

 

Who with solemnity and sweat

     Shuffles his shadow-ware?

He cannot judge which marionette

     Best profits his affair.

 

No, like his dolls, to Power pretends

     With order orthodox.

All effort effects naught, and ends

     —Flung back to the old box.

 

How shall I will to work, in whose

     Most subtle scales serene?

“To gain” is weighed against “to lose”,

     And not one hair between!

 

How shall I will to work, whose wit

     Marks, measures each event’s

Effect evoke its opposite

     From equal elements?

 

I am become a bodiless

     And boundless Being, void

Of sensibility to stress;

     Distinction is destroyed.

 

Ah personality! Moon-crowned,

     A pearl, an exquisite

Secretion of disease around

     An irksome grain of grit!

 

My pearl, my person—swift dissolved

     In Truth’s sharp wine, therewith

Passion, perception were involved—

     The manifested myth!

 

How should I will to work? Not I

     Who am no more; not this

My mind that manifesteth me

     The absolute abyss

 

Where all thoughts cancel out and lose

     All meaning; not this dull

Corrupting carrion whose use

     Is evidently null.

 

And yet I will to work; for all

     That I once claimed I am as I

Agree, accept the magical

     Decrees of destiny.

 

All things that are must be, must move

     As they are moved, fulfil

Their own norm’s necessary groove

     Whose Way is also Will.

 

Naught can be other than it is,

     Its rancour, its distress,

Its rapture, make the synthesis

     Whose sum is nothingness.

 

My nature is to work; I will

     To breed to human birth

The tailless apes that cumber still

     The much-enduring earth!

 

My life is lost in Life? Why not?

     In Life my life I find,

Content to be exactly what

     My destiny designed.

 

          666

 


 

SIDI BOU ALI.

(Recipe for a Hashish cocktail)

 

Sidi Bou Ali had a reddish-brown skin

     Which was RUM,

So he got a pair of breeches of the whitest London GIN

     For his bum.

And because he’d been to Mecca, so his turban had a tint

     Of GREEN MINT;

And he said: Masallah, Allah make my mixture really nice!

     Pour through ICE!

And he looked upon the heavens through his wizard’s spying-glass

     On the GRASS.

 


 

LA GRANDE MONARQUE.

 

I squat in silence, and make merry

     A corner of the Café Maure.

I wear a crimson velvet beret,

     A blue and silver roquelaure;

Old buckskin breeches make complete

A toilet singularly neat!

 

Grave Arabs clad in all their native

     Solemnity and white gandarahs

Encircle my calm contemplative

     Pose, vast and simple as Dahara’s.

Desire itself brought under bridle,

I smirk like some smug Heathen Idol.

 

Matchless, this melancholy musing.

     Foretaste of Death’s delicious ease,

An Alexander chastely choosing

     Decorum of Diogenes!

I squat in silence, stern and lean,

Among the admiring Bedawin!

 


 

THE HAPPY KNIGHT.

 

Ego ferri regimen sil-

     icisque colo cakes and ale.

With my intelligence pregensile

     Exactly like a monkey’s tail.

 


 

AMONG THE DUNES.

 

Unbounded vastness of sheer desolation!

The limit of the kingdom of creation!

     The huge salt lake vanished in a bar

Of thread—fine thunderclouds—that keen eyes prove

     Dim banks of sand and scrub, aloof, afar,

Here is no sound, no tree, no habitation;

Only the shadow of the sunlight move

     Inexorable from dawn to dusk, and scar

The silence—lo! amid the devastation

Awakening my amazed admiration,

     Behold, a tender tiny lilac star!

Almost these parched and arid eyes of mine

Give sudden birth to tears, whose bitter brine

Shall not be sterile, but refresh my soul,

     And make this seed of poetry unfold

This blossom with its ardour to extol

     Through Beauty Nature’s Magick manifold.

So forth, pale rime, into the world, and bear

Witness that courage dominates despair—

Light, Life, Love, Beauty flourish everywhere!

 


 

HERE HAVE I SLEPT

ALL NIGHT WITH SORROW.

 

Here have I slept all night with Sorrow

And danced with Pleasure on the morrow;

Here have I loved and laughed and lusted,

Till joy jarred and delight disgusted;

Here have I hugged to heart the hated

Ape, the abortion animated

That fed her foulness on me, clawed

Her carrion till the withered bawd

Venus Aversa, leering, crept

Up to the dunghill where I slept

With fetid sorceries to bewitch

My brain, until the beastly bitch

That writhed within my arms, unsated

And glad to hold the man that hated

And loathed her, felt my soul revert

From its abhorrence, drawn to dirt

By her excess, heard words drip

Debauched from my apostate lip,

To tell her that I knew my loathing

Was stripped like a slut’s underclothing

 

From a slut’s soul, that now I kissed her

In utter love, my spouse and sister.

 


 

DANS MA FOUGEUSE JEUNESSE.

 

Dans ma fougeuse jeunesse

     J’etais folle de mon corps.

Fiere de mon allegresse

     Je souris a tous: Adore

Mon eclatante jeunesse

 

Dans ma triste vieilesse

     Je suis folle de mon ame

Honteuse de ma faiblesse

     “Pitoyez-moi, Notre Dame!”

Dans ma trists vieillesse.

 

La veritable sagesse?

     Ce qui est, pour tel qu’il est,

Doit suffire a vrai noblesse.

     Trouver ta simplicite

La veritable noblesse!

 


 

ON THE RAILWAY.

(Return to Chelles. June 12th)

 

The sunset turns each tawdry glass

To a live jewel as I pass.

 


 

AVANT—APRÈS.

(Etude de femininité)

 

Au Kirchenwald de Bern la lune ontrevoyait

Le corps étroit d’Aida, ennerv é, frémissant:

Mon corps le tenait coi, rude comme un géant

Foudreyé. Les sapins, soldats, nous ombrageaient.

Sa bouche de Pharaon, son profil de Niké,

Son âme de Vénus, me trahissent an Néant,

Et je réfléchis. (Grâce, Cupidon!) Avant,

Le mot de toute femme est toujours un Jamais.

 

Ses yeux brûlent. Comme un poison, son haleine

M’envahit. Fou j’étouffe. Le spasms de haine

Me prend: le mâle fulgurant flaire la mort,

La femme, l’assassin! Cauchemar, disparais!

Il faut agir. (O grâce, Cupidon!) Aprés,

Le mot de toute femme est toujours un Encor.

 


 

EXUL EXULTANS.

 

England; my England! True—but thence I’ll sail

For land unknown, like Drake, set sail

With my intelligence prehensile

Exactly like a monkey’s tail.

 


 

THE TURN OF THE YEAR.

(Thuringen, June 1925)

 

The little that I do not know

     Is not worth knowing,

The little that I shall not know

     Is not worth showing,

The few things that I have not done

     Were not worth doing.

The few girls that I have not won

Were not worth wooing,

The little fun I may have missed

     Is hardly funny,

The two-three mouths I have not kissed

     Weren’t worth the money,

The money I thought I lacked

     Could I have spent it

To profit? Did I ever act

     That I repent it?

No there is nothing in the past

     Bloated or meagre:

The future stands before me vast

     And finds me eager!

 


 

THE APACHE COON.

(Voodoo)

 

When Camille’s live weight goes

Dead suddenly above me,

You’re wrong if you suppose

I worry “Does he love me?”

 


 

SNIBBEN.

 

Snibben, blind buzzard of the Vault below

Ululates epithalamies of Woe

In that uncharted archipelago

Of extinct stars that float sans light, sans motion

In that unfathomable Ocean

Whence the bleak fiends despense their dismal potion

Of ratsbane to inconsequential hosts

Of bloodless, bat-eyed, grim, ungodly ghosts

Dried over devil’s dung in Hell’s own oasts

To brew the beer of Dullness, Even so

Snibben, blind buzzard of the Vault below

Ululates epithalamies of Woe

In Boredom’s trackless archipelago.

 


 

LOVE SONG.

 

     There in the dark harem you soil the hours

          A noxious bird within a noisome nest,

          Until the sun-set bloodens all the west,

     A sacrifice to dark nocturnal powers

Oh dreary is the day and sweet the night

When thou art far and free, my heart’s delight

     

     When drones the south wind and the night-jar trills,

         And pissy perfumes through the portals creep,

          I dream without the aid of slinky sleep,

     Anticipating transcendental thrills.

Oh dreary is the day and sweet the night

When thou art one with me, my heart’s delight.

 

Wave-mountains rise only to sink

     Ere they silver the air with their spray;

So great men are aye on the brink

     And fall when night purples their day.

 

I rallied against both God and man,

     Yet still no comfort found;

Though I saw across life’s span,

     What use? My soul was bound.

 


 

ENGLAND.

 

And if I write for England, who will read?

As if, when moons of Ramazan recede,

Some fatuous angel porter should deposit

His perfect wine within the privy closet.

“What do they know who only England know?”

Only what England paints its face to show,

Love mummied and re-labelled ‘chaste affection’,

And lust excused as ‘natural selection’.

 

Caligula upbraids the cruel cabby,

And Nero birches choir-boys in the abbey;

Semiramis sandpapered to a simper,

And Clytemaestra whittled to a whimper,

The austerities of Loyola to seek;

But let us have a ‘self-denial week’.

The raptures of Theresa are hysteric;

But—let us giggle at some fulsome cleric.

To call forced labour slavery is rude,

“Terminological inexactitude”.

This from the masters of the wind and waves,

Whose cotton mills are crammed with British slaves.

 

Men pass their nights with German-Jewish whores,

Their days in keeping ‘aliens’ from our shores.

They turn their eyes up at a Gautier’s tale,

And run a maisonette in Maida Vale.

Your titles—Oh how proud you are to wear them—

What about ‘homo quatuor Literarum’?

The puissant all their time to vice devote;

The impotent, contented, pay to gloat.

The strumpet’s carwheels splash the starving maiden

In Piccadilly, deadlier than Aden.

“England expects a man to do his duty”.

He calls truth lies, and sneers at youth and beauty,

Pays cash for love, and fancies he has won it—

Duty means church, where he thanks God he’s done it.

 


 

WHEN VENUS WILLED.

 

When Venus willed that she should walk my way

     My soul was shaken; her simplicity

But fired my love for ever and a day,

     And never more will there be rest for me.

 

Ceaseless, the pain I foster silently

     Like a dumb devil slinking in her wake;

She hath no knowledge of this mystery

     That I should suffer thus for her sweet sake.

 

It was to show how tortured I could be,

     That Venus willed that she should walk my way

To never throw a single smile at me

     Who once upon a time did Love betray.

 


 

SWAMI, SWAMI, HOW I LOVE YOU!

HOW I LOVE YOU.

 

     Several hundred American Newspaper continue publishing advertisement of palmists, clairvoyants, and Swamis who guarantee to answer all questions concerning courtship, marriage and business.

 


 

A THOUGHT.

 

O sleep! For Darkness in the Lake of Night

Hath plunged, to splash the sunbeams out of sight;

A million flowers drop with petals dank

To be digested in the guts of Night.

 


 

1919.

 

The raven croaks his raucous lay

The vultures sit to watch and prey.

 


 

A man that steals what isn’t his’n

Can be cured by hypnotism.

 


 

AT CHELLES.

20 MAY 1924.

 

     Here by those banks where once the fullest flood

That hate could fill was met, and stemmed, and rolled

     Back in a mist of agony and blood,

The lazy waters swirl, dull green and cold,

     Seeking eternally the eternal sea.

Oh waters that no might of man may stay

     Bear on your easy breast my thoughts; set free

My equal spirit to its ordered way!

     Oh waters heal this wide, this unavailing

Wound, that no skill of medicine may redress.

     My soul, a steady ship, go idly sailing

In fancy down your leafy loveliness.

So I may turn anon with lance and sword

To lead once more the legions of the Lord.

 


 

THE GREAT DESERT.

(1924)

 

England! My England! Hast thou nothing else

But shallow, stinking, putrid, dried-up Wells?

 


 

The lousiest Kike, the greatest Wop,

They make an excellent ‘Fly Cop’

But for the higher ranks aerial

I don’t know where they find material.

 


 

THE AVIARY.

(MARCH 1924)

 

Take away the dove of Love

And the pigeon of religion!

Put a cenotaph above

When you’ve got ’em hid John!

 

Never heed the crow of Woe,

Nor the raven of the craven!

Simply lift your chin plus haut

As becomes a brave ’un.

 

Tell the draggled swan:

Begone!

Lock the turkey out with her key!

Calmly meditate upon

Life, nor wroth nor jerky!

 

Don’t be a wet hen to Men!

Be the eagle life is regal!

That injunction is worth ten

Of command more regal.

 

Skyward soar, o hawk don’t squawk!

Shoot keen-arrow eager sparrow!

More you act and less you talk

Swifter reach the marrow.

 

Waste not wealth of words on birds!

Nor on droll tree squat like poultry!

Pluck thy flowers and fruits preferred

From the sun-lit soul-tree.

 


 

EPIGRAM AGAINST

MRS. OSCAR W. COLEMAN.

Who wrote to the Chicago Tribune to the effect of the lines below.

 

“Our dictatorship has failed—damn nuisance

     Dictatorship’s the only plan”

Ah! why not try the Institutions

     And manners called—Republican.

 


 

Three years—it seems so short

     It seems but yesterday I took you

A silver salmon newly caught

Gaping your life out on the thwart—

     It was a master cast to hook you!

 

Three years—it seems so long

     It seems as if my life lay unfinished,

Forgotten, when it broke in song

The chorus that still stays as strong

     Not to be darkened or diminished.

 


 

THE BLACKGUARD AND THE SAGE.

1 May 1924

 

The Blackguard’s fist shook his blue steel and struck

     Stark through the golden belly of the Sage.

     The scarlet blood spouted in joyous rage

And the cascade of glutinous grey muck

Slow tumbled to the callous malachite

     Its russet-brown abominations oozed—

     And all the sorrow of the sage was loosed,

As eyes and lips aped beard’s lack lustre white.

Now God stepped forth, a purple crested hawk

     With plumes of jade and lapis lazuli

     Born on that boisterous breath, so glad to espy

The glories of the sunset, and to stalk

Free through the rainbow realms where dwells the soul

     When from its ageless limbs the fetters fall

     And in the ambience of the Essential All

It reads the gilt imperishable scroll

Of its right Record—Therefore the dull gleam

     In the fell Blackguard’s eyes became a glow,

     Twin suns eclipsed forth flaming oer the snow.

His bloated lips part—their violet smile spare me

Showing the sanctuary of teeth, ferocious

     Chryselephantine wardens of his tongue

     That lied and lusted with his whole soul’s young

Violence—his soul insatiate and atrocious

That seized and tore the issuing God—I saw

     The loveliness implacable of Nature

     Arisen to full supremecy of stature

To this her climax of her own wise Law!

 


 

QUI NE DORT PAS, DINE.

(“Qui dort, dine”. Old French Proverb)

 

Unless I get food fairly soon

     My soul will not support my sinew;

I realised this afternoon

     I shant be able to continue

Unless I get food fairly soon.

 

I have not had a decent dinner

     For months: I am not feeling strong,

I get continually thinner;

     For long, for very much too long,

I have not had a recent dinner.

 

I realise it does not matter

     To me how Brother Body fares,

In those dead days when I was fatter

     I had another set of cares:

I realise it does not matter.

 

But I have wrought my utmost Will;

     I have fulfilled myself in all

That I determined to fulfil;

     The axe may be about to fall,

But I have wrought my utmost Will.

 


 

HEAD OF THE SIXTH.

 

In youth they urged me to be clever;

I’ve been as clever as I could,

And now I find that I am never

(Or hardly ever) understood.

 

My fellow-men misunderstand me;

The simple fact that I insist

On love and worship makes them brand me

As an immoral atheist.

 

My intellectual excesses

Have harmed me as no vice could ever;

I pay with manifold distresses

The penalty of being clever!

 


 

DOUBLE SUICIDE.

 

Gehazi wrote one word upon the wall

With his last finger’s crumbling chalk: “ROMANCE”.

True Love hath one end only, to enhance

The horror of the threshold of the wall

Of hell with ivy-pronged woe when cynical

Old Death drags one brute bellowing from the dance,

Life flogs its mate back bleating to the ball.

Who understands this pastime, who foreknows,

The anticlimaxes of Anteros

May make the serpent harmless as the dove is

By subtly synchronising suicidal

Ideas with those that culminate in bridal.

—If only we were certain what True Love is!

 


 

THE EXTENDED PRINCIPLE OF RELATIVITY.

 

The Ass said to the Tom-Cat: “Why do boys

In love make such a melancholy noise?”

 


 

THE ASPIRANT.

 

I dare to overstrain the tensile

     Strength of my mind—and yet I fail

With my intelligence prehensile

     Exactly like a monkey's tail.

 


 

ENGLAND.

 

In England's spiritually dense isle

     I find love very like a whale*

With my intelligence prehensile

     Exactly like a monkey's tail.

 

* "Neither fish, flesh, fowl, nor good red herring."

 


 

AGAINST SUICIDE.

(Nov 1925)

 

Man is a gambler. Though we know

Our ruin absolutely sure,

We wait to see what each next throw

Will do for us. And we endure.

 


 

SUMMA SCIENTIA.

 

One thing is certain here below:

The more you know, the less you know.

 


 

THE SPENDTHRIFT.

 

To learn the truth there's no expense I'll

     Begrudge—yet all is no avail

With my intelligence prehensile

     Exactly like a monkey's tail.

 


 

I.O.U.TOPIA

 

Erbczhtk,* The Fa'atcha'an of Dtktz-hph-a'at

     (The Socrates of Regulus)

     Has never even heard of us.

Perhaps he's none the worse for that.

 

Nay, I myself am hardly sure

     That Rrbczhtl is as remarkable

     For wisdom as the Baztl-hrm-zcll

Insists—I should not feel secure

 

(So full am I of base suspicion)

     That even Regulus is safe

     From just those very bugs that chafe

My soul's terrestrial condition.

 

So long as I depend for ease

     On accidents of Nature's courses,

     So long am I exposed to force's

Fatal, malignant Destinies.

 

The only plan is to accept

     Law as it is, and make no fuss.

     —I only hope that Regulus

Has got in Rrbczhtl a real Adept!

     I trust that I have done as well

     For men as my good colleague Rrbczhtl!

 

* Pronounce Wrrg-pfszh-thil (one syllable).

 


 

'FREE ASSOCIATION

 

Oats!—Do you think of breakfast food

     With cream thick spilt on?

I, of Theocritus the lewd

     And lyric Milton!

 


 

 

NUMBERED OATHS

 

WITHOUT TITLES

 

 


 

XXII.

 

From deepest heaven art thou, or from the abyss

O beauty? Thine infernal gaze divine

Pours in confusion crime and benefice,

Is not thy soul thereby the soul of wine?

 

The sunset and the dawn lurk in thine eye

Thou sheddest perfumes like even stormy-wild

Thy kiss a philtre and thy mouth a vase

To tune the hero and make brave the child.

 

From the black gulph art thou or from the stars?

The charméd Fiend follows dog-like at thy heels,

Thou sowest joy and mischief

All-ruling, irresponsible.

 

Thou treadest on the dead & mockest them,

Beauty! Horror thine enchanting jewel

And Murder, dear to thee for many a gem,

Leaps loving on thy belly proudly cruel!

 

The d     -fly, dazzled, flies to thee, the flame!

Scorches & burns—and cries: “Most blessed womb!”

The      ick-breathed lover bent above his

Seems like a dying man who woos his tomb.

 

Beauty, enormous, frightful, innocent!

From heaven art thou or hell, what matters it?

So that thine eye, thy smile, thy foot present

Me to my loved, mine unknown Infinite.

 

Of Satan or of God, who cares? Unclean

Siren or Angel, fairy velvet-eyed,

Light, rhythm, perfume, my soul's one queen,

The World less hideous—     ine less deicide.

 


 

XXXII.

 

Thou who stabbest, dagger-keen,

To this plaintive heart thy revels

Mad and garlanded, obscene

In thy might, a troop of devils.

 

Of the trampled soul of me

Make thy bed and thy domain

Monster, I am bound to thee

Like a convict to his chain.

 

Like the dicer to his dice,

Like the drunkard—at the term!

Like the carrion to the worm

—Curse you, curse you, cockatrice!

 

Help, O falchion, swift & hideous!

Cut my way to liberty!

Help, O poison-cup perfidious

End this coward infamy!

 

Ah! the subtle & the swift,

Mocked me, jeering loud & rude,

Thou! unworthy to uplift

Thine accursed servitude.

 

Fool! if from its filthy empire

Thee our powers should save alive

How thy kisses would revive

The cadaver of thy vampire!

 


 

LXIX.

 

Beneath black yews they keep their state

The owls in decorous array

Like stranger Gods invisive They

With swift red eye. They meditate.

 

Moveless their pose they will maintain

Until the melancholy hour

When, the slant sun beneath their bower

The shadows shall assume their reign.

 

Their attitude instructs the Sage:

In this world only fools engage

In tumult and its frantic pace.

 

He whom its shades make drunk is spent—

Bears evermore the chastisement

Of having wished to change his place.

 


 

LXXIX.

 

I am like the king of a land of rain and cold,

Rich and yet impotent, being young & yet very old,

Despising the restraint of all his wisest priests

I weary of my dog as of all other beasts.

Nothing distracts him, neither falconry

Nor his folks dying beneath his balcony

His favourite buffoon's most grotesque follies now

Avail this cruel sick man to smooth his wrinkled brows,

His royally-broidered bed is changed to a           vault,

And the Court Ladies who find princes without fault

Are at a loss to find           dresses to beguile

This young death's head at their immodest smile.

The alchemist who makes him gold has failed to find

A means to extirpate corruption from his mind

And in those baths of blood which Rome bequeathed to us

(Whereof the mighty think when age grows rancorous)

He has not wit that stupent corpse to rouse

Where for swift blood Lethe's green waters drowse.

 


 

LXXXII.

 

Sad spirit, that wast eager once to leap

Into the fight, no more will Hope, thy spur,

Rowel then flanks! All unashamed

Old horse that stumblest at each stone.

 

Resign, my heart! sleep out thy brutish sleep.

 

Beaten & foundered spirit! Love is spent

For thee, old rascal, weary of dispute,

Farewell loud brass and swift-suspiring flute,

Joy, tempt no more a dark bent malcontent.

 

The Spring, the adorable, has lost her scent!

 

And Time engulphs me, as the minutes gall,

As the vast snow a body stiffening,

I look on the round globe beneath

No more to look for shelter there at all.

 

Avalanche, bear me with thee in thy fall!

 


 

XCI.

 

Every man worth calling so

Has a tawny snake installed

In his heart—and when, enthralled,

He says “I will”: answers “NO”.

 

Fix thine eyes upon the gaze

Of the Sirens or the Fays;

Sats the Tooth: “Thy Duty’s warning”.

 

Children, statues verses, trees;

Wouldst fulfil thyself in these?

Says the Tooth: “Wilt see the morning?.”

 

All he seeks to sketch or grasp

—Man is bound at every moment

To support the savage comment

Of the intolerable Asp

 


 

XCIII.

 

Behind the library, a sombre Babel

My cradel stood; there all the Long Ago,

Greek dust, and Latin ash, tale, science, fable

Mingled. I hardly topped a folio.

Two voices called me: one insidious

And form: “The world's a sweetmeat infinite.

I can—your pleasure would be endless thus—

Give you an equally great appetite.”

The other: “Come, o come to Fairyland,

Beyond the Possible, beyond the Known!”

Its song was the Wind's whisper to the sand,

A wandering Phantom (ah, who knows whence blown?)

I answered: “Ay sweet voice.” And thence I date

The hour when in my heart, alas! the Spear

Made its inveterate wound, the doom of Fate

Behind the shadow-shows of all the vast

Illusion of existence, in the night

Of the Abyss most black, where drown aghast

Strange worlds distinct and vivid to my sight,

Victim of this lucidity ecstatic

Snakes gnaw my sandals, as is of death caress

My heels; and from that moment attic

I love the ocran and the wilderness

As did the prophets with a tender aching

And now are sad solemnities divine

I laugh, and weep at feasts of merrymaking

And find the sweetest in the sourest wine,

Often the fact to me base falsehood seems,

Star-gazing, oft I tumble into pools

Then the consoling voice: “Guard well thy dreams

The sages know less beauty than the fools.”

 


 

XCVII.

 

Sweetheart, your lovely eyes are tired,

Rest them awhile before you rise

From that pose idleness-inspired

When pleasure took you by surprise,

The jet that in the courtyard springs

And sings unstilled though day and night,

Bears softly on ecstatic wings

Love's trance that bathes me in delight.

 

     In myriad flowers

          The sheaf diffuse

     With Phoebe showers

          With all her hues

     Falls in soft showers

          Of sperid dews

 

So too your soul that pleasure's string

—Wild lightning—kindles—sanctifies:

Rapid and bold, darts forth to spring

Towards the vast enchanted skies

Then, dying, melts in languor, blends

With silence in sad waves of art

That by an unseen slope descends

To the abysses of my heart

O thou whose beauty night enhances,

How sweet to lean towards thy breasts

And listen to the plaintive fancies

Of sobbing fountains—ere it rests.

O sacred night, o streams sonorous,

O trees that quiver, o Moon above!

Your pure and melancholy chorus

Is the mirror of my love.

 


 

XCIX.

 

In this sacred house

The enchantress of a thousand spells,

Calm, ready for all oracles.

 

One hand fans her breasts to sleep,

Her elbow in the cushions deep,

She listens to the fountain weep.

 

Here live Dorothy—who else?

Wind and water faintly mourn her.

Their songs of tears its sorrow swells

This spilt child's humour soothes and quells.

 

Up and down what cares suborn? Her

Delicate skin, rubbed sweetly, smells

Of benzoin, and scented, oils to adorn her—

Flowers are swooning in a corner.

 


 

C.

 

How goodly to the Sun's first floral beam

An outburst flinging us his morning greeting,

Happy is he who can, at his retreating,

Salute his fall, more glorious than a dream.

 

Remember! I have seen beneath his sway

All—flower, fount, furrow—faintly palpitate

Run towards th' horizon, run. Run fast! 'Tis late!

That we may catch at least on slanted ray.

 

But I pursue the flying God in vain,

Night irresistible assumes her reign,

Dark, ominous, damp, pregnant of shuddering.

 

The scents of charnels in the shadows swim,

My fearful foot brushes, at marish brim,

Toads unforeseen—cold snails—lewd slimy things.

 


 

CII.

 

Pascal divined his Gulph, that moved with him. Alas!

All's the Abyss! all, all! Desire, dream, action, word.

And oh my hair, horrent that stands, is stirred

The wind of Fear, on many the time I feel it pass!

 

All ways, above, below, unplumbed, inert, unheard

Silence and night, affright and fascination of space,

See God upon sleep's blank with his wise finger trace

A nightmare multiform, with truceless fury spurred.

 

I fear to sleep as one who dreads a vast and darksome lair

Full of vague horror, cave that leads no man knoweth where,

All windows open on the formless Infinite.

 

My spirit, giddy from the hauntings of distress

Aches for the apathy of nameless Nothingness.

Oh! never Number see of Being know the Light!

 


 

CIII.

 

Men who love harlots are at rest

Happy and satisfied. Accurst

Am I whose brawny arms are burst

With crushing clouds upon my breast.

 

I owe it to those matchless Ones

That blaze in the profoundest skies

That in my burnt and blasted eyes

Remain but memories of Suns.

 

Vainly I sought to mete the zone

Of Space its limit and its norm.

I know not what dread eye of storm

Impending, snaps my pinion-bone.

 

By love of Beauty (torturer!)

Shrivelled, the honour I shall miss

To give my name to the Abyss

Where I shall find my sepulchre.

 


 

CXLIX.

 

Beneath a livid light Life runs.

Dances and writhes—insensate spite!—

Harsh, shameless, while the horizon's

Verge quickens with voluptuous Night.

 

Voluptuous Night, that climbs the heaven

Appeasing hunger's self aghast

Effacing even shame—shame, even!

 

Spirit and spine imperative

Insistent clamour for repose

Funereal dreams in my heart thrive

 

Let me, supine, lie curled close

Within your curtains comatose!—

O shadows soul-restorative!

 


 

 

FURTHER

 

MISCELLANEOUS OATHS

 

 


 

HAMLET IN A NUTSHELL.

 

A sense of exquisite relief

     Accompanies the act of squatting

In Asana, a pipe of Kif

     Between my lips, serenely blotting

 

From consciousness the imbecile

     Impressions that assail its candour:

And I am brave as Boabdil,

     And great as two-horned Alexander.

 

Avaunt! “bad dreams”, wealth, fame, success—

     Deceitful moons that children cry for

And jackals bay at!—I possess

     All that I need to live and die for

 

Within the nut-shell of my skull

     An empire boundless and eternal,

Beyond Hell's malice to annul

     The sweet imperishable kernel.

 

               Nov 24/24. e.v.

 


 

THE BLACK EGG.

(Buy a Black Egg without haggling—Instruction of Grimoire)

 

“My river's Thames!” “Mine's Severn!” “Mine's Tyne!”

The quarrel does not excite Eisenstein.

If you take seeds of thought, and plant 'em

The world of sense becomes a phantom.

Our time, our space, our scale of values

We use no more, nor ever shall use;

So why be anxious what the price is

To be Initiate of Isis?

 


 

MOTHER EARTH.

 

There is no star or Planet whence I'll

Grip firmer on Truth's branches frail

With my intelligence prehensile

Exactly like a monkey's tail.

 


 

PHTAH.

 

I know that Earth is false, and Hell

     And Heaven to man are deaf and dumb too.

I know what last dim oracle

     Every Panurge is bound to come to.

I find more mental bread and cheese

     In bounty of one brandy bottle

Than all the books of Averrhoes

     Once built about his Aristotle.

 

The babble of my slut, I swear

     Gives joy and certitude intenser

Than all the wit of a Voltaire

     And all the science of a Spencer.

My poppy-pipe—it shows surpass!

     More and more beautiful and brainier

Than all the forms of Pheidias

     And all the daubs of de la Peňa.

 

My music and my verse are mine.

     I know myself and what my task is!

Be off, ye syncopated swine,

     Wagner, Vitruvius, Velasquez,

Swift, Shakespeare, Shelley, Socrates,

     Sterne, Blake, Petronius, Canova!

I'll make my universe to please

     Myself, like jolly old Jehovah.

 


 

ELIJAH.

 

O sicut gladiator ensi l—

     —eap I upon the priests of Baal

With my intelligence prehensile

     Exactly like a monkey's tail.

 


 

THE NAVIGATOR.

 

Indifference to consequence I'll

     Keep seeking stranger seas to sail

With my intelligence prehensile

     Exactly like a monkey's tail.

 


 

RACQUETS.

 

I challenged the Creator to a set

     Of Racquets, in the Court of Space, with Time

For marker. Throngs of Gods, to gossip met,

     Watched idly—shall I call it sport or crime?

 

Our racquets were our Wills creative, strung

     With gut of Life, trophies of Torture-Fact;

The balls were World-Ieas, in folly flung,

     With galaxies of stars for stuffing packed.

 

Fierce the strokes smashed, wild wantonness, the cost

     Not counted; the huge passion of play compels

Our lust; we heeded not who won or lost,

     Climbed heavens, or went whirling down what Hells!

 

The Old Hand beat me—mean I claim foul play?

     Time scarcely favours me. Nay, take the shame

As a man should! My arm's too weak to sway

     A Racquet, breath's too short. I lost the game.

 

Space is too wide for me to reach its bound;

     The balls' weights vary so, their motions cheat me;

—But, in so great a game the loser's crowned.

     None but the Father who begat me, beat me!

 

From him I learn to measure bound of ball,

     Distance and Time to judge, and strength to gather

And use—ho marker! cry the score: Love—All!

     I'll play another set or so with Father!

 


 

NON-EUCLIDIAN ABCDEFOMETRY.

 

The mysteries of Mathematics

Have analogues in acrobatics.

You postulate the most absurd

Inanity as your First Word,

And argue it just as long

As it amuses you to do so:

Forge but each link in sequence true, so

You cannot possibly go wrong.

No one can prove your system worse

Or better than another man's,

Both are alike symbolic plans

Of an uncharted Universe.

Yet this arrangement all-elastic

Hinges on one assumption drastic;

Absurder far than you began on;

That human reason is Truth's Canon.

 


 

THE AMATEUR STATUS.

(On being promised £70 I began to create, although sick,

after month of spiritual stoppage. Marseilles Oct 1925)

 

Mercenary

Is my faery

Fancy's play!

No sooner does

Old Mammon buzz:

“Cash to-day!”

Than my costive

Spirit, frosty v-

-acuum,

Leaps with laughter,

Lyrics after

Lyrics come!

With those seven

Tenners, Heaven

Caulks the leak

In my bottom:

When I've got 'em

God shall speak

Truth in Rapture

Life recapture,

Love revive,

Earth shall listen,

Glow and glisten,

Throb and thrive.

Come along, o

Merry throng, o

Fifties flowing!

Fill my belly,

Bound reveillé,

Get me going!

Put your cash up,

Se me lash up

Pagasus!

Have you seen all

Art is venal?

Atcha! Bas!

 


 

EVOE.

“To worship me take strange drugs whereof

I will tell my prophet, and he be drunk thereof.”

AL  II  22.

 

I'll drink inspiration, when Sil-

     -enus himself turns cold and pale.

With my intelligence prehensile

     Exactly like a monkey's tail.

 


 

INSIDE INFIRMATION.

 

I am assured that every man is God

     Because the simplest-minded, dullest youth

Witless and ignorant, a stock, a clod,

     Has perfect understanding of pure Truth.

 

Innate, exact, identical with mine,

     Though all inane vain Philosophy has sweated

That simplest concept even to define.

     Humanity is certainly indebted

 

To intellect for drivers useful arts;

     But when it comes to any serious odds,

Our brains play second fiddle to our hearts—

     Damned lucky that he happen to be Gods!

 


 

VILLIEGATURE.

 

This duck looks like the woman whom

     I wed that night I cut her throat—

     I smell the goat—

     I smell the stoat—

And all the spring breaks out abloom.

     The beauty of the simplest life be stated:—

     None other is one-tenth as complicated!

 


 

UNDE CUCHULLUS.

“Vaird Iduge Ttha—tha'T—Songs of the Seraph Al—ber—Tche V—Ali—e.r”

 

“D'ou as-tu, eu ce chapeau-lá

     D'ou as-tu cette tuille?

Vrai, n'est il pas du plus haut

     Ton, et du dernier style?

Je voudrais bien en avoir un

     Pareil a ca, mon gros

Partout je vais on hurle—Ah mais!

     D'ou as-tu ce chapeau?”

 

Did thine antique and cloistered sanctuary

     (Thou blessed Bennet!) with dim hollow sound

     Echoe the whisper hushed, the thought profound

Of Lincoln's venerable minster, sigh

 

Secret assent to that conspiracy

     Whereby yon superstructure scorns the ground,

     That tower of ebony whose fame hath crowned

Sombre, that cupola of Ivory?

 

If not from these (oh wonder!) Tell me where—

I charge thee in the name of Christ, that bare

     For man on Calvary Cross sins' dread black burden—

 

Where didst thou get that tremendous shape

Of civic splendour—whereupon men gape

     With marvelling mouths—to be thy forehead's guerdon?

 


 

METAPHYSICS.

(Marseilles, Spring 1925)

 

I

What is is not what is not: is what is

“Is not what is not?” is not what is not

“What is—what is not?” What is ‘is’? What 'tis

What is not what is not what ‘is’ is: what?

 

II

He that is is that I am that I am.

He that I am is that I am: is that

That that I am that that that he is? damn!

He is that that that that I am—you cat!

 

P.S. That he that is that I think is that he

Is that that that that that that is to be!

 


 

A NIGHT WITH THE POETS.

 

Drink to me only with thine eyes,

     To others through thy nose,

And I will pledge my largest size

Pearl earrings—only I advise

     Abandoning the pose.

 

Lead kindly light, amid the gloom,

     (Oh hell!) lead thou me on!

This dirty drunken sitting-room

     Goes round and round, its sense of hum-

     -our absolutely gone.

 

Oh say, have you seen the dawn's

     First light the S.S.B.?

A nightmare due to curried prawns

So haggard and so woe begone's

     Not half so sans merci.

 

One word too often is profaned

     For me to profane it:

Vambronne himself has not refrained

And yet my mother would be pained

     If I should flourish it.

 

To be or not to be? That is

     The point. God save the King!

God save our noble King! Gee-whiz!

Allons, marchons! My country 'tis

     Of the (I think) I sing!

 

Beauty is truth, truth Beauty; that

     Is all ye need to know:

Yet still “Where did you get that hat?”

We ask, and “Twinkle, little bat”

     Keeps flitting to and fro.

 

How doth the little busy bee

     Improve each shining hour?

By bawling loudly “as for me,

Please give me death or liberty,

     And six of the whiskey sour.”

 

Do unto others as you would

     That they should do unto

You, V; and W. Be good,

Sweet maid, and make it understood

     What fair and wise ones do.

 

We are na' fou', we're no that fou';

     But we hae just a drappie

—I've sung enough tonight—I'm through.

Guid-nicht, sirs! Here's to hoping you

     Have not been too unhappy!

 


 

A GOOD TIME COMING.

 

The bishop is boiling the baby with hashish and beer in a pot.

The process is good for it, maybe; or else, as you hint, it is not.

He ate his old woman this morning; the child is for supper to-night.

It certainly had a fair warning to beat it, so that is all right!

 

When artichokes grow on the noses of Dukes, we may cherish the hope

To fish for okapis with roses, and butter archangels with soap.

But whether the world will be better when all these conditions occur,

I've got a black hen that a setter—perhaps you had better ask her!

 


 

“DREAMING TRUE.”

(Paris. May-June 1925)

 

On the Tour St. Jacques, built by Nicholas Flamel and his wife Permelle from the gold made by them alchemically.

 

L'espace enfante vide en son néêant aride

Rejette sur la terre un monstreux bolide.

Aussi, la Tour St. Jacques  enseigne aux insipides

Que le grand feveur rêve un rêve bien solide!

 


 

SECOND CHILDHOOD.

(Tunis, Oct. 1925)

 

I doubt if cuttlefish go well

After all night with Calomel.

Oh for a mother and a tallow plaster

(Was it? that used to save me from disaster!

Oh collywobbles of “the little master!”

 


 

VOX VIDUAE.

“wo 'ntuku mombi Lbé—Li” (Savage folk-song.)

 

Thou that wast dipped in sacramental foam

     And lifted by strong sacramental power

     Of that grave priest—invoking in that hour

The Father, Son, and Spirit—whose voice clomb

Through the dim chancel to the august dome

     And hailed thee by the self same name whose dower

     Was Shakespeare's—defies Saturn to devour!—

Wilt thou not hear the cry that calls thee Home?

O thou, strong scion of the deathless clan

Names from the sign of spring—“Bélier”—must thou roam

Far from ancestral battlements, still stray

A wanderer on some strange and alien way?

     Wilt thou not hear the cry that calls thee home?

 


 

THE SECRET OF STATE.

 

Awe hushed the council chamber; men all men gazed

     Upon the grim Governor of the South

     Who moved his firm but melancholy mouth

And whispered weighty some portentous phrase

 

Dark-glowering to the Governor of the North

     Who needed his inscrutable assent.

What solemn ultimatum had gone forth?

     Was peace or war the inevitable event?

 

Time has revealed the Secret of the Sphinx.

Too true! It is a long time between drinks.

 


 

OEDIPUS.*

 

O Son of Man! Thy darkly glooming eyes

     Glow with the dreaded Enigma of the Sphinx.

     The savage silence of the Soul that links

Fatherless, fathomless eternities.

 

Propounding: Is there Aught so weirdly wise,

     So deeply from the Well of Truth that drinks,

     As to declare what secret wonder winks

Behind the inviolate veil of certainties?

 

O Son of Man! Behold the sorrow-worn

Eyes of that womb whereof thy flesh was born!

     IN their Abyss doth aught of knowledge gloam.

 

Whether her son—the Son of Man—bereft

Of his inheritence—indeed hath left

     Her holy habitation—his heart's home?

 

* “Dazhurm oth—Erno Urou'T”

   Sayings of the Angel Lit-el-Vul Garb-Oi

 


 

EXCELSIOR.

 

Even Jesus saw that it

You catch Belial a biff

     On the point of his lewd jaw;

     If, when all the powers of Law;

You evict him, seven other

Devils, each worse than his brother,

     Enter in the house you garnished

     Papered, painted, whitewashed, varnished.

 

There grins Mammon, frying gammon;

Satan grilling steaks of salmon;

     In a tub, Beezlebub

     Mashing Murphies with a club.

Lucifer is swilling huge

Goblets of the best vin rouge

     Sleek Astarte, eating hearty,

     *Life and soul of the whole party!)

 

While Lewd Lilith slyly swilleth

As their tankards she refilleth;

     And Magot—with a sore throat

     In a fur-lines overcoat—

     Carved the faux-filet of goat.

Was it for such shameless scenes

That I handed Belial beans?

     If he should come back, I shall

     Treat him as a trusted pal.

 

2.

When the pious made a fuss

Over beer, they saddled us

     With raw spirit and bay rum,

     Ether, hashish, opium,

          Heroin, morphine, cocaine,

          —Rather trying to the brain.

 

3.

So when King and Pope we slew

In there rushed a raving crew,

Lawyer, politician, Jew:

Labour soup and Irish stew.

     Charles and Louis overcome,

     Mob rule and officialdom

Smothered earth until their schism

Showed the way to Socialism.

     When a despot gets too bad,

     Plays the coward and the cad,

Lets the ladies hold the ribbons,

We can take a tip from Gibbon's

     Book of Jokes, and shove a boot

     Up against his snotty snoot.

 

As things are—I wish these masses

Of hyaenas, sheep, and asses

     Had a single neck to nick

     —Nothing less will do the trick!

For the love of Mike, resist

Meddling like a meliorist!

     Old-established ills, abated

     (Being mostly compensated)

Almost second nature, are

Less intolerable far

     Than the unknown hordes that come

     Crowding to the vacuum

When well-meaning madmen shriek:

“The Millenium next week!”

     “We must end disease and crime

     And poverty by dinner time!”

 

4.

When Australia tried to think

There was brewed a sudden stink.

     To cure nature of bad habits

     They provoked a plague of rabbits,

Statesmen cut each others' throats:

Remedy—give women votes!

     “Standing armies, standing shame.”

     Instantly conscription came.

Priestcraft—set it at defiance—

Mormonism, Christian Science!

     So the social evil shocks—

     —We democatized the Pox!

 

5.

Aristocracy appals?

Battered the ancestral walls,

     Barons now pay social calls

     Wearing three—not four—gold balls.

Down with birth!—the parasite

Claims official place of right.

     Down with brains! and craft and low cunning

     Are free at last to make the running,

Down with love! the world is grown an

Altar to Almight Onan—

     Down with God! But in His ark's

     Or Mrs. Grundy or Karl Marx.

Shakespeare's redolent of sin—

Victoria Cross and Mrs. Glyn!

 

6.

I was wise once—in my youth

I had a strangle-hold on Truth.

     A monopoly of Light

     How to run the planet right.

     Now my wits are whiskered white,

     I suspect I am not quite

Well enough equipped to master

Manu, Moses, Zoroaster,

     Gautama, Mohammed, Cato,

     Apollonius, Lao-tzu, Plato

Jesus Christ, Confucius, Zeno,

Aristotle and Dan Leno,

     All in one—and hope to pass

     As not being a prig and ass

Altogether, only thus

That I hate to make a fuss.

     Let the world jog on unchecked

     By my notions of correct

Conduct—yet I'd take the job

Of mismanaging the mob.

     I would make this single rule:

     Any blasted silly fool

Who supposes his advice

Better than a throw of dice

     Should be sent to tell us what

     Happens after one is shot.

 

7.

Upon earth the ugliest ogress

And the stupidest—is Progress.

 


 

CONSIDER THE LILIES.

(An XVI)

 

“They toil not, neither do they spin.”

     (I quote an unknown Master)

If that's where our observs begin,

     The end should be disaster!

 

Stop! Let me warn rash youth, that Thought,

     Allied to observation.

Is far from certain to support

     Preconceived ideation.

 

“Consider the Lilies!” ‘Twere indeed

     Shame were our souls' researches

To fail our faltering steps to lead

     To Sunday-schools and churches.

 

No weekly envelope they draw,

     No time clock punch O' mornings;

No forelady they hold in awe;

     They heed no ‘walker’s’ warnings.

 

They have no families to keep,

     No taxes, rent, insurance.

No rude alarm clocks murder sleep,

     And drag them to their durance.

 

They snatch no hasty meal; they miss

     The sport of subway crushes;

The possibilities of bliss

     On rainy days in buses!

 

They do not slave till even the hours

     Of rest hold no enjoyment;

They do not educate their powers

     By monotime employment.

 

They tax not heart, not poison lung,

     Know not what dangerous trade‘ is;

They feel no shame when thrown among

     A group of‘ ‘puffick’ ladies.

 

They force not muscle to repeat

     A single simple action

Year in, year out; they cannot meet

     With true soul-satisfaction.

 

They cannot balance books from youth

     To age without a murmur;

Sure ‘tis, the grip on Cosmic Truth

     Of cashiers must be firmer.

 

With reach-me-downs they cover not

     A weary wasted body;

No ‘dicky’ dognifies their lot,

     No overcoat of shoddy.

 

Yet Solomon (The Master's But)

     Was not, in all his glory,

Clothed like to one of these! Tut-tut

     That's quite another story.

 

“God clothes them!” We must never let

     Press, government, or pulpit

Hear this—there's Satan working yet

     To overcrowd his full Pit.

 

The Master's dead, or gone before,

     Unless accounts belie him:

But all respectable folk roar

     Still louder: “Crucify him!”

 

Dragons of old, or giants, toiled

     Youth-tribute— 'twas a trifle,

Today the population's polled

     For factory or rifle.

 

“Consider the Lilies!” Don't you dare,

     You Bolshevist, Hun, slacker!

As yet we've hardly taxed the air,

     So prospects might be blacker.

 

High cost of living worries you,

     And does not fret the lily?

Christian, unanimous with Jew,

     Yells: “On the job! You're silly!”

 

Would I were you—! I'd make a shift

     To pass existence floating.

Yea, would resign God's choicest gift,

     The privilege of voting.

 

II

“Consider the lilies!” What, again

     Did not the Master's error

Of taste convince the inquiring brain,

     Inspire the proper terror?

 

No? Must I state a fact so bold

     Disclose a crime so nameless?

Lilies—the mind reels back, appalled—

     Are absolutely shameless.

 

(Dissect degeneracy's ray

     Hell-lit, by science' prism.

We label flowers' offence to-day

     As “Exhibitionism.”

 

Of all insanities and crimes

     That history tells, at any rate,

Of all perversions in all times,

     Theirs is the most degenerate.)

 

They flaunt those organs that should rest

     Still nameless, if I knew them.

And worse, since worse can be attest

     And call attention to them.

 

By naughty shape, and gaudy hue,

     By lewd perfume, the trusting

Innocent soul., like me or you,

     They lure—

 

Love is a foul and shameless vice

     Of Nature, grown malicious

By Adam's fall, a cockatrice

     Of Hell, inane and vicious.

 

But since survives the ignoble fact

     Even in our age progressive,

Utmost decorum, word and act,

     We cannot deem aggressive.

 

All this is lost on lilies. Flame

     Corolla, pistil, stamen—

Things so obscene we veil the shame

     In decent Latin. Amen!

 

Calyx and anther—there's a word

     Means what? Well, soul's abrasion!

I'll note it, lest some need occurred

     On some discreet occasion.

 

Worse—though unthinkable should seem

     Worse—is the fact to follow,

Grinning in infamy supreme

     In Hell's obscurest hollow.

 

Perpend then! Flowers (I hide my face)

     Not only are not married,

But live promiscuous; place to place

     Their lust by wind is carried.

 

Even the bee (the bee that stings

     And so's a kind of adder,

Snakes being Satan's) Plies its wings

     A pimp's! Could aught be sadder?

 

Verily, yea! Some flora forget

     The proper and the decent

So far—one bloom has fish and net

     For her to hold what he sent!

 

Loathsome, most hideous, the sin

     To fertilise alone, an

Abomination, close akin

     To the offense of Onan!

 

Science lauds Nature for her wit

     In scheming reproduction!

I'll tell you what I think of it

     —Soul's damage and destruction!

 

I doubt not that the maid that looks

     On the geranium's scarlet

Is marked for prey in Satan's books;

     And she who plucks, a harlot.

 

For the debauched girl that would wear

     A posy, verbal stricture

Fail—there's a super-vampire there

     As shewn in moving Pictures.

 

“Consider the lilies” On your knees,

     Mothers, and whine for pardon!

Speak, shall your daughters browse on these

     Kraft-Ebbings of the garden?

 

Their influence can only breed

     Those thoughts that shame and irk us,

That always, in the run, lead

     To Piccadilly Circus!

 

III

 

“Consider the lilies!” Thrice I come

     To expose the hate obsidian

That cunning Satan hides, the plumb

     That sounds his dark meridian.

 

The art of printing (art sublime

     The witness of whose skill is

To level thought—rogues love to climb!)

     Has never reached the lilies.

 

Their minds lack ‘uplift’, they ignore

     Thefts, murders and divorces;

They follow not the Soccer score,

     Nor note the form of horses.

 

They cannot read advertisement

     Of cure-alls, soaps and motors,

Nor how the money market went,

     Nor eloquence to voters.

 

The ‘leaders’ do not stir a frond;

     Their petals are not flustered

By letters from the Great Beyond,

     And girls lives, with the mustard.

 

How movie stars find marriage sweet,

     And mother-love, enthralling

And Chinese dogs divine—complete

     Their ignorance—its appalling.

 

Was Mrs. Get there's dinner graced

     By bishops? At the party

At Prine's was a Duke disgraced?

     Who cheated at ecarté?

 

The coming out of Lady Jane,

     The coming home of royalty,

None of it thrills them. They disdain

     Not snobbery, no! but loyalty.

 

How serious is their state is shewn

     By journalist's exchequers;

Who buy no newspapers are known

     By all for social wreckers.

 

“Jews can afford it?” There's the sting,

     The lily's poison lurking.

Who reads not seems an awkward thing

     For those who have been working.

 

How, if one read not, shall he learn

     The wickedness of labour?

How know the moment when to turn

     In wrath upon which neighbour?

 

We would not thus abuse the light:

     But—as to education,

Our lilies in the self-same plight

     Stand, menace to the nation!

 

“Consider the lilies?” The judge mounts

     The wall of witness built; he

Directs the twelve: On all three counts,

     Bring in the wretches Guilty!

 

“Lop the lewd heads that mock our toil,

     That outrage our propriety,

Contaminate our souls, and soil

     Our notions of society!”

 


 

THE MORALIST.

 

Delaying to do the thing that's right

     Is as bad as having a funk on;

Then why should we wait till Saturday night?

     To get all kinds of a drunk on?

With brandy a century old in sight,

Why should we wait till Saturday night?

 

If I haven't a house on the Grand Parade,

     I'll build me a hut of wattle.

The corkscrew seems to have got mislaid?

     Then smash the mouth of the bottle!

Courage and will and a whack will aid,

Though the corkscrew seems to have got mislaid.

 

Anatomists say that a single wing

     Isn't much for a bird to fly on.

There's not much ginger about the spring

     Of the fiercest one-legged lion.

Another bottle's the obvious thing

To get the ginger into our spring.

 

Beloved brethren, listen to me!

     If there's one truth of divinity

Clear, it's the virtue there is in Three,

     And I myself was at Trinity.

The least we can do is to seek and see

The virtue hid in the Number Three.

 

If much be good, the better is more,

     As any logician will prove to you;

It's only a step from Three to Four;

     May the argument's lever move you!

Its simply illogical not to explore

The little bit on from Three to Four.

 

On bread alone though a man can't thrive,

     Saint Luke says nothing of brandy;

It may be the thing to keep us alive,

     And I see there's a bottle handy.

Open in Bill! That's only Five.

It may be the thing to keep us alive.

 

The road to excess, said William Blake,

     To the Palace of Wisdom leads one;

Open a bottle for Wisdom's wake!

     And I am the boy that needs one.

It's a long long way, but it's good to take

—Open a bottle for Mishter Blake!

 

At the door of Burgess' Fish Sauce Shop

     She stood, oh, how does it go, boys?

Well, ‘truly rural’ will do for the cop,

     If you say it quiet and slow, boys.

Why the devil should anyone stop,

When ‘truly rural’ will do for the cop?

 

I'd know 'f 't struck you, i' shtruck me

     Th' was something wrong with the pheasant.

Say, how would a little drink, maybe—

     —You' know, 'void an'thing 'npleasant?

Say doctor, d'you prescribe it, shee?

W'd'y think, lil drink, maybe?

'Fence  o' th' Realm Act, I'm no fool.

     All tha', th's ri', damnation!

'Member, 'n I wazza boy a' school,

     A—overa top'sh my rule:—

'Member, n' I wazza boy a' school . . . . .

 


 

THE JOLLY BARBER.

 

I met my love in a barber shop

     Sing hey, sing ho!

He kissed me until I was ready to drop.

     Sing hey, the ship's in the harbour.

He kissed me straight, and he kissed me oblique;

He kissed me until I got so weak

That I couldn't stand and I couldn't speak.

     Sing ho for the jolly barber!

 

He couldn't wave and he couldn't shampoo.

     Sing hey, sing ho!

But what he could do he could do!

     Sing hey the ship's in the harbour.

He kissed me hot and he kissed me strong;

And my mother said I should never do wrong

If I always put things where they belong.

     Sing ho for the jolly barber!

 

He kissed me all the day and he kissed me all night.

     Sing hey, sing ho!

O yes, he certainly kissed me right!

     Sing hey, the ship's in the harbour.

But love isn't all the poet sings:

He took my watch and he took my rings,

And he left me a lot of other things,

     Sing ho for the jolly barber.

 

 

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